56,363 research outputs found

    DIETARY CONDITIONS AND DIFFERENTIAL ACCESS TO FOOD RESOURCES AMONG THE VARIOUS CLASSES DURING THE HAN PERIOD

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    In this thesis, I study how food resources and dietary conditions were determined by social and economic status during the Han period in China, B.C. 206~A.D.220. Even though earlier scholars have published research concerning the Chinese food culture of this period, these studies were limited in that they only illustrated the dietary culture of the upper class or the available food resources in one geographic area. Also, without any persuasive data, it has been assumed by these earlier scholars that there were big differences in food resources and food consumption between the upper and lower classes. In this thesis, for comparison among the classes, I divide the social and economic classes into five stratified groups: nobles, officials, peasants, soldiers and convicts. After a brief introduction of the nature of each social class, I examine the food resources and nutritional condition of each group using information such as the wealth and income of each group, the market price of food resources, the agricultural products of peasants, and the amount of food distribution to soldiers and convicts. I found these data from archaeological remains, received historical records and pictorial data, and excavated texts. This research shows a broader view of Chinese dietary condition focusing not only on the variety of food resources of nobles, but also on the different food accessibilities among the officials, and the food deficiencies of peasants. It also deals with the situations of food supply for soldiers and convicts in an effort to reveal the true dietary consumption and nutritional conditions for all Chinese. This research proves that the various classes during the Han period in China had different food resources and dietary conditions

    Chia-Hui Chu Piano Recital Program Notes

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    These are the program notes of Ms. Chu, Chia Hui piano recital, held on May 9th, 2023, in the Fine Arts building of the National Sun Yet-sen University. The program of the piano recital includes Mendelssohn\ue2s Prelude and Fugue in E Minor, Op. 35 No. 1, Debussy\ue2s Ballade, Kapustin\ue2s Variations, Op.41, and Rachmaninoff\ue2s Moments Musicaux, Op.16. These program notes will introduce the lives of four composers, the compositional background of the individual work, and the analysis of the structure, including tonal design and thematic materials in each work

    Taiyan wen lu chu bian 太炎文錄初編

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    [v.1-5], Taiyan wen lu chu bian (2 juan, bie lu 3 juan) [v.1-5], Taiyan wen lu chu bian (2 juan, bie lu 3 juan). [v.1-5], 太炎文錄初編 (2卷, 别錄3卷

    First person – Chih-Wen Chu

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    ABSTRACT First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Chih-Wen Chu is the first author on ‘The Ajuba family protein Wtip regulates actomyosin contractility during vertebrate neural tube closure’, published in Journal of Cell Science. Chih-Wen is an associate scientist in the lab of Sergei Sokol at Icahn School of Medicine at Mount Sinai, New York, USA, investigating apical constriction and planar cell polarity, with a focus on protein dynamics at the cell junctions.</jats:p

    Xu Zhimo san wen jing pin /

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    Shou " yin du yang shang de qiu si ", " tai shan ri chu ", " zi pou " deng 23 pian san wen.Shou " yin du yang shang de qiu si ", " tai shan ri chu ", " zi pou " deng 23 pian san wen

    Han fen lou wen tan /

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    Fu: Za shuo -- Wen ti chu yan.Mode of access: Internet

    Qidan yu he Liao dai Han yu ji qi jie chu yan jiu

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    "Qi dan yu he liao dai han yu ji qi jie chu yan jiu" ben shu li yong qi dan yu wen ben he han yu xiang guan wen ben dui qi dan yu he liao dai han yu zuo zong he yan jiu,xi tong ti qu qi dan wen zi dan wei he han yu,Menggu yu yu yan dan wei de dui ying,bing zong he gen ju wen ben fen bu,shi dai fen bu he han yu fang yan yu yin te zheng wei ju ti de dui ying xun zhao xian zhi tiao jian.ran hou zai ci ji chu shang tui qiu liao dai han yu yin xi he qi dan yu de ge zhong xin xi,bing jin yi bu gui na qi dan yu he han yu xiang hu pi pei de gui l

    Han fen lou wen tan.

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    吳曾祺著.附: 雜說 -- 文體芻言.Wu Zengqi zhu.Fu: Za shuo -- Wen ti chu yan

    Witch Words and Desolate Language: A Study of Chu T'ien-wen's Literary Vita and Witched Writings

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    Since Chu T\ue2ien-wen was sixteen years old, she has been an important role in Taiwan literature. Chu T\ue2ien-wen has been influence by her parents and Zhang Ai-ling in Chinese literature for a long time. In the chinese ritual music cultur, she was educated under Hu Lan-cheng and became an author in the style of Zhang Qiang Hu Diao. Therefor, Chu T\ue2ien-wen and her sister Chu T'ien-hsin published San San magazine. However, after been through Nativist Literature Controversy and Hu Lan-cheng's death, she became a screenwriter for the movie, directed by Hou Hsiao-hsien and became one of the important participant of New Movie Movement in Taiwan. To face the problems of cross-srait relations and the visitions for the relatives, leading Chu T'ien-wen walk out military dependents' village and walk out San San and Grand View Garden, the style has also changed from San San \ue2\ue2 a young girl\ue2s fantasies style through growth theme of military dependents' village style and turned into the metropolis mature style. After Hu Lan-cheng passed away, Chu T'ien-wen swore to accomplish his unfinished \ue2 Woman Theory \ue2 . To pass down the Female Writing of Woman Theory of Civilization, she decided to use \ue2 the Splendors of Fin de Si\ue8cle \ue2 Notes of a Desolate Man and Words of a Witch. Hu Lan-cheng used to describe Chu T'ien-wen as a Japanese witch, and praised of the youth and beauty of her literature of art, which gives an inspiration to Chu T'ien-wen and to start a journey for witch. In \ue2 the Splendors of Fin de Si\ue8cle \ue2 , giving Chu T\ue2ien-wen an advice as witch who predicted that patriarchal society were devastated. And in Notes of a Desolate Man that a desolate man who had feminine soul to offer Japanese witching dance for god. In Words of a Witch as witching word to fly from time and death that become unique to Chu T'ien-wen\ue2s Witched Writings

    Chu deng xiao xüe nü zi guo wen jiao ke shu. Di yi ce.

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    880-01 At the head of title: Chu deng nü xüe tang yong shu.; Special collection from London Missionary Society.; On double leaves, oriental style, in case.; Also available in an electronic version via the Internet at http://nla.gov.au/nla.gen-vn1889737.First reader.880-04 Zui xin chu deng xiao xüe nü zi guo wen jiao ke shu
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