1,721,534 research outputs found
Christian MUELLER-GOLDINGEN, Studien zum antiken Drama.
No full textGangloff Anne. Christian MUELLER-GOLDINGEN, Studien zum antiken Drama.. In: L'antiquité classique, Tome 76, 2007. pp. 235-236
Christian Mueller-Goldingen, Xenophon. Philosophie und Geschichte, 2007
No full textRicher Nicolas. Christian Mueller-Goldingen, Xenophon. Philosophie und Geschichte, 2007. In: L'antiquité classique, Tome 78, 2009. pp. 279-280
54. Schriften zu aristotelischen Ethik, hg. Christian Mueller Goldingen
No full textLaks André. 54. Schriften zu aristotelischen Ethik, hg. Christian Mueller Goldingen. In: Revue des Études Grecques, tome 103, fascicule 492-494, Juillet-décembre 1990. p. 744
Christian Mueller-Goldingen, Untersuchungen zu den Phönissen des Euripides
No full textVan Looy Herman. Christian Mueller-Goldingen, Untersuchungen zu den Phönissen des Euripides. In: L'antiquité classique, Tome 58, 1989. pp. 265-266
Christian Mueller-Goldingen & Kurt Sier (Ed.), LHNAIKA. Festschrift für Carl Werner Müller
No full textDonnet Daniel. Christian Mueller-Goldingen & Kurt Sier (Ed.), LHNAIKA. Festschrift für Carl Werner Müller. In: L'antiquité classique, Tome 67, 1998. pp. 599-600
Christian Mueller-Goldingen, Dichtung und Philosophie bei den Griechen. Darmstadt, WBG, 2008
No full textDonnet Daniel. Christian Mueller-Goldingen, Dichtung und Philosophie bei den Griechen. Darmstadt, WBG, 2008. In: L'antiquité classique, Tome 79, 2010. pp. 349-350
Supplementary_material - Controlled networking Organizational cohesion and programmatic coherence of Swiss parties on Twitter
No full textSupplementary_material for Controlled networking Organizational cohesion and programmatic coherence of Swiss parties on Twitter by Bruno Wüest, Christian Mueller and Thomas Willi in Party Politics</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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