1,721,650 research outputs found
Robert Chesebro conducting
No full textRobert C. Chesebro, Professor of Music, conducting a rehearsal of the Furman Symphony Orchestra in Daniel Recital Hall. Robert Chesebro joined the Furman music faculty in 1965 and retired in 2015
Chesebro, James Leslie
No full textBiographical information for architect James Leslie Chesebro; includes photos of his work, the Cliff Building in Salt Lake City, and the Capitol Theater Playhouse in Logan, Utah
Robert Chesebro teaching Fred Moss
No full textRobert C. Chesebro, Professor of Music, teaching clarinet to Fred Moss, Class of 1985, on the Daniel Recital Hall stage. Robert Chesebro joined the Furman music faculty in 1965 and retired in 2015
Philly and Kit, or, Life and raiment [electronic resource] / by Caroline Chesebro'.
No full textProfessional Communication at Work : Interpersonal Strategies for Career Success
No full textBy Joseph L. Chesebro, College at Brockport faculty member.
This text prepares future professionals for success in the workplace through identifying interpersonal communication skills and strategies and exploring when, how, and why to use them. Informed by academic research, professional literature, and author Joseph L. Chesebro\u27s own experiences, the text explores and demonstrates the skills that have facilitated Chesebro\u27s own students to find work and to succeed in their professional lives. Offering a very practical focus on such topics as handling conflict and giving dynamic presentations, Professional Communication at Work also covers essential interpersonal communication skills that are often not discussed, such as: Using networking when job hunting; Earning a good reputation as a new employee Using storytelling and questioning more often Developing coaching relationships with the best senior employees in our workplace, Practicing and developing new skills on our own, and Using workplace politics in a positive and constructive way to accomplish our goals. Utilizing the approach of a supportive communication coach, this text will help readers gain a variety of practical communication strategies they can apply to contribute to success in their own careers --Publisherhttps://digitalcommons.brockport.edu/bookshelf/1365/thumbnail.jp
Kenneth Chesebro and the Ethics of Election Subversion
No full textThis Article examines the role of attorney Kenneth Chesebro in orchestrating the fake electors plot following the 2020 US presidential election. It traces Chesebro\u27s transformation from a Harvard-educated lawyer with Democratic ties to a key architect of Donald Trump\u27s post-election strategy to derail the transfer of power to Joseph Biden. Part I provides a detailed chronology of Chesebro\u27s activities between November 2020 and January 2021, revealing how his legal advice evolved from preserving legal rights in Wisconsin to a coordinated plan to impanel alternate electors across multiple battleground states as a pretext for the Vice President to intervene unilaterally in the Congressional certification of the national election on January 6 Part II analyzes the professional discipline case against Chesebro under Model Rule 8.4(c). It examines the principal elements of Chesebro\u27s strategy and argues that his conduct appears to have involved dishonesty, fraud, deceit, or misrepresentation, warranting professional discipline. Part III interrogates Chesebro\u27s moral culpability, contending that his actions represent not merely a violation of professional conduct rules but a profound betrayal of public trust and democratic principles. This Article concludes that Chesebro\u27s moral culpability transcends his violations of the professional conduct rules. By pursuing increasingly aggressive strategies to overturn Biden\u27s legitimate victory without evidence of outcome-changing fraud, by offering a would-be autocrat with a blueprint for how to subvert the collective will ofthe voters in contravention of the U.S. Constitution, federal and state laws, and by using his legal expertise to peddle implausible theories designed to exploit procedural leverage to advance a naked power grab, he demonstrated a mind-blowing willingness to undermine democracy itself Chesebro betrayed the public trust in ways that existing professional conduct rules, which lack explicit duties to preserve democracy, cannot adequately capture or address
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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