119,606 research outputs found
Making a Transnational Design History in East Asia: Yen Shuilong’s Craft-Design Movement
Yen Shuilong (1903-97) was born in Taiwan within the ‘Japanese Empire’ but his live is dominated by what we would now call transnational activities. During the fifteen years since his death, there have been a number of retrospective exhibitions on him, and these have served to anchor his status in Taiwanese history of art and design. From last year through to this year the Taipei Fine Arts Museum organised an exhibition ‘The Public Spirit, Beauty in the Making: Shui-Long Yen’. (Fig. 2) On the other hand in Japan, even though Yen was Japanese until 1945, he hasn’t been well recognized, and it appears as though he may have been intentionally forgotten with the history of Japanese colonization
Scirpophaga adunctella Chen
Scirpophaga adunctella Chen, Song & Wu, 2006 (Figs 38, 45, 53) Scirpophaga adunctella Chen, Song & Wu, 2006. Zootaxa, 1236: 15. Type locality: China, Yunnan. Description. Wing span ♀ 30–38 mm. Female white, anal tuft pale ochreous; others same to male. Both male and female sometimes have a dark fuscous spot present at the lower angle of cell on forewing. Female genitalia. Anal papillae broad, covered with long setae; apophyses anterioris and posterioris well developed and with the same length; ostium bursae broad and long, strongly wrinkled, sclerotized towards ductus bursae, different with other species; ductus bursae membranous; corpus bursae round, lined with dense spines. Material examined. IZCAS: Holotype ♂, Yunnan, Wanding, 820 m, 29 May 1979. Others. Xizang, Mêdog, 1♂, 1 080 m, 23 August 2006, Fu-Qiang Chen; Xizang, Mêdog, Ma’niweng, 1♀, 930 m, 25 August 1974, Fu-Sheng Huang; Xizang, Mêdog, Ma’niweng, 895 m, 1♀, 14 August 2006, Fu-Qiang Chen; Xizang, Mêdog, Hanmi, 2 120 m, 1♀, 10 August 2006, Fu-Qiang Chen; Xizang, Mêdog, Didong, 840 m, 3♀, 16 August 2006, Fu-Qiang Chen. Distribution. China (Yunnan, Xizang). Remarks. The female of this species is firstly reported here. Chen et al. (2006) reported the species according to a single male specimen. At that time, we could not match the right female with the male, although some possible materials were checked. Later, more materials of the species were gotten from Xizang. The materials from Xizang sometimes have a dark fuscous spot present at the lower angle of cell on forewing, which is common in excerptalis group.Published as part of Chen, Fu-Qiang & Wu, Chun-Sheng, 2014, Taxonomic review of the subfamily Schoenobiinae (Lepidoptera: Pyraloidea: Crambidae) from China, pp. 163-208 in Zoological Systematics 39 (2) on page 175, DOI: 10.11865/zs20140201, http://zenodo.org/record/461732
A simple and effective process for noise reduction of multichannel cortical field potential recordings in freely moving rats.
Dynamic changes of touch- and laser heat-evoked field potentials of primary somatosensory cortex in awake and pentobarbital-anesthetized rats.
Wang Shih-chen and His I-yuan chih-yen
In the history of Ming 明 (1368-1644) literary criticism, the most influential critics were the Former Seven Masters 前七子 and the Latter Seven Masters 後七子. Wang Shih-chen 王世貞 (1526-1590), a most prolific and versatile scholar-writer, is often regarded as the successor of the Former Seven Masters and the leading figure amongst the Latter Seven Masters. In the entire range of Wang's works on literary criticism, I-yüan chih-yen 藝苑巵言 occupies the central position. However, the eminent Ch'ing 淸 (1644-1911) critic, Ch'ien Ch'ien-i 錢謙益 (1582-1664) points out in his Lieh-ch'ao shih-chi 列朝詩集 that Wang Shih-chen, late in his life, wrote that he "regretted having written I-yüan chih-yen and nullified the critical beliefs of his youth" in a review "On Hsi-ya's yueh-fu poems" 書西涯古樂府後. And Ch'ien's remark has always been accepted as the truth. Wang Shih-chen had not written anything of the kind. In this essay, I shall try to prove that, what Ch'ien said of Wang was untrue. I shall, firstly, examine the various editions of the review in question; secondly, go through all the critical writings of Wang Shih-chen. In the course of my arguments, it will be made clear that Wang Shih-chen never regretted having produced the I-yüan chih-yen and he never nullified the central beliefs of his youth; on the contrary, he took pride in his magnum opus even in his old age
Yen Wei Chen, piano
Johann Sebastian BachLudwig van BeethovenFrederic ChopinFranz LisztFazil Sa
Fanyu Chen shi Dongshu cong shu : chu han 4 zhong fu 1 zhong /
The first 4 works have special title pages, engraved 1848-84?[1-2] Han ru tong yi : 7 juan -- [3-4] Sheng lü tong kao : 10 juan -- [5-7] Qie yun kao : 6 juan wai pian 3 juan -- [8-9] Han shu di li zhi shui dao tu shuo : 7 juan fu Kao zheng Deqing Hu shi Yugong tu Chen Zongyi zhuan.No more published?Mode of access: Internet
Neural and Cardiac Activities are Altered by Injection of Picomoles of Glutamate into the Nucleus Ambiguus of the Rat
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