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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
[Collection, XIV-XV сent.] : 1. Arat. Phenomena [Ff. 2-33]. 2. Cleomed. About circulation of celestial bodies [Ff. 34-66]. 3. Nicomachius of Gerasa. Introduction to arithmetic. [Books 1-2] [Ff. 67-102].
No full textIncluded are: 1. The famous poem by Arat (310–245 ВС) describing the star sky. In this work, written hexameter, the astronomical knowledge, antique mythology and stoic philosophy are combined. In the epoch of Middle Ages the work by Arat was used as manual. Arats text is accompanied by scholia. 2. The works by ancient Greek astronomer Cleomed (I-II cent. AD). The beginning of Cleomed text (1-5 periods) is lost, the manuscript begins with the words: Ο τοίνυν έv τη έκπυρώσει υπό της ουσίας χεομέ νης καταλαμβανόμενος τόπος νΰν κενός έστιν... F.66b – the separate inscriptions of didactic nature (apparently were made later, written in another handwriting and have no relation to "astronomical and mathematical" themes of the collection. 3. The work by Neo-Pythagorian Greek mathematician Nicomachus of Gerasa (about 100 AD), in which for the first time the mathematical concepts have received not geometrical but numerical interpretation. F. 68–7I were evidently paged by mistake, as the Greek text is not interrupted.
The manuscript is written in ancient Greek, on paper, in one and the same handwriting (except f.66b), without book decorations but with drawings, schemes and tables.
Binding cardboard, with leather spine and corners (beginning of the XIX cent.), some leaves are dilapidated, damaged by book pests. 220 mm x 145 mm, volume – [102] ff.
There is an inscription at the top of f.2: τοΰ Βατουπεδίου ("[from the collection of Athon] Batopedius monastery").
Acquired by the Central Scientific Library with the collection of Greek manuscripts described by Ballin de Ballu as recently as 1807, has a stamp "У.Х." i.e. "University of Kharkov". There was an inscription in the low margin off. 2, now it is unreadable, as it was painstakingly struck out. According to the assumption of the known researcher of the Greek manuscripts Fonkich B.L. this barbarously (up to holes on paper) obliterated inscription ["Arsenij"] could belong to Arsenij Suhanov, who made a trip to Holy Mountain Athon in Greece in 1653–1655 and took out about 500 Greek manuscripts and printed books from there. This trip was organized on the initiative of patriarch Nikon, well known Church reformer in Russia, with the purpose of using the brought books for improving Russian prayer books.Із фонда Центральної наукової бібліотеки Харківського національного університету імені В.Н. Каразіна. Цей електронний ресурс представлений також у Світовій цифровій бібліотеці (WDL) - http://www.wdl.org/ru/item/14757/[Збірник, [XIV–XV ст.] :
1. Αρκ. 2-33. Арат. Явища.
2. Арк. 34-66. Клеомед. Про круговорот небесних тіл.
3. Арк. 67-102. Нікомах Гераський. Вступ до арифметики.
Манускрипт включає такі рукописи: 1. Знаменита поема Арата (310 - 245 р. до н.е.), що описує зоряне небо. У цьому творі, написаному гекзаметрами, поєднуються астрономічні знання, антична міфологія і стоїчна філософія. В епоху середньовіччя твір Арата використовувався як навчальний посібник. Текст Арата супроводжується схоліями. 2. Твір давньогрецького астронома Клеомеда (І – ІІ ст. н.е.). Початок тексту Клеомеда (1-5 періоди) загублено; рукопис починається зі слів: Ο τοίνυν έv τη έκπυρώσει υπό της ουσίας χεομέ νης καταλαμβανόμενος τόπος νΰν κενός έστιν... Αρκ. 66b – окремі написи дидактичного характеру (очевидно, зроблені у більш пізній час; написані іншим почерком і не мають стосунку до "астрономічно-математичної» теми збірника). 3. Твір грецького математика-неопіфагорійця Нікомаха з Гераси (близько 100 р. н.е.), у якому арифметичні поняття вперше одержали не геометричну, а цифрову інтерпретацію. Арк. 68,71, очевидно, помилкова нумерація аркушів, оскільки грецький текст не переривається.
Рукопис написаний давньогрецькою мовою, на папері, одним почерком (за винятком арк.ббЬ), без книжкових прикрас, з багатьма малюнками, кресленнями і таблицями. Оправа картонна, зі шкіряними корінцем і ріжками (поч. XIX ст), деякі аркуші пошкоджені книжковими шкідниками. Розмір аркуша – 220 х 145, обсяг – [102] арк.
На арк. 2 угорі напис: τοΰ Βατουπεδίου ("[із зібрання Афонського] Ватопедійського монастиря").
Рукопис надійшов до ЦНБ у складі зібрання грецьких рукописів, описаних Беленом де Баллю ще у 1807 році, має штамп "У. X.", тобто "Університет Харківський". По нижньому полю арк. 2 був напис, тепер нерозбірливий, оскільки ретельно закреслений. За припущенням відомого дослідника грецьких рукописів Б.Л. Фонкича, по-варварськи (до дірок на папері) знищений напис ["Арсеній"] міг належати Арсенію Суханову, що у 1653–1655 р. здійснив поїздку до Греції на Святу гору Афон, звідкіля вивіз близько 500 грецьких манускриптів та друкованих книг. Ця поїздка була організована з ініціативи патріарха Никона, відомого церковного реформатора у Росії, з метою використання привезених книг для виправлення російських богослужбових видань
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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