383 research outputs found
Chiara Redaelli. Intervention in Civil Wars: Effectiveness, Legitimacy, and Human Rights. Oxford: Hart Publishing, 2021. Pp. 344. £85.
Book review of Intervention in Civil Wars: Effectiveness, Legitimacy, and Human Rights by Chiara Redaelli. Oxford: Hart Publishing, 2021
To Feel, to Understand, to Act. Sustainability on Display
This essay describes the exhibition project Sostenibilart promoted by CYLAND MediaArtLab and the Centre for Studies in Russian Art (CSAR). Starting from an analysis of what is normally described with the term ‘sustainability’, we will examine how this concept is developed by the artists identified as ambassadors of sustainability. Their reflection on the theme is also expressed through the answers to three questions posed by the Author that allow a transversal reading of the project. The text will therefore consider the ideas that emerged in this interrelated exchange. Finally, we will consider participation in contemporary art to verify the significance of the contribution of the artists-ambassadors of sustainability to stimulate in the public a reflection – and eventually action – on the issues
Chiara Fumai. Medium, Media, Medium
Chiara Fumai was one of the most relevant Italian artists of her generation, her work having been shown at both the Venice Biennale’s Italian Pavilion and Documenta. In her practice, the performer often quoted feminist texts while playing the role of a woman possessed. I give an account of Fumai’s use of video, comparing it to Rosalind Krauss’s essay Video: The Aesthetics of Narcissism. I explain the artist’s work as a dialectic overcoming of the analogy the critic institutes between the notion of art medium and the figure of the Medium. Highlighting that both Fumai and Krauss see Acconci’s early works as a benchmark, I illustrate how the two built an archeology of contemporary mediality
«Fare uscire dai cardini la realtà». L’influenza di Schiller sul socialismo neokantiano Di Friedrich Albert Lange
My Boyfriend Came Back From The War: una narrazione visiva di Olia Lialina
The contribution proposes the analysis of Net Art’s world-famous masterpiece
of one of its founders: My Boyfriend Came Back from the War (1996) by Olia Lialina.
Combining black and white images and words, it evokes the encounter of two lovers who
have been separated so long by the war. With her work, Lialina shows us the potential for
interaction of the new screen – that of the computer. She experiments with a non-linear
narration, where users edit the story frames thanks to hypermedia platform, resulting in
a new relationship between author and public. Considering such operations, the paper
aims to highlight the work’s ludic connotation beside the impact of filmic narrative on
the web
Nanotechnology advances in brain tumours: the state of the art
Abstract: Primary malignant central nervous system (CNS) tumors only represent about 2% of all cancers. However, they are very often associated with high morbidity and mortality. Despite current standard-of-care therapy, such as surgery, irradiation, and chemotherapy, neither cure nor any toxic therapy against malignant CNS tumors has been developed so far. Nanotechnology may alter this situation. It offers a new promise for cancer diagnosis and treatment. This emerging technology, by developing and manufacturing materials using atomic and molecular elements, can provide a platform for the combination of diagnostics, therapeutics and delivery to the tumor, with subsequent monitoring of the response. This review focuses on recent developments in cancer nanotechnology with particular attention to nanoparticle systems, important tools for the improvement of drug delivery in brain tumor. The latest advances in both the research sector and in recent patents for cancer imaging and therapy are discussed
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