1,720,953 research outputs found

    This is God's Witness: A Literary Analysis of Dynamis in Luke and Acts

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    This project is a literary examination to explore the use and theme of dynamis in Luke and Acts. Dynamis is one of the Greek terms for power which is most often translated into “power” or “miracle.” This examination will show that dynamis is integral to the verification of witnesses and their message is truth from God. Dynamis, for Luke, is the visible evidence authenticating the origin of the message as being from God. Acts 2:22, Luke states that Jesus was attested through dynamis, and this project will show how Luke uses dynamis as attestation. The six sections of this paper will cover the following topics. Section one will explore Luke’s definition and use of dynamis. There are five uses of dynamis in Luke and Acts: first Dynamis is the power to perform miracles. Next, dynamis in the plural refers specifically to miracles. Also, dynamis can reference the heavens or heavenly beings. Additionally, dynamis can be eschatologically focused. Finally, dynamis is power from the Spirit. Most often in Luke and Acts dynamis is connected to the miraculous. Along with dynamis’s connection to the miraculous, it is important that the Spirit is the source of dynamis, because for Luke dynamis is proof that God’s witnesses are indwelt by the Spirit. Section two will show the power struggle between God and the Devil that permeates the books of Luke and Acts. This section will explore the greatness of God’s power that moves and controls history, but God is not the only power in Luke and Acts. The Devil’s power is extensive in its scope: leading people astray, possessing some individuals, and even causing physical illness. The Devil shares his power with magicians, but even with the impressive power of the Devil, in Luke and Acts God is proved time and again to be the supreme force. Section 3 will show that dynamis is wielded by God’s witnesses and often directly defeats the Devil. People who the Devil has led astray are converted to Jesus. Demons are exorcized, and the sick and infirmed are healed. The dynamis that defeats the Devil shows that the one possessing it is a witness from God because God is the supreme power. Section four will focus on dynamis is given not self-generated. This fact is important because it is distributed by God through the Spirit, marking the one utilizing dynamis as God’s witness. God’s witnesses are quick to point out that the dynamis is not theirs but is a gift from God, again showing them to be God’s witnesses. Section five shows that dynamis is often utilized by God’s witness early in his mission for God. This early use of dynamis verified and established the individual as God’s witness. God’s witnesses display dynamis to verify a new economy. When Jesus forgives sin (Luke 5) and accepts an unclean woman with an issue of blood (Luke 8), as well as when Peter preaches salvation through Jesus (Acts 3 and 4), dynamis accompanies these and others of a like nature to verify them as true. Section six explores Luke’s pattern to verify God’s witnesses. Since Luke views faith as being based on what is visible, he desires to show salvation. Dynamis is an essential feature in displaying faith. God’s witnesses are indwelt with the Spirit, and Luke reveals the reception of the Spirit by having God’s witnesses utilize dynamis to perform visible miracles, signs, and wonders. Dynamis for Luke is an arrow that points to one of two things. First, dynamis is an arrow that points to one declaring this is God’s witness. Second, dynamis is an arrow that points to a message saying this is truth from God. Dynamis is visible evidence to help others believe in Luke’s gospel message.Professor Paul Hollowa

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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