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    Clare Martin

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    Clare Martin at the opening of the Adelaide to Darwin railway.Protocol, Department of the Chief Minister

    Clare Martin, MLA

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    Clare Martin, Chief Minister in her office.Protocol, Department of the Chief Minister.Date:200

    Hon. Clare Martin

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    Chief Minister of the Northern Territory, The Hon. Clare Martin MLA (Member for Fannie Bay).Unknown.Date:2001

    Christopher Natt and Clare Martin

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    Christopher Natt and Clare Martin being sworn in by Ian McNeil, Clerk.Protocol, Department of the Chief Minister

    Clare Martin and Nabarlek Band

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    Clare Martin and Nabarlek Band. Nabarlek Band come from a tiny community in central Arnhem Land (Manmoyi) where for 15 years they have been rehearsing and practicing for the moment that they could produce their first album, Munwurrk (Bushfire). Since that debut, they have released a second LP, Bininj Manborth (Blackfella Road), and a third, Manmoyi Radio.Protocol, Department of the Chief Minister

    Clare Martin

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    Photograph from Library & Archives NT PH0866/0047 - Northern Territory Government PhotographerEducated in Dominican Convent, Wahroonga, Loreto, Normanhurst, Sydney. Clare did an Arts degree at Sydney University. She came to the Territory to work with ABC as a reporter in 1983. Married to a lawyer, David Alderman, she had two children Chloe and Jake. Clare was a member of the Australian Labor Party, she gained the distinction of becoming the first Labor and first female Chief Minister of the Northern Territory in 2001. She was elected to the Legislative Assembly of the Northern Territory at a by-election for the seat of Fannie Bay in 1995. This seat was formerly held by the Chief Minister Marshall Perron, member of the Country Liberal Party. She was re-elected in 1997, assumed the leadership of the ALP in 1999 and went on to win the 2001 election. In addition to her role as Chief Minister, she held the ministerial portfolios of Treasurer, Arts and Museums, Young Territorians, Women's Policy, Senior Territorians, Communications, Science and Advanced Technology. She won the 2005 election with an increased majority, but resigned from Parliament in November 2007. Currently, she has been based in Sydney for the past two years in the role of chief executive of the Australian Council of Social Service. Clare is returning to serve as a professional fellow at the new Public and Social Policy Research Institute. She will take up the position at Charles Darwin University in early August.[Source ABC News, Darwin.]JournalistPoliticia

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Why the Northern Territory Matters ... to All of Us

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    The author welcomes the attitude of the government of Northern Territory Chief Minister Clare Martin towards the next phase in northern political and constitutional development

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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