1,720,959 research outputs found
Convegno internazionale: "Le Marche e il mare. Arte, architettura, paesaggio"
No full textIl convegno internazionale "Le Marche e il mare. Arte, architettura, paesaggio", a cura di Giuseppe Bonaccorso, Claudio Castelletti e Federico Bulfone Gransinigh con la collaborazione di Flavio Stimilli, aspirava a gettare nuova luce sulla fenomenologia culturale del grande tema del mare nelle Marche, dall’Antichità agli anni 2000, dedicando particolare attenzione scientifica alle interpretazioni degli artisti e alle soluzioni degli architetti nell’ampio contesto storico, geografico e paesaggistico del Medio Adriatico
PAESAGGIO: RICOGNIZIONI LESSICALI E ICONOGRAFICHE
No full textIl seminario svolto il 18 Aprile 2023 alla Scuola di Architettura e Design dell'Università di Camerino, indaga l'etimologia del termine Paesaggio all'interno della Storia dell'Arte al fine di comprendere significati e contenuti disciplinari. Interviene il prof. Claudio Castelletti
Un confronto di modernità: cultura adriatica e maestri fiorentini nella basilica di Loreto, in Le Marche e l’Adriatico nel Quattrocento. Arte e architettura tra eredità gotica e Rinascimento dell’antico
No full textThe Basilica della Santa Casa in Loreto defies comprehension through formalist criteria.
Instead, its uniqueness in 15th-century architecture stems from its typological choices. This
essay endeavors to trace the lineage of Loreto’s double-shell architecture, connecting its
origins to the Anastasis in Jerusalem. The Constantinian church, spawning various derivatives
like San Simeone in Qalat Siman, presents intriguing resemblances to Loreto, linked
by akin liturgical practices. San Vitale in Ravenna, another double-shell structure, likely
served as a reference for Loreto’s early designers, potentially including Marino di Marco
Cedrino from Romagna. The essay underscores how the Florentine masters who completed
the construction couldn’t, and perhaps didn’t intend to, embrace a classicist style due
to existing layout constraints and the demands of contemporary warfare using artillery.
Ultimately, the Basilica della Santa Casa stands as a splendid embodiment of Renaissance
modernity that diverged from classical Antiquity
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Giorgio di Matteo Dalmata e i suoi committenti: le reti del Quattrocento adriatico
No full textDuring the early 15th century, a Dalmatian architectural and sculptural market flourished in the Adriatic basin, based on the extreme mobility of people and materials. The best-known
architect-sculptor of the period, Giorgio di Matteo Dalmata/Juraj Matejev Dalmatinac, emerged as one of the protagonists of this fertile creative season characterized by the formulation of different constructive and formal solutions, often stimulated by antiquity. They correspond to a new socio-political order in the Adriatic, based on Venetian economic diplomatic mechanisms of taxation and privileges. The article offers a brief survey of some important protagonists of Giorgio di Matteo's choral commissions in Šibenik, Venice and Ancona, and their needs for representation in architectural and sculptural works
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