1,720,961 research outputs found
Dr. van Heerikhuizen (F. W.). Het Werk van Arthur van Schendel. Achtergronden, karakter en ontwikkeling
No full textClosset Fr. Dr. van Heerikhuizen (F. W.). Het Werk van Arthur van Schendel. Achtergronden, karakter en ontwikkeling. In: Revue belge de philologie et d'histoire, tome 41, fasc. 3, 1963. pp. 881-883
Dr. van Heerikhuizen (F. W.). Het Werk van Arthur van Schendel. Achtergronden, karakter en ontwikkeling
No full textClosset Fr. Dr. van Heerikhuizen (F. W.). Het Werk van Arthur van Schendel. Achtergronden, karakter en ontwikkeling. In: Revue belge de philologie et d'histoire, tome 41, fasc. 3, 1963. pp. 881-883
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Wais (Kurt), Das Antiphilosophische Weltbild des französischen Sturm und Drang
No full textClosset F. Wais (Kurt), Das Antiphilosophische Weltbild des französischen Sturm und Drang. In: Revue belge de philologie et d'histoire, tome 14, fasc. 3, 1935. pp. 973-976
Heeroma (Κ). De fragmenten van De tweede Rose, uitgegeven door — , avec résumé en français
No full textClosset F. Heeroma (Κ). De fragmenten van De tweede Rose, uitgegeven door — , avec résumé en français. In: Revue belge de philologie et d'histoire, tome 38, fasc. 1, 1960. Antiquité - Oudheid. p. 120
Van Gorp (Dr Jan), Het Duitsche Proza sedert den oorlog
No full textClosset F. Van Gorp (Dr Jan), Het Duitsche Proza sedert den oorlog. In: Revue belge de philologie et d'histoire, tome 15, fasc. 3-4, 1936. pp. 1051-1055
Sprengel (Johann Georg). Der Staatsgedanke in der deutschen Dichtung
No full textClosset F. Sprengel (Johann Georg). Der Staatsgedanke in der deutschen Dichtung. In: Revue belge de philologie et d'histoire, tome 14, fasc. 1, 1935. pp. 130-131
Drop (Dr W.). Verbeelding en Historie, verschijningsvormen van de Nederlandse Historische Roman in de Negentiende Eeuw.
No full textClosset F. Drop (Dr W.). Verbeelding en Historie, verschijningsvormen van de Nederlandse Historische Roman in de Negentiende Eeuw.. In: Revue belge de philologie et d'histoire, tome 37, fasc. 3, 1959. Langues et littératures modernes — Moderne talen en letterkunden. p. 798
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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