1,728,518 research outputs found
Magadha redunca Chen, Yang & Wilson 1989
No full textMagadha redunca Chen, Yang & Wilson, 1989 (Figs 67–82) Magadha redunca Chen, Yang & Wilson, 1989: 38. Material Examined. CHINA, Taiwan: 2 ♂♂, 1 ♀, Tengzhi, Kaohsiung, 21 Nov. 2002, X.-S. Chen; 1 ♀, Shanxi, Nantou, 21 Dec. 2002, X.-S. Chen. Distribution. China (Taiwan).Published as part of Long, Jian-Kun, Yang, Lin & Chen, Xiang-Sheng, 2014, A review of the genus Magadha Distant, 1906 (Hemiptera: Fulgoromorpha: Achilidae), pp. 235-256 in Zootaxa 3872 (3) on page 247, DOI: 10.11646/zootaxa.3872.3.2, http://zenodo.org/record/24954
Tiphia (Jaynesia) borealis Chen & Yang 1990
No full textTiphia (Jaynesia) borealis Chen & Yang, 1990 Tiphia (Jaynesia) borealis Chen & Yang, 1990: 253–255. Material examined. ♀, China, Shanxi prov., Datong City, 39°40’32”N, 113°42’29”E, 1212m, 26.VII.2001, Zhiguo Li (YNAU); 15♂♂, China, Inner Mongolia, Hohehot City, Horinger County, Suojiayao Village, 40°34’10”N, 111°57’39.36”E, 1221m, 15.VII.2019, Xu Zhang (CNU); ♀, China, Inner Mongolia, Hailar District, 49°12’35”N, 119°43’41”E, 628m, 4.VIII.1981, Jiang Xiong (KIZ); ♂, China, Inner Mongolia, Ulanqab, 41°1’50”N, 113°6’22”E, 1415m, 30.VII.2009, Rui Zhang (KIZ); ♀ 2♂♂, China, Inner Mongolia, Otog Front Banner, 37°44’4”N, 106°26’2”E, 1260m, 24.VII.2006, Haiyan Zhang (YNAU); ♀ 11♂♂, China, Gansu prov., Zhangye City, Gao- tai County, Heiquan Town, Yanzhibao Village, 39°32’33”N, 99°37’28”E, 1321m, 1. VI.2019, Qian Han (CNU); 15♀♀ 13♂♂, China, Ningxia prov., Wuzhong City, Yanchi County, Shaquanwan Village, 37°16’2”N, 106°49’5”E, 1638m, 24.VII.2020, Qian Han (CNU). Distribution. China (Shanxi, Inner Mongolia, Henan, Shaanxi, Gansu, Ningxia).Published as part of Han, Qian, Chen, Bin & Li, Ting-Jing, 2021, Three new species of the subgenus Jaynesia Allen, 1969 of the genus Tiphia Fabricius, 1775 (Hymenoptera: Tiphiidae: Tiphiinae) from China, with a key to all known species, pp. 313-324 in Zootaxa 4970 (2) on page 322, DOI: 10.11646/zootaxa.4970.2.5, http://zenodo.org/record/476180
Garra nujiangensis Chen & Yang
No full textGarra nujiangensis Chen & Yang (Figs. 3A and 6) Garra imberba imberba non Garman: Chen in Yang et al. 2010: 499 (Nu-jiang). Garra nujiangensis Chen & Yang in Chen et al. 2009: 438–444 (Zhenkang, Yunnan, China) [Salween River drainage]; Chen 2013: 311 (Nu-jiang drainage); Du et al. 2013: 349 (Zhenkang, Yunnan, China) [Salween River drainage]. Material examined. SWFC 0 102086, 0 102091, 2 ex., 144.1–173.5 mm SL, Yunnan: Longling: Xiangda, the lower reaches of the Nu-jiang River (upper Salween River); SWFC 0203020–0203022, 3 ex., 99.3–113.3 mm SL, Yunnan: Cangyuan, Nangun-he (an upper tributary of the Salween River); KIZ 2003000267–2003000271, 2003000273, 2003000275, 2003000276, 2003000280, 2003000283–287, 2003000290, 2003000292, 2003000293, 17 ex., 33.0– 100.9 mm SL, Yunnan: Zhenkang, an upper tributary of the Salween River; SWFC 0 903065, 0 903066, 2 ex., 86.2–160.3 mm SL, Yunnan: Zhenkang: Mengdui, an upper tributary of the Salween River; SWFC 0 903076, 0 903077, 2 ex., 80.3–102.6 mm SL, Yunnan: Zhenkang: Fengwei, an upper tributary of the Salween River; SWFC 1510011–1510018, 8 ex., 70.8–105.9 mm SL, Yunnan: Zhenkang: Banhai, an upper tributary of the Salween River. Diagnosis. Garra nujiangensis can be easily distinguished from congeners by the absence of the transverse lobe and proboscis. It can be further distinguished from congeners having a poor transverse lobe or no proboscis in the Irrawaddy River and Salween River basins by the combination of the following characters: no barbels (vs. two pairs of barbels in G. abhoyai, G. chakpiensis, G. nambulica, G. namyaensis, G. notata, G. poecilura, G. paralissorhynchus, G. spilota, G. tengchongensis, and G. ukhrulensis); body and all fins without bands or marks (vs. caudal fin with W-shaped marks in G. abhoyai, G. nambulica, G. namyaensis, and G. poecilura; a black band on the distal margin of the dorsal fin in G. namyaensis, G. poecilura, and G. tengchongensis). Distribution. This species is only found in the Nu-jiang (the upper Salween River) basin, including some branches of the Salween River in west Yunnan, China.Published as part of Sun, Chao, Li, Xu, Zhou, Wei & Li, Fenglian, 2018, A review of Garra (Teleostei: Cypriniformes) from two rivers in West Yunnan, China with description of a new species, pp. 49-70 in Zootaxa 4378 (1) on pages 56-57, DOI: 10.11646/zootaxa.4378.1.3, http://zenodo.org/record/116808
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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