1,721,207 research outputs found
The world's 11th hour : (Aug. 15th, July 15th 1914 outbreak European War)
No full textCover title.; By Arthur Climo.; Also available online at: http://nla.gov.au/nla.aus-vn1951420; FERG copy from Ferguson First World War, 1914-1919 pamphlet collection.World's eleventh hour
08.01.014: Portrait, "John L. Cavanagh"
No full textPortrait, "John L. Cavanagh", inscribed in pencil on verso: b&w; 20.1 x 12.1 cm, Halifax, Canada: Climo [19-
Mr. Walsh, 1948
No full textb&w photograph; nitrateVery good condition: edges slightly frayed, marks in eyes and above lip, and reverse side yellowingPortrait of Mr. Walsh.Written in white in top edge of photo '1948 Walsh' and on reverse '78.' Embossed in lower right corner of mat 'Climo, Halifax, Canada'; From Art Galler
K. McMoir: Royal Canadian Air Force, ca. 1940
No full textb&w photographVery good condition: marks in each corner where cataloguer removed photo from mat, spot and streak near top right corner and photo yellowingPortrait of a man in Air Force uniform.Embossed in lower right corner of mat: 'Climo, Halifax, Canada.' Came in frame marked 'K. McMoir, R.C.A.F.'. From Art Gallery
Protoammulina johnsi Climo 1971
No full text<i>Protoāmmulina johnsi</i> Climo, 1971 <p> <i>Descriptions.</i> Climo (1971); Powell (1979). Listed in: Powell (1976); Spenser and Willan (1995).</p> <p> <i>Location.</i> The Snares.</p>Published as part of <i>Pugh, Philip J. A. & Scott, Bronwen, 2002, Biodiversity and biogeography of non-marine Mollusca on the islands of the Southern Ocean, pp. 927-952 in Journal of Natural History 36 (8)</i> on page 934, DOI: 10.1080/00222930110034562, <a href="http://zenodo.org/record/5300971">http://zenodo.org/record/5300971</a>
Alteração mineralógica de Neossolos em uma climo-litossequência no Planalto do Rio Grande do Sul Mineral weathering in Neossolos in a climo-litosequence on the Rio Grande do Sul Plateau, Brazil
No full textNo Estado do Rio Grande do Sul (RS), os Neossolos Litólicos e Neossolos Regolíticos são solos que têm sofrido forte pressão de uso, demandando maior conhecimento sobre sua gênese e mineralogia. O objetivo deste trabalho foi determinar o grau de intemperismo de Neossolos Litólicos e Neossolos Regolíticos, avaliando-se a alteração dos minerais em perfis dispostos em uma climo-litossequência no Planalto do RS, através de técnicas de dissolução química e difração de raios X. Foram identificados dois grupos de solos com graus de alteração distintos. O primeiro é constituído pelos perfis da porção Oeste da climo-litossequência (P1, P2 e P3) e encontra-se no estádio entre a bissialitização e a monossialitização, com predomínio de esmectita com hidroxi-Al entrecamadas (EHE), caulinita e hematita na fração argila. O segundo é representado pelos perfis da porção Leste (P4 e P5), encontrando-se no estádio entre a monossialitização e a ferralitização, com predomínio de caulinita e goethita e presença de gibbsita e EHE na fração argila. Os resultados sugerem maior influência do clima na alteração dos perfis. Os índices ki e kr não foram eficientes em representar a condição de alteração secundária dos perfis de Neossolos.In the Rio Grande do Sul state (RS) Neossolos Litólicos (Leptosols) and Neossolos Regolíticos (Regosols) are soils that have been suffering strong use pressure, demanding better knowledge on their genesis and mineralogy than the existing one. The objective of this research was to determine the weathering degree of Neossolos Litólicos and Neossolos Regolíticos through the evaluation of the minerals alteration in profiles disposed in a climo-litossequence in the RS Plateau, using techniques of chemical dissolution and X rays diffraction. The authors identified two groups of soils with different alteration degree. The first one is composed by the profiles of the West portion of the climo-litossequence (P1, P2 and P3) which has the weathering degree between the bissialitization and the monossialitization, with high content of smectite with hidroxi-Al interlayers (EHE), caulinite and hematite in the clay fraction. The second one is represented by the profiles of the East portion (P4 and P5), with weathering degree between the monossialitization and the ferralitization, with high content of caulinite and goethite and presence of gibbsite and EHE in the clay. The results suggested an higher contribution of the climate on the weathering of the profiles. The ki and kr indexes were not efficient in representing the condition of secondary alteration of the profiles of Neossolos
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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