1,410,311 research outputs found
Ruth Juhua Chou
No full textRuth Juhua Chou, a 30-year resident of Palo Alto, died May 29 after a three-year battle with breast cancer
Oxygen effects on ω and α phase transformations in a metastable β Ti-Nb alloy
No full textThis dataset compiles data and images from heat treatment and ageing studies for a Ti-20Nb (atomic %) alloy that was oxidized to create an oxygen concentration gradient that supplement submitted manuscript “Oxygen effects on ω and α phase transformations in a metastable β Ti-Nb alloy,” by Kathleen Chou, Emmanuelle A. Marquis (University of Michigan)
A general framework for constructing and analyzing mixed finite volume methods on quadrilateral grids: The overlapping covolume case
No full textWe present a general framework for constructing and analyzing finite volume methods applied to the mixed formulation of second-order elliptic problems on quadrilateral grids. The control volumes, or covolumes, in the grids overlap. An overlapping finite volume method of this type was first introduced by Russell in [T. F. Russell, Tech. report 3, Reservoir Simulation Research Corp., Tulsa, OK, 1995] and was tested for a variety of problems on rectangular and quadrilateral grids in [Z. Cai et al., Comput Geosci., 1 (1997), pp. 289-315]. Later in [S. H. Chou and D. Y. Kwak, SIAM J. Numer. Anal., 37 (2000), pp. 758-771], Chou and Kwak reformulated it as their mixed covolume method and proved optimal order error estimates using the covolume methodology from [S. H. Chou, Math. Comp., 66 (1997), pp. 85-104] and [S. H. Chou and D. Y. Kwak, SIAM J. Numer. Anal., 35 (1998), pp. 494-507]. However, their treatment was restricted to the case of diagonal coefficient tensor and rectangular grids since a different approach was needed for the quadrilateral (distorted rectangular) case. In this paper we give a new framework, which can handle not only the rectangular anisotropic case but also the anisotropic and irregular grid cases in which the locally supported test functions are images of the natural unit coordinate vectors under the Piola transformation. Our theory sheds light on how to create new test functions using quadratures and now covers Russell's quadrilateral case
A Smart Healthcare Kit for Home Healthcare
No full textAuthor Contributions: Writing—original draft preparation, Chun-Yang Chou, and Chun-Hung Chou; writing—review and editing, Chun-Yang Chou, Ding-Yang Hsu and Chun-Hung Chou All authors have read and agreed to the published version of the manuscript.</p
Su-Chou
No full textSU-CHOU
Map of portions of Chinese Turkistan and Kansu (-)
Su-Chou (Sheet No. 88) ( -
Replication Data and Code for: Convenience Yield and Real Exchange Rate Dynamics: A Present-Value Interpretation
No full textThe data and programs replicate tables and figures from "Convenience Yield and Real Exchange Rate Dynamics: A Present-Value Interpretation", by Yu-Hsi Chou, and Chia-Yi Yen. Please see the ReadMe file for additional details
Kan-Chou
No full textKAN-CHOU
Map of portions of Chinese Turkistan and Kansu (-)
Kan-Chou (Sheet No. 94) ( -
La societat japonesa a través de "All About Lily Chou-Chou"
Get PDF"All about Lily Chou-Chou" és una pel·lícula realitzada pel director japonès Shunji Iwai sobre la vida d'un noi de catorze anys i la seva afició per una cantant anomenada Lily Chou-Chou. Malgrat la seva aparent senzillesa, la trama mostra conceptes com el furusato i el gap generacional, així com temes relacionats amb la joventut japonesa. A través d'aquest treball s'analitzaran els aspectes socials que apareixen a la pel·lícula i les situacions que s'hi veuen representades."All about Lily Chou-Chou" es una película realizada por el director japonés Shunji Iwai sobre la vida de un chico de catorce años y su afición por una cantante llamada Lily Chou-Chou. A pesar de su aparente sencillez, la trama muestra conceptos como el furusato y el gap generacional, así como temas relacionados con la juventud japonesa. A través de este trabajo se analizarán los aspectos sociales que aparecen en la película y las situaciones que se ven representadas."All about Lily Chou-Chou" is a film directed by Japanese director Shunji Iwai about the life of a fourteen-year-old boy and his love for a singer called Lily Chou-Chou. Despite its apparent simplicity, the plot shows concepts such as furusato and the generational gap, as well as issues related to Japanese youth. The social aspects that appear in the film and the situations being represented in it are going to be analysed through this paper
Chou Wen-Chung, visiting scholar-composer
No full textRecorded during a live performance at Kanley Chapel, Western Michigan University, Kalamazoo, Michigan, October 9, 1974, program no. 21 of the Department of Music’s 1974-1975 season.Members of the New Music Ensemble, Ramon Zupko, conductor (1st work) ; members of the University Wind Ensemble, Carl Bjerragaard, conductor.Yün = Reverbation in nature (Tom Bancroft, flute ; Steven Siegel, clarinet ; Kathy Bowersox, bassoon ; Janet Graham, French horn ; Dave Spieker, trumpet ; Tom Shannon, trombone ; Mark Schnizlein, Rob Varpa, percussion ; Mike Yachanin, piano) -- (10:36) Yü ko = Song of the fisherman (Arlene Huff, alto flute ; Audrey Lipsey, violin ; Ann Kalchick, English horn ; Steve Pulley, bass clarinet ; Dave Kalfsbeek, Pete DeLille, trombones ; Tony Lavender, Ron Rizzo, percussion ; Brad Weage, piano)
Chou Wen -Chung\u27s “Cursiveâ€.
No full textAs the first contemporary Chinese composer recognized by the Western musical world, Chou Wen-Chung is widely acknowledged for his innovations and contributions to the profession. His music is a successful fusion of Eastern and Western musical language, and it has continued to receive critical acclaim. Cursive (1963), a duet for flute and piano, is one of Chou\u27s most important compositions. In this work, the composer tries to express the aesthetic principles of Chinese calligraphy musically. This thesis provides a thorough analysis of the musical materials and compositional techniques employed in Cursive, and based on this analysis, the author attempts to illustrate the compatible elements of Western and Chinese musics contained in the work. The author also highlights how certain musical features of the work are related to Chinese calligraphy. Although Chou has enjoyed success as a composer for about a half century, serious scholarly studies of his music were not done till the last decade. It is hoped that this study will contribute to a more comprehensive understanding of Chou\u27s musical creation
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