1,721,671 research outputs found
Sir Clements-R. Markham, M.H.
No full textGoegg Egmond. Sir Clements-R. Markham, M.H.. In: Le Globe. Revue genevoise de géographie, tome 55, 1916. p. 52
Clements, R A, 1284379
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/377558Surname: CLEMENTS
Given Name(s) or Initials: R A
Military Service Number or Last Known Location: 1284379
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 58668191372
Item: [2016.0049.09856] "Clements, R A, 1284379
Discursos imperiales: Clements R. Markham, sus viajes y obras en torno al Perú
No full textEn este artículo, se estudia la producción más importante del geógrafo, historiador y viajero inglés Clements R. Markham desde una perspectiva interdisciplinaria y poscolonial. Se consideran sus dos libros, producto de susviajes al Perú a mediados del siglo XIX, sus traducciones de crónicas delperiodo colonial relacionadas con el Perú, así como sus estudios originales sobre la cultura inca. Todo esto en el contexto de la era imperial victoriana de Gran Bretaña.This article studies the most important production of the geographer, his-torian, and English traveler Clements R. Markham from an interdisciplinaryand postcolonial perspective. It takes into consideration his two books describing his two trips to Perú in the middle of the nineteenth century, his translations of the Spanish chronicles of the colonial period related to Peru,as well as his original studies on Inca culture. All this in the context of the British empire during Victoria’s reign
Discursos imperiales: Clements R. Markham, sus viajes y obras en torno al Perú
No full textThis article studies the most important production of the geographer, his-torian, and English traveler Clements R. Markham from an interdisciplinaryand postcolonial perspective. It takes into consideration his two books describing his two trips to Perú in the middle of the nineteenth century, his translations of the Spanish chronicles of the colonial period related to Peru,as well as his original studies on Inca culture. All this in the context of the British empire during Victoria’s reign.En este artículo, se estudia la producción más importante del geógrafo, historiador y viajero inglés Clements R. Markham desde una perspectiva interdisciplinaria y poscolonial. Se consideran sus dos libros, producto de susviajes al Perú a mediados del siglo XIX, sus traducciones de crónicas delperiodo colonial relacionadas con el Perú, así como sus estudios originales sobre la cultura inca. Todo esto en el contexto de la era imperial victoriana de Gran Bretaña
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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