3,575 research outputs found
Fuller Magazine, Issue 014, 2019 - Suffering With
Since 2014, Fuller Magazine has been published for the global community of Fuller Theological Seminary. The sections of Story, Theology, Voice, and Departments are to reflect the life of Fuller in all her permutations: this is who we are, what we are talking about, and who we are becoming together. The editorial content of FULLER magazine reflects the opinions of the various authors and should not be interpreted as necessarily representing the views of Fuller Theological Seminary.
Table of Contents
STORY
12 A Hug and a Coke by Joy Netanya Thompson
18 Ain’t I Beautiful? by Andre Henry
22 A Place to Go for Something to Do by Jerome Blanco
28 One Second Chance at a Time by Alix Riley
THEOLOGY
36 Introduction by Cynthia Eriksson, Guest Editor
38 Suffering With: A Tender Journey of Mutuality in Suffering, Comfort, and Joy by Cynthia Eriksson
42 Responding to Suicide with the Ministry of God\u27s Presence by Mary Glenn
46 고독한 고난의 우월감에서 더불어 고난의 겸손함으로
From Proud Suffering Alone to Humble Suffering With by 조은아 Eun Ah Cho
54 The Holy, Exquisite Mutuality of Sharing Suffering and Joy with Others by Jude Tiersma Watson with Chris Albisurez
60 The Curses of God\u27s People: Dynamics of a Genuine Covenantal Interaction by Daniel D. Lee
64 Composing a Lament for the Persecuted: Suffering with the Suffering Church by Edwin M. Willmington
68 Suffering from Within: Suffering With Those for Whom Suffering Is a Way of
Life by Sarah Ashley Hill
VOICE
74 Voices on Race and Inclusion
80 Voices on Vocation
86 Voices on Embodied Learning in an Online World
DEPARTMENTS
8 From Mark Labberton, President
92 Future of Fuller
94 Recent Faculty Books and Publications
96 Benediction
97 About Fullerhttps://digitalcommons.fuller.edu/fuller-magazine/1013/thumbnail.jp
Fuller\u27s First Fifty - No. 04
A monthly historical newsletter published for the Fuller community during the fiftieth anniversary year.
Good Saturday for the School of Psychology -- Why Fuller has a School of Psychology -- Psychologists with a passion for Chris
COLLECTION 0152: Papers of Wilbert Shenk
Wilbert Shenk (1935 - ), noted missiologist and author, joined the School of Intercultural Studies faculty at Fuller Theological Seminary in 1995. As of 2019, Dr. Shenk taught as Senior Professor of Mission History and Contemporary Culture. Shenk’s areas of expertise include mission history, missiology, mission to contemporary culture. The Papers of Wilbert Shenk collection has a date range of 1967-2008. Materials include his doctoral thesis, meeting minutes, drafts of book chapters, lectures, conference presentations, and correspondence. The organizations and projects where he had an administrative role and is highlighted in the collection are American Society of Missiology, North Atlantic Missiology Project, Gospel and Our Culture Program, and Missiology of Western Culture Program
Comments on the Rao and Fuller (2017) paper
This note by Chris Skinner presents a discussion of the paper “Sample survey theory and methods: Past, present, and future directions” where J.N.K. Rao and Wayne A. Fuller share their views regarding the developments in sample survey theory and methods covering the past 100 year
Walter P Fuller & Wells Art Studio
Walter P. Fuller & Wells Art Studio. Walter P. Fuller is standing on the steps of the house where he was born. Walter P. Fuller was the author of St. Petersburg and its people [1972] It was the Wells Art Studio (1322 4th Avenue West) in January 1972
COLLECTION 0025: Robert Boyd Munger Papers, 1954-1995
Author of the bestselling booklet, “My Heart, Christ\u27s Home,” (1954, 2005) with over eleven million copies in print, Robert Boyd Munger (1910-2001) served as pastor at South Hollywood Presbyterian Church in Los Angeles (1936-1945), First Presbyterian Church of Berkeley, California (1945-1962), and University Presbyterian Church in Seattle (1962-1969).
