1,720,993 research outputs found
El lenguaje de la marimba sinfónica del siglo XXI : análisis interpretativo del Concierto N°1 para marimba y orquesta de Chin-Cheng Lin, versión piano-marimba
No full textEl desarrollo de los instrumentos no convencionales para la tradición decimonónica y su inclusión dentro de la plantilla organológica de agrupaciones como banda y orquesta sinfónicas durante el siglo XX, ocurre a la par junto con otros en un momento histórico en donde las posibilidades sonoras se han exacerbado a través de las distintas corrientes estéticas con las que la historia musical se ha servido. Es durante este periodo de tiempo en el que la familia de instrumentos de percusión parece ocupar un lugar del mismo talante de otros instrumentos hegemónicamente tradicionales, en donde la composición de repertorio solista, de cámara, etc., es concebido especialmente para sus posibilidades tímbricas e interpretativas, lo cual desemboca en un sinnúmero de piezas que se consolidan como los pilares sobre los cuales la técnica especializada para tocar instrumentos de percusión se va refinando. En en medio de un panorama musical en donde cada vez toma mayor protagonismo la marimba sinfónica como tal, este instrumento comprende, ya en nuestros tiempos, una cantidad asombrosa de obras de distinto formato en donde los detalles intrínsecamente relacionados con su ejecución se evidencian para que el percusionista moderno no se torne reacio a imbuirse dentro de este proceso evolutivo, desde el lugar histórico en donde ocupa su formación profesional.
De este modo, el objetivo de nuestra disertación consiste en hacer un análisis formal y de materiales, como de elementos técnicos de la pieza, en nuestro caso, Concierto para Marimba N° 1 de Chin-Cheng Lin en donde todos ellos se evidencien interpretativamente durante su ejecución.ss
Concert recording 2018-05-02b
Full text link[00:00]. Omphalo centric lecture / Nigel Westlake -- [09:23]. Alter ego / Pat Jacobs -- [17:34]. VIII. March / Elliot Carter -- [21:20]. Bushido: the way of the warrior. I. 仁 Jin (benevolence) ; II. 名誉 Meiyo (honor and glory) ; III. 湯 (bravery and herosim) / John Willmarth -- [30:45]. Texas hoedown / David Friedman -- [37:15]. Cappuccino lovely. I. Choco / Chin Cheng Lin -- [43:39]. True love waits / Radiohead ; arranged by Edwin Scott Sewell
David Kennedy's MM Percussion Recital 2
Full text linkTchik by Nicolas Martynciow
Theif by Brian Nozny
Fantasy on Japanese Woodprings by Alan Hovhaness
Fiero by Aaron M. Thomas
Wind by Chin Cheng Lin
Rendezvous by Samuels/McCarthyRelated performance for this degree -- David Kennedy's MM Percussion Recital 1: http://hdl.handle.net/2346/63764Recital recordings are archival copies for educational purposes only. Members of the TTU community may request to listen/view them for educational purposes via the PDF link to the left
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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