9,919 research outputs found
Allen W. Clemen to James C. Furman
No full textA two page letter from Allen W. Clement to James C. Furma
Spiritual contemplation in Clement of Alexandria’s Stromateis : adaptation of the philosophical category θεωρία
No full textAlthough scholars have often acknowledged the spirituality in the writings of Clement of Alexandria (cir. 150-215 AD), a thorough study of the Platonic category θεωρία as it
appears in this second century Father has never been undertaken. Most studies on
Christian spirituality either ignore Clement's role altogether, or rush past him with little comment in favor of the great Origen (cir. 185-255 AD).
Stromateis, Clement's most enigmatic work, contains over 75 occurrences of θεωρία. A
close examination of these texts reveals that his use of the term is somewhat different from two of his greatest philosophical and spiritual mentors, Plato and Philo. Clement uses this term (usually translated "contemplation") to refer to a spiritual experience which occurs in
space and time, as well as an ethereal one and one which occurs in the mind. A possible
explanation for this difference lies with Clement's claim in the opening chapter of the
work: he is the recipient of an oral tradition which has never been recorded, but which he plans to include in the Stromateis.
This thesis demonstrates: 1) that Clement is the first Christian writer to adapt this
philosophical category into Christian spirituality; 2) the primary purpose of Stromateis is to present the third stage in a spiritual pathway - to reveal θεωρία as the spiritual "meat" for the advanced believer; and 3) to present God and His contact with the Christian as immediate. In a radical move, going against the philosophical setting of the day, Clement
presents this Platonic category as a means for the Christian to experience an immanent
God
[Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #1]
No full textStatement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street
[Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #2]
No full textStatement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street
Reverend J. M. Allen to James C. Furman
No full textA one page letter and envelope from Reverend J.M. Allen to James C. Furma
Clement, Katie L.
No full textAllen W. Clement - husbandhttps://stars.library.ucf.edu/cfm-ch-memoranda-1928/1187/thumbnail.jp
Darina Allen
No full textDarina Allen is owner of Ballymaloe Cookery School in Shanagarry, Co Cork, Ireland, which is situated on an organically run farm. She is a celebrated teacher, food writer, newspaper columnist for the Irish Examiner, cookbook author and television presenter
The author, Ida Allen, recounts some of her life in Maine\u27s woods. She was born
No full textThe author, Ida Allen, recounts some of her life in Maine\u27s woods. She was born in a Moxie Gorge log camp in the 1910s, and she remembers how the river drivers and lumbermen got logs from Lake Moxie over Moxie Falls ( the Niagara of the north ) through Moosehead Lake to the company mills. Details
Letter to the Editor from the author, and response from Edgar Allen Beem, on Bee
No full textLetter to the Editor from the author, and response from Edgar Allen Beem, on Beem\u27s book review of Maine: An Explorer\u27s Guide and his comparison of it to Maine Handbook
Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
- …
