1,720,965 research outputs found
Underwater noise assessment in the Gulf of Trieste (Northern Adriatic Sea, Italy) using an MSFD approach
No full textIn the marine environment, underwater noise is one of the most widespread input of man-made energy. Recently, the European Commission has stressed the necessity of establishing threshold levels as a target for the descriptor 11.2.1 "Continuous low frequency sounds" in the Marine Strategy Framework Directive (MSFD). In 2012, a monthly underwater noise monitoring programme was conducted in the Gulf of Trieste (Northern Adriatic Sea, Italy); the collected acoustic samples (frequency range: 10-20,000. Hz) were analysed in the 1/3 octave bands. The stations have been further clustered following the 63 and 125. Hz bands noise levels. Average SPL levels resulted similar to those previously computed for proximate areas, indicating that the Adriatic Sea sub-region experiences high noise pressure in the marine waters. In its turn this claims for a scientific and technical international cooperation, as requested by the EU programme. No seasonal variation in local noise levels has been found
Characterization of small-boat noises compared with the chorus of sciaena umbra (sciaenidae)
No full textOne-year characterization of sea ambient noise in a coastal marine protected area: A management tool for inshore marine protected areas
No full textEffects of ambient and boat noise on hearing and communication in three fish species living in a marine protected area (Miramare, Italy)
No full textThe WWF-Natural Marine Reserve of Miramare (Trieste, Italy) is located in a major industrial and vacation area in the Adriatic Sea. Consequently, noise emanating from boating and shipping is an inevitable factor for local fishes. This study investigates the effects of ambient and ship noise on representatives of three vocal fish families with different hearing abilities. Ambient and ship noise were recorded, their sound pressure levels measured and played back in the lab. Auditory sensitivity was determined in Chromis chromis, Sciaena umbra and Gobius cruentatus, utilizing the auditory evoked potential recording technique. Compared to lab conditions, hearing thresholds determined during ambient noise playbacks were barely masked. Contrary, the noise emanating from a cabin-cruiser substantially reduced auditory sensitivity relative to thresholds in ambient noise. This masking effect was most pronounced in the frequency range where acoustic communication takes place. Boat noise potentially affects acoustic communication in fishes inhabiting the reserve. © 2009 Elsevier Ltd. All rights reserved
Hearing under ambient and ship noise conditions: A case study on fishes from a protected area in the adriatic sea
No full textSound pressure and particle acceleration audiograms in three marine fish species from the Adriatic Sea
No full textFishes show great variability in hearing sensitivity, bandwidth, and the appropriate stimulus component for the inner ear (particle motion or pressure). Here, hearing sensitivities in three vocal marine species belonging to different families were described in terms of sound pressure and particle acceleration. In particular, hearing sensitivity to tone bursts of varying frequencies were measured in the red-mouthed goby Gobius cruentatus, the Mediterranean damselfish Chromis chromis, and the brown meagre Sciaena umbra using the non-invasive auditory evoked potential-recording technique. Hearing thresholds were measured in terms of sound pressure level and particle acceleration level in the three Cartesian directions using a newly developed miniature pressure-acceleration sensor. The brown meagre showed the broadest hearing range (up to 3000 Hz) and the best hearing sensitivity, both in terms of sound pressure and particle acceleration. The red-mouthed goby and the damselfish were less sensitive, with upper frequency limits of 700 and 600 Hz, respectively. The low auditory thresholds and the large hearing bandwidth of S. umbra indicate that sound pressure may play a role in S. umbra's hearing, even though pronounced connections between the swim bladder and the inner ears are lacking. © 2009 Acoustical Society of America
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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