1,721,077 research outputs found
Christopher Turner, circa 1998-1999 ROTC Cadet
No full textShown may be Christopher Turner. CDT Turner was a member of the ROTC program at Jacksonville State University. (circa 1998-1999)https://digitalcommons.jsu.edu/rotc_photos/10217/thumbnail.jp
Max Christopher Turner grave marker and decoration, Salt Lake City, Utah, 2000 (7 of 16)
No full textMax Christopher Turner grave decorations and offerings, Salt Lake City Cemetery (200 North, 4th Ave). N Street), Salt Lake City, Utah shows an old volleyball, a bouquet of red flowers and unopened cans of beer
Max Christopher Turner grave decoration and marker, Salt Lake City, Utah, 2000 (2 of 11)
No full textMax Christopher Turner grave decoration and offerings, Salt Lake City Cemetery (200 North, 4th Ave. N Street), Salt Lake City, Utah shows a metal name plate, flowers, and metal star stake
Max Christopher Turner grave marker and decoration, Salt Lake City, Utah, 2000 (6 of 16)
No full textMax Christopher Turner grave decorations and offerings, Salt Lake City Cemetery (200 North, 4th Ave. N Street), Salt Lake City, Utah shows a close-up of an assortment of beer and a bottle of hard liquor
Max Christopher Turner grave decoration, Salt Lake City, Utah, 2000 (8 of 16)
No full textMax Christopher Turner grave decorations and offerings, Salt Lake City Cemetery (200 North, 4th Ave. N Street), Salt Lake City, Utah shows the back of a post card addressed to the deceased as 'Max, Heaven and Earth.' It reads: 'I hope the snow is good so you can go skiing. I love you now and always. Grandma.
Max Christopher Turner grave marker and decorations, Salt Lake City, Utah, 2000 (4 of 16)
No full textMax Christopher Turner grave decorations and offerings, Salt Lake City Cemetery (200 North, 4th Ave. N Street), Salt Lake City, Utah shows a new grave. On top of the soil there are several bouquets of flowers, a pink volleyball, several cans of beer and bottles of alcohol
Max Christopher Turner grave decoration, Salt Lake City, Utah, 2000 (1 of 16)
No full textMax Christopher Turner grave decoration, Salt Lake City Cemetery (200 North, 4th Ave. N Street), Salt Lake City, Utah shows a letter written on a white standard sized piece of paper. A bottle of drinking alcohol is weighing it down. It reads: 'Hey Max, Happy New Year! We had this year to spend our first New Years together God knows what I feel that we still are you are here in spirit. If you can, please try and pull a few strings so that everything goes smoothly and nobody gets hurt or in trouble. I love you Max! Happy New Years and stay Gold!!! Love, Dougie.
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
