1,721,018 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Reduction of broadband trailing edge noise by serrations
This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University London.This thesis aims to investigate and reduce the aerodynamic noise source known as trailing edge noise, or airfoil self-noise, by using passive flow control techniques. Airfoil self-noise is produced when a turbulent boundary layer generated on an airfoil surface is scattered by the airfoil’s trailing edge. The investigation is of experimental nature, conducted in the aeroacoustic as well as aerodynamic wind tunnel facilities at Brunel University London and the Institute of Sound and Vibration (ISVR) at the University of Southampton.
The research is relevant for any application in which airfoil blades encounter a smooth non-turbulent inflow and hence where trailing edge noise is a dominant noise source. Potential applications can therefore be fan or rotor blades in aero-engines, wind turbine blades or industrial cooling fans. The approach taken for the reduction of trailing edge noise utilises passive flow control techniques through the use of trailing edge serrations and the additional support of porous materials. Both of the aforementioned are inspired by the owl’s silent flight due to its unique wing structure. The research presented here can be divided in three parts:
The first part comprises an extensive assessment of the performance of non-flat plate trailing edge serrations for airfoil broadband noise and their aerodynamic performance in terms of lift and drag. It is found that serrations can realistically achieve noteworthy broadband airfoil self-noise reductions, however due to the fact that non-flat plate serrations are directly cut into the airfoil body, the blunt sections in the serration root produce an additional noise source of vortex shedding tonal noise. The second part investigates the two flow mechanisms involved. Regarding the mechanism responsible for broadband noise and the subsequent reductions by the serration geometry, the turbulent boundary layer structures are studied in depth on a serrated trailing edge of a flat plate. Experimental techniques such as hot wire anemometry, liquid crystal flow visualisation, unsteady surface pressure measurements and noise measurements are used. A redistribution of the momentum and turbulent energy near the sawtooth tip and side edges appears to reduce the trailing edge noise scattering-efficiency of the hydrodynamic pressure waves. For the study of the flow mechanism responsible for the vortex shedding tonal noise increase, noise and velocity measurements along with flow visualisation techniques are used for the identification and further understanding of this noise source. A highly three-dimensional wake-flow could be identified in the wake past the serration gap, which differs from the longitudinal vortices shed from a straight blunt serration root. The third part presents the concept of poro-serrated trailing edges as a novel method to substantially improve the overall noise performance of the non-flat plate trailing edge serration type. The use of porous metal foams or thin brush bundles which fill the interstices between adjacent members of the sawtooth can completely suppress the bluntness-induced vortex shedding noise. Most importantly a turbulent broadband noise reduction of up to 7 dB can be achieved without compromising the aerodynamic performances in lift and drag. The new serrated trailing edges do not cause any noise increase throughout the frequency range investigated here. Through noise and velocity measurements near the trailing edge of an airfoil, the reduction of the broadband noise is found to be primarily caused by the sawtooth geometry. The new serrated trailing edges have the potential to improve the industrial worthiness of the serration technology in achieving low noise radiation.Engineering and Physical Sciences Research Council
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