1,348 research outputs found
To Make Shakespeare Signify: Notes on Rolando S. Tinio\u27s Makbet
No full textBien! A Festschrift is a feast of words and ideas that pays tribute to one of the most formidable, provocative, and important intellectuals in the Philippines and the field of Philippine Studies: Bienvenido L. Lumbera, National Artist for Literature of the Philippines. The book (in three volumes) presents reflections and commentaries on the great nationalist scholar and his lifework on literature, culture, literacy, and politics. This compendium also provides a selection of critical and creative work that honors the wide range of Lumbera’s interests and achievements.
The contributors in this volume include Reuel M. Aguila, Delia D. Aguilar, Alwin C. Aguirre, Virgilio S. Almario, Merlie Alunan, Mesándel Virtusio Arguelles, Genevieve L. Asenjo, Glecy Atienza, Romulo P. Baquiran, Jr., Joi Barrios, David Jonathan Y. Bayot, Karina Bolasco, Niles Jordan Breis, Rofel G. Brion, Nonon Villaluz Carandang, Jonathan Chua, Kristian Sendon Cordero, Michael M. Coroza, Genaro R. Gojo Cruz, Isagani R. Cruz, Ivery del Campo, Clodualdo del Mundo, Jr., Nick Deocampo, and Gary Devilles
Snapshots of a Literary Friendship: Francisco Arcellana and Jose Garcia Villa*
Get PDFAccounts of literary friendships provide one with material for literary scholarship. This paper presents “snapshots” of the friendship of Francisco Arcellana (1917–2002) and Jose Garcia Villa (1908– 97). Arcellana and Villa’s friendship bears indelible traces of Philippine literary history at large; to look at the microcosm that is their friendship is also to get a glimpse of a macrocosm of relations, forces, and movements that have constituted Philippine literature. *An earlier version of this paper was read at a panel organized by the Department of English Studies and Comparative Literature, College of Arts and Letters, University of the Philippines, on 9 September 2016, on the centenary of Francisco Arcellana. The author thanks Paolo Manalo and Isabel Banzon for the invitation to speak at the panel.
Multiscale Patterning of a Metallic Glass using Sacrificial Imprint Lithography
No full textBulk metallic glasses have been advanced as a means to achieve durable multiscale, nanotextured surfaces with desirable properties dictated by topography for a multitude of applications. One barrier to this achievement is the lack of a bridging technique between macroscale thermoplastic forming and nanoimprint lithography, which arises from the difficulty and cost of generating controlled nanostructures on complex geometries using conventional top-down approaches. This difficulty is compounded by the necessary destruction of any resulting reentrant structures during rigid demolding. We have developed a generalized method to overcome this limitation by sacrificial template imprinting using zinc oxide nanostructures. It is established that such structures can be grown inexpensively and quickly with tunable morphologies on a wide variety of substrates out of solution, which we exploit to generate the nanoscale portion of the multiscale pattern through this bottom-up approach. In this way, we achieve metallic structures that simultaneously demonstrate features from the macroscale down to the nanoscale, requiring only the top-down fabrication of macro/microstructured molds. Upon detachment of the formed part from the multiscale molds, the zinc oxide remains embedded in the surface and can be removed by etching in mild conditions to both regenerate the mold and render the surface of the bulk metallic glass nanoporous. The ability to pattern metallic surfaces in a single step on length scales from centimeters down to nanometers is a critical step toward fabricating devices with complex shapes that rely on multiscale topography for their intended functions, such as for biomedical and electrochemical applications.Peer reviewe
A Tribute to Jonathan Mann: Health and Human Rights in the AIDS Pandemic
Get PDFA tribute to Jonathan Mann, former head of the World Health Organization\u27s global AIDS program and a key figure in the early fight against HIV/AIDS. The author discusses Mann\u27s work in health and human rights, prevention of disease, and eliminating social injustice
