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    Çocuklarda zaman kavramının gelişimiyle Helenistik felsefedeki zaman kavramsallaştırılması arasındaki ilişki

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    The aim of this study is to examine the relationship between the age-related development of the concept of time in children and the temporal representations of the figures Aion, Kairos, and Kronos, the gods of time in ancient Greek mythology. The concept of time does not emerge spontaneously in individuals. It appears and takes shape depending on the culture in every society. Although the child's learning process about time begins within the family and continues systematically at school, it is shaped by its function in the daily life of society. In this study, the representation of time through Aion, Kairos, and Kronos is first explained. Then, the developmental characteristics of the general and historical concept of time in children are identified based on the literature. Following this, an attempt is made to establish a connection between the developmental status of the historical concept of time that emerges with age in children and the characteristics of the Greek mythological gods of time. In conclusion, it is observed that the Hellenistic understanding of time involves three distinct representations of time and their interactions, emphasizing subjective time perception, and offering a broader awareness that transcends temporal boundaries. This study, which addresses the various structures of the concept of time and their effects on individual and collective memory, suggests that the diversity of Hellenistic concepts of time challenges the modern linear understanding of time. In this context, a perspective on how time is experienced in different cultures emerges through a comparative examination of ancient and modern understandings of time. It is expected that this will provide a foundation for new studies on the consciousness of time. It can be proposed that the perception of time in Hellenistic philosophy may enrich time management approaches across various disciplines by introducing a new dimension to modern thought structures.Bu çalışmanın amacı, modern araştırmalara göre çocuklarda yaşa bağlı gerçekleşen zaman kavramının gelişim özellikleriyle Antik Yunan mitolojisinin zamana ilişkin tanrıları olarak kabul edilen Aion, Kairos ve Kronos’un zamansal temsilleri arasındaki ilişkiyi irdelemektir. Bilindiği gibi zaman kavramı bireylerde kendiliğinden ortaya çıkmaz, her toplumda kültüre bağlı olarak belirir ve biçimlenir. Çocuğun ailede başlayan zaman kavramına ilişkin öğrenme süreci, okulda sistemli biçimde sürse de toplumun gündelik yaşamındaki işlevine göre şekillenir. Her ne kadar modern dünya işleyişini katı bir zaman bilinci üzerine kursa da zaman algısı toplumsal ve kültürel temelli olarak çeşitlenir. Antik Yunan mitolojisinden Helenizm düşüncesine geçen değerler arasında üç farklı tanrı üzerinden zaman temsili de vardır. Bu üç tanrının, zamanın farklı yönlerini ve farklı işlevlerini temsil ettiği kabul edilir. Buradan kaynaklandığı düşünülen Helenistik düşüncedeki zaman kavramı, yalnızca fiziksel bir süreklilik değil, aynı zamanda bir bilinç ve varoluş sorunu olarak da görülür. Bu çalışmada önce Antik Yunan mitolojisinde zamanın temsili, Aion, Kairos ve Kronos üzerinden açıklanmıştır. Daha sonra çocuklarda genel ve tarihsel zaman kavramının gelişimsel özellikleri literatürden hareketle belirlenmiştir. Sonrasında ise çocukta yaşa bağlı ortaya çıkan tarihsel zaman kavramının gelişimsel durumu ile Yunan mitolojisinin zaman tanrılarının özellikleri arasında bir bağ kurulmaya çalışılmıştır. Sonuç olarak, Helenistik zaman anlayışının, üç farklı biçimde zaman temsilini ve bunların etkileşimini içerdiği, öznel zaman algısını vurguladığı ve bu durumun zamansal sınırların ötesinde geniş bir farkındalık sunduğu görülmüştür. Zaman kavramının farklı yapıları ve bunların bireysel ve kolektif hafıza üzerindeki etkilerini ele alan bu çalışmanın, Helenistik zaman kavramlarının birey ve toplum üzerindeki etkilerini anlamada yeni bir perspektif sunduğu düşünülmektedir

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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