5,909 research outputs found
Barcelone, ville capitale de la principauté Catalogne scituée sur la mer Mediterranée
No full text1 mapa. - Aquesta perspectiva de Barcelona des del mar va ser utilitzada en moltes obres. Aquesta és una reedició de Jacques Chereau, datada probablement el 1750.47 x 65 c
Barcelone, ville capitale de la principauté Catalogne scituée sur la mer Mediterranée
No full text1 mapa. - Aquesta perspectiva de Barcelona des del mar va ser utilitzada en moltes obres. Aquesta és una reedició de Jacques Chereau, datada probablement el 1750.47 x 65 c
A View General of the City de Havana of Amerique : Vue Generalle de la Ville de Havanne en Amerique.
No full textBird's-eye view of the port of Havana.; Vue optique print by Jacques Chereau.; Title in both English and French. Title is also printed backwards along top edge.; Plate no. 3
Vetus disciplina monastica, seu Collectio auctorum Ordinis S. Benedicti maximam partem ineditorum, qui ante sexcentos fere annos per Italiam, Galliam atque Germaniam de monastica disciplina tractarunt ...
No full textCopia digital : GoogleBooksSegún BN-OPALE Plus, 07/04/2015, el autor es Marquard HerrgottAutor tomado de BNPMarca tipográfica en portadaMarca tip. en portSign.: a-i\p4\s, A-Z\p4\s, 2A-2Z\p4\s, 3A-3Z\p4\s, 4A-4G\p4\s, 4H-4M\p2\sLa h. de grabado calcográfico es un retrato de San Blas: "Chereau junior fecit"La h. de grab. calc. retrato de San Blas: Chereau junior feci
Título: Recueil des plus beaux edifices anciens et modernes
No full textLa part II té portada pròpia a f. de làm. 31: Recueil des plus beaux edifices anciens et modernes... 1766Irregularitats en la numeració de les làminesCopia digital. Mataró (Barcelona) : Fundación Iluro, 201
Louis Pecour
No full textPeint par R. Tourniere ; Gravé par F. ChereauBildbeschriftung: "LOUIS PECOUR Pensionnaire du Roy, Compositeur des Balets de l'Academie Royalle de Musique, et Maitre a Danser de Mad.e la Duchesse de Bourgogne."Herstellungsangaben: "Peint par R. Tourniere", "Gravé par F. Chereau", "Paris chez la v.e de F. Chereau graveur du Roi rue S.' Jacques aux deux pillier d'Or avec privilege du Roi."Das Herstellungsjahr wurde von Gallica Digital Library übernommen. Siehe: https://gallica.bnf.fr/ark:/12148/btv1b84265785/f1.ite
Regles des cinq ordres d'architecture
No full textLa secuencia en el área de descripción física es: 1-2 h., 3-14 p., h. 15, p. 16-27, h. 28, p. 29-42, h. 43-45, p. 46-57, h. 58, p. 59-76, h. 77-115Algunas de las h. son plegSin signaturizarToda la obra es cal
Derrida - Artaud
No full textA conference on Antonin Artaud by Jacques Derrida. Seminar In homage to Antonin Artaud organised in New Delhi by the National School of Drama, Delhi University and the French Embassy, 23 January 1997.Conferencia de Jacques Derrida sobre Antonin Artaud. Seminario In homage to Antonin Artaud, organizado en New Delhi por National School of Drama, Delhi University y la Embajada de Francia, el 23 de enero de 1997.Conférence de Jacques Derrida sur Antonin Artaud. Séminaire In homage to Antonin Artaud organisé à New Delhi par National School of Drama, Delhi University et l'Ambassade de France, le 23 janvier 1997
Dear Jacques ... Lecoq in the twenty first century
No full textThis essay considers Jacques Lecoq's influence almost 20 years after his death. Arguing that Lecoq's pedagogy is largely as relevant today as it was when he was still alive, the author speculates whether Lecoq would have welcomed developments in the use of digital technology within live performance. The essay proposes that much of Lecoq's teaching with its emphasis on play, complicite, invention, imagination and the creative actor remains relevant to contemporary developments in site-specific, immersive and postdramatic theatre. The essay is constructed in the form of a posthumous letter to Jacques Lecoq
Essai de vulgarisation des homélies métriques de Jacques de Saroug
No full textIn this series of articles originally published in Revue de l’Orient Chrétien from 1912-1914, Babakhan aimed to popularize the work of Jacob of Sarug, a large collection of whose homilies had recently appeared in the monumental edition of Paul Bedjan. Babakhan gives, with very brief introductions, rhymed French translations of five of Jacob’s homilies, namely, Bedjan’s nos. 2 (on the descent of the most high on Mount Sinai, and the symbol of the Church), 95 (on the decapitation of John the Baptist), 99 (on the Apostle Thomas), 103 (on the love of money), and 194 (on the end of the world, and marriage), with some parts omitted. This French translation may still serve as a vehicle of introduction to Jacob’s poetry, much of which remains untranslated
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