1,722,679 research outputs found
Demur (Christian) Müller (Denis) L'Homosexualité
No full textBuisson-Fenet Hélène. Demur (Christian) Müller (Denis) L'Homosexualité. In: Archives de sciences sociales des religions, n°82, 1993. p. 321
Demur (Christian) Müller (Denis) L'Homosexualité
No full textBuisson-Fenet Hélène. Demur (Christian) Müller (Denis) L'Homosexualité. In: Archives de sciences sociales des religions, n°82, 1993. p. 321
Christian Müller - Orgelmaker in Amsterdam
No full textChristian Müller is internationally considered to be one of the most important Northern European organbuilders of the 18th century. The especially impressive organ he built in the years 1735-38 in the Grote of St. Bavokerk in Haarlem has been counted amongst the most famous in the world since its inauguration. The present study focuses on Müller’s life and, in particular, the organs he constructed between 1720 and 1762. Christian Müller was born in 1690 in St. Andreasberg in the Harz Mountains. It is highly likely that he may have studied woodworking with his father and organbuilding with his older brother Caspar and (possibly) uncle, Johann Georg Müller. Another possible teacher may have been the Schnitger pupil Johann Matthias Naumann (1662-1727), who was active in Hildesheim. Christian Müller must have come to the Netherlands around 1716. For a number of years he worked as foreman in the workshop of the Amsterdam organbuilder Cornelis Hoornbeeck (1675/76-1722). In the Spring of 1720, Müller established his own workshop in Amsterdam. Among his early works were substantial rebuildings of the organs in the two Lutheran Churches and the Remonstrant Church in Amsterdam. Each of these projects was, in the first instance, focussed on increasing the organ’s tonal power. Between 1725 and 1728 he built an impressive new organ with 38 stops in the Jacobijnerkerk in Leeuwarden, and a number of smaller instruments in villages in the area. A new organ (in the existing case) for the Walloon Church (‘Waalse Kerk’) in Amsterdam was completed in 1734. In 1735, Christian Müller began work on the construction of the new organ for the Grote of St. Bavokerk in Haarlem, the instrument which was to ensure his worldwide fame. The instrument, with 60 stops, was completed in 1738. During the project’s execution, Müller also built an instrument of two manuals and pedal pull-downs for the Lutheran Church in Zaandam. The most important instruments of his later years were four two manual organs, built for the Lutheran Church in Rotterdam (1748-49), the English Reformed Church in Amsterdam (1752-53), the Grote Kerk in Beverwijk (1755-56) and the Kapelkerk in Alkmaar (1760-62). Christian Müller died in 1763. Christian Müller represents a continuation of the tradition indigenous to Holland as exemplified by Johannes Duyschot and Cornelis Hoornbeeck, and enriched the Dutch style with a number of developments from German organbuilding. His organs demonstrate a pronounced differentiation of function between manuals in which the flutes and Vox Humana are concentrated on the bovenwerk whilst the principals and the trumpets are found on the hoofdwerk and rugpositief. The organ in the Grote of St. Bavokerk in Haarlem from 1738 forms an exception in Müller’s oeuvre, and features complete choruses of principals, flutes and reeds on all three manuals as was the case in the North German tradition. Christian Müller’s fame is, in the first instance, the result of his church organs, but he must also be considered one of the most important house organ builders of the 18th century
Christian Müller, voltigeur immobile
No full textTaille-douce, 15,7 x 16,5 cmAu cirque, le cheval est traditionnellement considéré comme un partenaire dynamique, un « moteur » pour le développement de la plupart des disciplines équestres où il joue le rôle d’une monture attentive aux inflexions et aux commandements de son cavalier. Cette estampe de 1647, un peu plus d’un siècle avant la naissance du cirque moderne, montre un animal parfaitement immobile, transformé en support idéal pour l’équilibriste et écuyer Christian Müller. Un peu plus de deux siècles plus tard, le jeune acrobate Vincent Giraudeaux a revisité cette image en plaçant deux cannes d’équilibre sur le dos d’un cheval pour y développer un numéro similaire sur la piste du Cirque à l’Ancienne Alexis Gruss
Christian Müller. Helmut Kohl. Auf der Höhe der Zeit, photographies Konrad R. Müller
No full textKlein. Christian Müller. Helmut Kohl. Auf der Höhe der Zeit, photographies Konrad R. Müller. In: Politique étrangère, n°1 - 1997 - 62ᵉannée. pp. 207-208
Верховенство права в європейській інтеграції: витоки, функції та виклики : [інавгураційна лекція Почесного професора Національного університету "Києво-Могилянська академія" 1 вересня 2018 року]
No full textУ лекції відомого німецького вченого, професора Гейдельберзького університету та Почесного професора НаУКМА Петера-Кристіана Мюллера-Ґраффа (Peter-Christian Müller-Graff, Heidelberg University, Doctor of Law and a famous specialist in the EU Law) розглянуто важливість дотримання верховенства права в європейській інтеграції.
Лекція розрахована на студентську аудиторію та широке коло читачів
Bewusst heizen, Kosten sparen
Full text linkBEWUSST HEIZEN, KOSTEN SPAREN
Bewusst heizen, Kosten sparen / Christian Müller (Rights reserved) (-
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Phosphinine Selenide: Noncovalent Interactions with Organoiodines and Elemental Iodine, and Reactivity towards Potassium Cyanide
No full textInvited for this month's cover is the group of Prof. Dr. Christian Müller from Freie Universität Berlin, Germany. The cover picture shows a phosphinine selenide that interacts with organoiodines and halogens to form co-crystalline and charge-transfer adducts. More information can be found in the Research Article by Christian Müller and co-workers
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