7,194 research outputs found

    Elliott Christopher Forsyth (1924-2012)

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    Duché-Gavet Véronique. Elliott Christopher Forsyth (1924-2012). In: Réforme, Humanisme, Renaissance, n°76, 2013. p. 11

    Christopher Walker and Bill Elliott

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    2007 Montgomery Leadership Award winner Christopher Walker receives his award from Montgomery Foundation board member Bill Elliott in the John Grisham Room

    Taboos & Transgressions: In Conversation with Darren Elliott-Smith

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    Dr. Darren Elliott-Smith is Senior Lecturer in Film and Television at University of Stirling, Scotland. His research is focused on representations of queerness, gender, and the body in horror film and television. He has published numerous academic articles, contributed to book collections, and is the author of Queer Horror Film and Television (I.B. Tauris, 2016) and co-editor of New Queer Horror Film and Television (UWP, 2020) with Dr John Edgar Browning. I was able to sit down with him for a chat about his work, the link between horror and eroticism, and the current queer horror moment

    La justice de Dieu : Les Tragiques d'Agrippa d'Aubigne et la Reforme protestante en France au XVIe siecle / Elliott Forsyth.

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    Also submitted by the author as part of application for candidature for the degree of Doctor of Letters, University of Adelaide, School of Humanities, Discipline of European Studies and Linguistics, 2006.Includes bibliographical references and index.564 p.Title page, contents and abstract only. The complete thesis in print form is available from the University Library

    Fanshawe College Presents: Author Alicia Elliott

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    Author Alicia Elliott discusses her new book “A Mind Spread Out On The Ground” Buy her book here: https://www.amazon.ca/Mind-Spread-Out...https://first.fanshawec.ca/firstnationscentre_visualcontent_videos_additionalvideos/1009/thumbnail.jp

    The Fundamentals of Forest Certification

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    Published in Social and Political Dimensions of Forest Certification, Errol Meidinger, Christopher Elliott & Gerhard Oesten, eds.https://digitalcommons.law.buffalo.edu/book_sections/1189/thumbnail.jp

    The past as property – Cleopatra’s Needles and the reception of Ancient Egypt

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    This thesis uses the two Egyptian obelisks known as Cleopatra’s Needles, and particularly that one now in London, to examine the ways in which Ancient Egypt has been understood and valued through its material culture. It analyses the use of the term ‘reception’ in an archaeological context; how the material culture of the past acts as a mechanism of cultural transmission between societies, and how understanding of it can differ between groups within the receiving society. In particular it examines reception as a continuing and dynamic process, where the material culture of one society can be encountered by a succession of other cultures, directly or indirectly, and how understanding of such material culture can vary within a society both at a certain time, and over time. To do this it draws on the fact that it took nearly eighty years to bring one of the Needles to London. It argues that differences over time and between different groups in the way that the obelisks were received in London and New York can be usefully understood by applying concepts of property, ownership, and value, both monetary and non-monetary. Finally, it examines how far this approach can be more widely applied in archaeology, particularly to the reception of material culture
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