1,720,967 research outputs found
Joseph, Oh, Joseph, Why are you so shy? [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Harms, Inc. stock7207-6Johns Hopkins University, Levy Sheet Music Collection, Box
156, Item 144Words by Clare Kummer. Music by Leo Fall.The Charles Dillingham-Martin Beck production of Madame Pompadour, a play with music by Leo Fall. Adaptation by Clare Kummer. From the continental original of Rudolph Schanzer and Ernst Welisch
Joseph, Oh, Joseph, Why are you so shy? [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Harms, Inc. stock7207-6Johns Hopkins University, Levy Sheet Music Collection, Box
156, Item 144Words by Clare Kummer. Music by Leo Fall.The Charles Dillingham-Martin Beck production of Madame Pompadour, a play with music by Leo Fall. Adaptation by Clare Kummer. From the continental original of Rudolph Schanzer and Ernst Welisch
Dearie. Beautiful Waltz Arrangement of the Great Song Success of the Day.
No full textsectionalpianoads on back cover for Jos. W. Stern & Co. stock4876-3Johns Hopkins University, Levy Sheet Music Collection, Box
170, Item 110by Clare Kummer and [____?] Solman.As Sung by Miss Sallie Fisher of the Frank Daniel's companyunattrib. photos of Fisher and Kummer
Dearie. Beautiful Waltz Arrangement of the Great Song Success of the Day.
No full textsectionalpianoads on back cover for Jos. W. Stern & Co. stock4876-3Johns Hopkins University, Levy Sheet Music Collection, Box
170, Item 110by Clare Kummer and [____?] Solman.As Sung by Miss Sallie Fisher of the Frank Daniel's companyunattrib. photos of Fisher and Kummer
There are some things that you never forget [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Harms, Inc. stock6932-4Johns Hopkins University, Levy Sheet Music Collection, Box
157, Item 043Book & Lyrics by Clare Kummer. Music by Maurice Yvain.Charles Dillingham presents One Kiss (Ta Bouche). A New Comedy with music. From the French of Yres Mirande & Albert Willemetz. Staged by Fred G. Latham. Musical Numbers Arranged by Julian Alfred, by Arrangement with Francis Salabert, Paris
There are some things that you never forget [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Harms, Inc. stock6932-4Johns Hopkins University, Levy Sheet Music Collection, Box
157, Item 043Book & Lyrics by Clare Kummer. Music by Maurice Yvain.Charles Dillingham presents One Kiss (Ta Bouche). A New Comedy with music. From the French of Yres Mirande & Albert Willemetz. Staged by Fred G. Latham. Musical Numbers Arranged by Julian Alfred, by Arrangement with Francis Salabert, Paris
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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