1,720,960 research outputs found
Dernières recherches d'archéologie archaïque et classique sur le littoral ouest-pontique
No full textCoja Maria. Dernières recherches d'archéologie archaïque et classique sur le littoral ouest-pontique. In: Sur les traces des Argonautes. Actes du 6e symposium de Vani (Colchide), 22-29 septembre 1990. Besançon : Université de Franche-Comté, 1996. pp. 259-270. (Annales littéraires de l'Université de Besançon, 613
Şantierul Histria / Le chantier d’Histria
No full textCondurachi Emil, Pippidi Dionisie M., Bordenache Gabriella, Eftimie Victoria, Stoian Iorgu, Popescu Emilian, Dimitriu Suzana, Radu Carmen, Coja Maria, Alexandrescu Petre, Zirra Vlad. Şantierul Histria / Le chantier d’Histria. In: Materiale şi cercetări arheologice, N°6 1959. pp. 265-306
Raport asupra activităţii şantierului Histria în campania 1956 / Rapport sur l’activité du chantier d’Histria en 1956
No full textPippidi Dionisie M., Eftimie Victoria, Stoian Iorgu, Popescu Emilian, Dimitriu Suzana, Coja Maria, Zirra Vlad, Alexandrescu Petre, Berciu Dumitru, Preda Constantin. Raport asupra activităţii şantierului Histria în campania 1956 / Rapport sur l’activité du chantier d’Histria en 1956. In: Materiale şi cercetări arheologice, N°5 1959. pp. 283-328
Şantierul arheologic Histria / Le chantier archéologique d’Histria
No full textCondurachi Emil, Alexandrescu Petre, Pippidi Dionisie M., Bordenache Gabriella, Stoian Iorgu, Dimitriu Suzana, Coja Maria, Petre Aurelian, Popescu Emilian, Eftimie Victoria, Nubar Hamparțumian, Radu Carmen. Şantierul arheologic Histria / Le chantier archéologique d’Histria. In: Materiale şi cercetări arheologice, N°7 1961. pp. 227-271
Şantierul arheologic Histria / Le chantier archéologique d’Histria
No full textCondurachi Emil, Pippidi Dionisie M., Tudor Dumitru, Dimitriu Suzana, Zirra Vlad, Coja Maria, Eftimie Victoria, Alexandrescu Petre, Popescu Emilian, Berciu Dumitru, Preda Constantin. Şantierul arheologic Histria / Le chantier archéologique d’Histria. In: Materiale şi cercetări arheologice, N°4 1957. pp. 9-101
Şantierul Histria / Le chantier d’Histria
No full textCondurachi Emil, Pippidi Dionisie M., Bordenache Gabriella, Eftimie Victoria, Petre Aurelian, Stoian Iorgu, Dimitriu Suzana, Dumitrescu Carmen, Coja Maria, Alexandrescu Petre, Vîlceanu Dumitru, Coteţ Petre. Şantierul Histria / Le chantier d’Histria. In: Materiale şi cercetări arheologice, N°8 1962. pp. 383-438
Şantierul arheologic Histria / Le chantier archéologique de Histria
No full textCondurachi Emil, Bordenache Gabriella, Dimitriu Suzana, Eftimie Victoria, Stoian Iorgu, Sâmpetru Mihai, Hamparţumian Nubar, Teodorescu D., Coja Maria, Suceveanu Alexandru, Alexandrescu Petre, Zirra Vlad. Şantierul arheologic Histria / Le chantier archéologique de Histria. In: Materiale şi cercetări arheologice, N°9 1970. pp. 177-223
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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