Author correction: obesity and ethnicity alter gene expression in skin
No full textDaniel Butler was omitted from the author list in the original version of this Article. The Author contributions section now reads: “J.M.W. designed, conducted, and contributed to the writing of the manuscript, prepared Fig. 1. S.G. evaluated and did statistical analysis on the skin and fat samples, prepared Figs. 2–9. J.O.A. evaluated and contributed to writing the manuscript. D.B prepared and sequenced DNA libraries for the skin microbiota data, and wrote the applicable parts of the methods section. C.M. analyzed and wrote up the skin microbiota data, prepared Fig. 10. All authors have read the manuscript and approved its contents. D.D. analyzed and wrote up the skin microbiota data. S.Z. ran and analyzed the skin metabolite data. J.S. assisted in design, analysis and wrote up the skin metabolite data. J.K. assisted in analysis write up of skin and fat data. J.L.B. assisted in analysis, interpretation and writing of the manuscript. P.R.H. designed, analyzed, interpreted the data, and was the primary author of the manuscript.” This has been corrected in the PDF and HTML versions of the Article, and in the accompanying Supplementary Information file.</p
Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco
Get PDFThe thesis provides a reading of Umberto Eco's three novels, The Name of the
Rose, Foucault's Pendulum, and The Island of the Day Before, that, while it
acknowledges the importance of the Italian literary tradition in which they stand, also
seeks to explain why their author appeals so frequently to literary models outside
Italy, and in particular the Anglo-American detective genre.
Chapter One explains Eco's relationship to the development of Italian literature
through his lifetime. It is noted that Eco is beginning, both in his semiotics and his
fiction, from a position where post-structuralism has been extensively explored by
neo-avant-gardew riters. Eco positions himself alongsides uchw riters as Italo Calvino
and Jorge Luis Borges, who wish to explore the ludic possibilities of working within
structures, while all the time acknowledging the epistemological limitations of so
doing. Eco's chosen structure, more often than not, is the highly defined genre of
the detective story.
From here, the following chapters engage in close readings of the three novels,
with particular emphasis on The Name of the Rose and Foucault's Pendulum,
demonstrating that they explore problems of interpretation central to the detective
narrative. In doing this, they display an intimate knowledge of generic developments
within the detective tradition, and of the philosophical and aesthetic uses made of the
genre by other writers. The embedding of intertextual references to other detective
narratives within Eco's novels is an important factor, as they come together to form
a narrative of epistemological inquiry that itself follows Eco's philosophical progress
through the years. In short, the novels, inter alia, map a systematic inquiry into the
possibility of systematic inquiry. They reserve the space to engage in such an ironic
and self-referential project precisely through their fictionality
Villa Revisited: Footnote to Youth and the Early Stories of Jose Garcia Villa
No full textA survey of the short stories of Jose Garcia Villa, showing his development from a writer of commercial fiction to a writer of serious fiction. The study also posits that a review of Villa\u27s fiction qualifies the notion of Villa as a decadent aesthete
Entre palavras e imagens: as narrativas de Valêncio Xavier e de Jonathan Safran Foer