This collection consists of 15 linear feet of sermon preparation materials and finished sermons, correspondence, materials collected for writing and speaking, and course materials
“Margaret Fuller on the Stage”
"Margaret Fuller on the Stage" considera la presenza di Fuller come personaggio del dramma di Susan Sontag, "Alice in Bed" (1993), in cui la protagonista Alice James si intrattiene -- nella scena della propria mente -- con importanti donne di lettere come Emily Dickinson e la Fuller oltre a due personaggi di fantasia, al fine di ricavarne consigli e insegnamenti. Di Fuller il saggio mette in rilievo la personalità incline al "role-playing" e all'auto-drammatizzazione conducendo così a un giro di vite sul problema dell'identità dell'autrice di "Woman in the Nineenth-century" pesantemente manipolata, alla sua morte, dai grandi Maestri del trascendentalismo, come Emerson e Hawthorne, oltre a eminenti scrittori come Higginson, Poe e James che ne fornirono all'unisono un ritratto poco rispondente al carattere di donna trasgressiva che condivide parzialmente con le altre figure invocate nella scena del dramma di Sontag. Citazioni dai sei volumi di lettere della scrittrice raccolte da Robert Hudspeth e analogie tra la situazione "nonsensical" della scena con l'assurda situazione in cui viene a trovarsi il personaggio Alice creato da Lewis Carroll quando attraversa la soglia tra veglia e sonno sono messe a confronto con il dramma pirandelliano "Come tu mi vuoi", perchè il lettore possa valutare appieno il ruolo della "maschera" -- una ricerca condotta a suo tempo da Pirandello e riproposta da Sontag -- nell'auto-costruzione del sè. In pieno possesso del suo personaggio, Sontag crea, con Fuller, la propria complice e il proprio doppio, facendo di lei, come fu fatto a suo tempo di Sontag stessa da Norman Mailer, una "Dark Lady". Il ricco apparato di note ha il merito di ricongiungere la puntuale ricerca delle femministe Sandra Gilbert e Susan Gubar che data al 1979 con l'aggiornata interpretazione teatrale delle tre principali scrittrici da parte dell'intellettuale Sontag."Margaret Fuller on the Stage” focuses on the presence of Fuller as a character in Susan Sontag’s play "Alice in Bed" (1993), where Alice, the protagonist, entertains – in the scene of her own mind – important women of letters, such as Emily Dickinson and Fuller besides two fictional characters, with the aim of obtaining advice and counseling. The essay is devoted to Fuller’s persona – mostly, her inkling towards role-playing and self-dramatization –- and leads to a turning point that revolves around the problem of identity of the author of Woman in the Nineenth-Century. It also focuses on the question of the manipulation of Margaret Fuller on the part of the great Transcendentalist Masters such as Emerson and Hawthorne, besides eminent writers like Higginson, Poe and Henry James, who portrayed her as a different woman from the transgressive figure who shares the features of the other women of letters evoked in Sontag’s drama. Quotations from the six volumes of the writer’s letters, gathered by Robert Hudspeth, and analogies between the "nonsensical" situation of the scene with the absurd situation where Lewis Carroll’s Alice falls into when she crosses the threshold between wake and sleep, are compared with Pirandello’s play, 'As You Desire Me', in order for the reader to evaluate the role of the “mask ". That is a research concerning the construction of the self that was undertaken also by Pirandello and was then re-proposed by Sontag. Well in possession of her main character in Scene 5 of the play, Sontag sees in Fuller her own accomplice and turns her – as Norman Mailer did with Sontag herself – into a "Dark Lady". The rich and extensive reference apparatus links up the work of feminist critics Sandra Gilbert and Susan Gubar (dating to 1979) with intellectual Sontag’s updated theatrical interpretation of the three main characters
COLLECTION 0168: Manuel J. Gaxiola Collection
Dr. Manuel Gaxiola (1927-2014) was an author and preliminary leader of the Iglesia Apostolica de la Fe en Cristo Jesús in Mexico. He served as president and presiding bishop of Mexico’s Iglesia Apostolica de la Fe en Cristo Jesús for two terms (1970-1974, and 1978-1982). Dr. Gaxiola also served as the first non-US president of the Society for Pentecostal Studies, and director of CERLAM (The Center for the Study of Religion in Latin America).
The Manuel J. Gaxiola Collection includes biographical material, correspondence, administrative records, and ministerial training and publications. Materials relate to the charismatic church movement in Latin America, particularily the Iglesia Apostolica de la Fe en Cristo Jesús.
Dates range from 1930-2005. Content is written in the English and Spanish languages
The greatest instruction received from human writings : the legacy of Jonathan Edwards in the theology of Andrew Fuller
This thesis focuses on the legacy of Jonathan Edwards on the Particular Baptists by way of apprehending theories held by their congregations during the eighteenth and nineteenth centuries. In particular, special attention is directed to the Edwardsean legacy as manifested in the theology of Andrew Fuller. The thesis positions itself between Edwards and Fuller in the transatlantic, early modern period and attempts by the two theologians to express a coherent understanding of traditional dogma within the context of the Enlightenment. The scope of the research traces Fuller’s theological indebtedness by way of historical reconstruction, textual expositions, and theological and philosophical implications of the following works: Freedom of the Will, Religious Affections, Humble Attempt, and Justification by Faith Alone et al. It identifies unique Edwardsean ideas as the basis for investigating whether such concepts permeate Fuller’s intellectual and spiritual life. In that process, the study establishes
whether Fuller read and interpreted Edwards correctly or otherwise. This dissertation, therefore, endeavors to determine the extent of Edwards’s impact upon Fuller over and above such other influential factors, which could also have been considered influential in his works. An attempt to determine the parameters of such factors is the basis for the ensuing discussion
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