Get PDFThis thesis studies the works of Brazilian author Valêncio Xavier and North American author Jonathan Safran Foer, both of which, through narratives composed by newspaper articles, drawings, photographs, maps, flip books and by a peculiar textual disposition, transcend the traditional notion of romance mostly by incorporating other artistic manifestations, which allows them to be denominated as hybrid and interartistic narratives. Discussing these authors’ works consists on using alternative and current theories in order to analyze the intersection between word and image. Such contemporary and profane narratives, if they are considered through the concepts of Giorgio Agambem, subvert and illuminate the book as object and support, restoring the playful aspect of reading and the pleasure of the unexpected in each page. Hence, the aforementioned texts are analyzed as representatives of a narrative that is contemporary because it profanes themes and supports and, consequently, analyzed through questions related to visual narratives and interartistic poetics, to fictional games and intertextual collage and still, and through the reflection on the themes shared by them: the re-elaboration of memory as well as the joys and sorrows of childhood and old age. The narratives Minha mãe morrendo e o menino mentido, Meu sétimo dia: uma novella rébus, “Rremembranças de menina de rua morta nua”, “Maciste no inferno” and “Mistério mágico”, written by Valêncio Xavier and the novels Everything is illuminated and Extremely loud & incredibly close, the unclassifiable Tree of Codes and the short story “If the Aging Magician Should Begin to Believe”, by Jonathan Safran Foer are discussed in order to highlight their similarities in terms of formal composition strategies. Just as much as Valêncio Xavier and Jonathan Safran Foer profane themes and supports, the present thesis also aims to subvert the subjectile it deals with in a certain way, playing and interacting with the works and authors, since, as Roland Barthes once said, there’s no other way of dealing with authors and their works other than writing with them.Esta tese estuda as obras do autor brasileiro Valêncio Xavier e do autor estadunidense Jonathan Safran Foer, que, a partir de narrativas compostas por artigos de jornal, desenhos, fotografias, mapas, flip books e por uma disposição textual peculiar ultrapassam a concepção tradicional do que se entende como romance ao incorporarem, sobretudo, outras manifestações artísticas, o que permite que sejam denominadas como narrativas híbridas e interartísticas. Discutir as obras de Valêncio Xavier e as de Jonathan Safran Foer consiste na utilização de teorias tradicionais e contemporâneas para a análise da intersecção entre palavra e imagem. Tais narrativas contemporâneas e profanadoras, se pensadas a partir de conceitos de Giorgio Agamben, subvertem e iluminam o livro enquanto objeto e suporte, restituindo o aspecto lúdico à leitura e o prazer do inesperado a cada página. Desse modo, os textos desses escritores são analisados aqui como representantes de uma literatura que é contemporânea por ser profanadora de temas e de suportes e, consequentemente, analisadas a partir de questões relacionadas às narrativas visuais e às poéticas interartísticas, aos jogos ficcionais e da colagem intertextual e, ainda, a partir da reflexão sobre os temas que compartilham: a reelaboração da memória, as alegrias e tristezas infantis e senis. As narrativas Minha mãe morrendo e o menino mentido, Meu sétimo dia: uma novella rébus, “Rremembranças de menina de rua morta nua”, “Maciste no inferno” e “Mistério mágico”, de Valêncio Xavier, e os romances Everything is illuminated e Extremely loud & incredibly close, o inclassificável Tree of Codes e o conto “If the Aging Magician Should Begin to Believe”, de Jonathan Safran Foer, são discutidos a fim de se evidenciar as suas semelhanças nas estratégias formais de composição. Assim como Valêncio Xavier e Jonathan Safran Foer profanam temas e suportes, esta tese também objetiva subverter em certa medida o subjétil com que lida, jogando e dialogando com as obras e os autores estudados, pois, como afirma Roland Barthes, não há como se tratar de obras e de autores sem escrever com eles
Ang Awit Bilang Tula o si Levi Celerio Bilang Makata
No full textBien! A Festschrift is a feast of words and ideas that pays tribute to one of the most formidable, provocative, and important intellectuals in the Philippines and the field of Philippine Studies: Bienvenido L. Lumbera, National Artist for Literature of the Philippines. The book (in three volumes) presents reflections and commentaries on the great nationalist scholar and his lifework on literature, culture, literacy, and politics. This compendium also provides a selection of critical and creative work that honors the wide range of Lumbera’s interests and achievements.
The contributors in this volume include Reuel M. Aguila, Delia D. Aguilar, Alwin C. Aguirre, Virgilio S. Almario, Merlie Alunan, Mesándel Virtusio Arguelles, Genevieve L. Asenjo, Glecy Atienza, Romulo P. Baquiran, Jr., Joi Barrios, David Jonathan Y. Bayot, Karina Bolasco, Niles Jordan Breis, Rofel G. Brion, Nonon Villaluz Carandang, Jonathan Chua, Kristian Sendon Cordero, Michael M. Coroza, Genaro R. Gojo Cruz, Isagani R. Cruz, Ivery del Campo, Clodualdo del Mundo, Jr., Nick Deocampo, and Gary Devilles
Entre palavras e imagens : as narrativas de Valêncio Xavier e de Jonathan Safran Foer
No full textEsta tese estuda as obras do autor brasileiro Valêncio Xavier e do autor estadunidense Jonathan Safran Foer, que, a partir de narrativas compostas por artigos de jornal, desenhos, fotografias, mapas, flip books e por uma disposição textual peculiar ultrapassam a concepção tradicional do que se entende como romance ao incorporarem, sobretudo, outras manifestações artísticas, o que permite que sejam denominadas como narrativas híbridas e interartísticas. Discutir as obras de Valêncio Xavier e as de Jonathan Safran Foer consiste na utilização de teorias tradicionais e contemporâneas para a análise da intersecção entre palavra e imagem. Tais narrativas contemporâneas e profanadoras, se pensadas a partir de conceitos de Giorgio Agamben, subvertem e iluminam o livro enquanto objeto e suporte, restituindo o aspecto lúdico à leitura e o prazer do inesperado a cada página. Desse modo, os textos desses escritores são analisados aqui como representantes de uma literatura que é contemporânea por ser profanadora de temas e de suportes e, consequentemente, analisadas a partir de questões relacionadas às narrativas visuais e às poéticas interartísticas, aos jogos ficcionais e da colagem intertextual e, ainda, a partir da reflexão sobre os temas que compartilham: a reelaboração da memória, as alegrias e tristezas infantis e senis. As narrativas Minha mãe morrendo e o menino mentido, Meu sétimo dia: uma novella rébus, “Rremembranças de menina de rua morta nua”, “Maciste no inferno” e “Mistério mágico”, de Valêncio Xavier, e os romances Everything is illuminated e Extremely loud & incredibly close, o inclassificável Tree of Codes e o conto “If the Aging Magician Should Begin to Believe”, de Jonathan Safran Foer, são discutidos a fim de se evidenciar as suas semelhanças nas estratégias formais de composição. Assim como Valêncio Xavier e Jonathan Safran Foer profanam temas e suportes, esta tese também objetiva subverter em certa medida o subjétil com que lida, jogando e dialogando com as obras e os autores estudados, pois, como afirma Roland Barthes, não há como se tratar de obras e de autores sem escrever com eles.This thesis studies the works of Brazilian author Valêncio Xavier and North American author Jonathan Safran Foer, both of which, through narratives composed by newspaper articles, drawings, photographs, maps, flip books and by a peculiar textual disposition, transcend the traditional notion of romance mostly by incorporating other artistic manifestations, which allows them to be denominated as hybrid and interartistic narratives. Discussing these authors’ works consists on using alternative and current theories in order to analyze the intersection between word and image. Such contemporary and profane narratives, if they are considered through the concepts of Giorgio Agambem, subvert and illuminate the book as object and support, restoring the playful aspect of reading and the pleasure of the unexpected in each page. Hence, the aforementioned texts are analyzed as representatives of a narrative that is contemporary because it profanes themes and supports and, consequently, analyzed through questions related to visual narratives and interartistic poetics, to fictional games and intertextual collage and still, and through the reflection on the themes shared by them: the re-elaboration of memory as well as the joys and sorrows of childhood and old age. The narratives Minha mãe morrendo e o menino mentido, Meu sétimo dia: uma novella rébus, “Rremembranças de menina de rua morta nua”, “Maciste no inferno” and “Mistério mágico”, written by Valêncio Xavier and the novels Everything is illuminated and Extremely loud & incredibly close, the unclassifiable Tree of Codes and the short story “If the Aging Magician Should Begin to Believe”, by Jonathan Safran Foer are discussed in order to highlight their similarities in terms of formal composition strategies. Just as much as Valêncio Xavier and Jonathan Safran Foer profane themes and supports, the present thesis also aims to subvert the subjectile it deals with in a certain way, playing and interacting with the works and authors, since, as Roland Barthes once said, there’s no other way of dealing with authors and their works other than writing with them
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