1,721,144 research outputs found
A review of the Strongylovelia Esaki, 1924 (Hemiptera: Heteroptera: Veliidae) from China, with descriptions of three new species
No full textYe, Zhen, Chen, Pingping, Bu, Wenjun (2015): A review of the Strongylovelia Esaki, 1924 (Hemiptera: Heteroptera: Veliidae) from China, with descriptions of three new species. Zootaxa 3920 (4): 534-544, DOI: 10.11646/zootaxa.3920.4.
Contribution to the knowledge on the Oriental genus Perittopus Fieber, 1861 (Hemiptera: Heteroptera: Veliidae) with descriptions of four new species from China and Thailand
No full textYe, Zhen, Chen, Pingping, Bu, Wenjun (2013): Contribution to the knowledge on the Oriental genus Perittopus Fieber, 1861 (Hemiptera: Heteroptera: Veliidae) with descriptions of four new species from China and Thailand. Zootaxa 3616 (1): 31-48, DOI: 10.11646/zootaxa.3616.1.
First record of Hermatobatidae from China, with description of Hermatobates lingyangjiaoensis sp. n. (Hemiptera: Heteroptera)
No full textLuo, Jiuyang, Chen, Pingping, Wang, Yanhui, Xie, Qiang (2019): First record of Hermatobatidae from China, with description of Hermatobates lingyangjiaoensis sp. n. (Hemiptera: Heteroptera). Zootaxa 4679 (3): 527-538, DOI: https://doi.org/10.11646/zootaxa.4679.3.
FIGURES 5–6 in First record of Hermatobatidae from China, with description of Hermatobates lingyangjiaoensis sp. n. (Hemiptera: Heteroptera)
No full textFIGURES 5–6. Metathorax and abdomen of Hermatobates lingyangjiaoensis sp. n. in ventral view. 5, male holotype; 6, female paratype.Published as part of Luo, Jiuyang, Chen, Pingping, Wang, Yanhui & Xie, Qiang, 2019, First record of Hermatobatidae from China, with description of Hermatobates lingyangjiaoensis sp. n. (Hemiptera: Heteroptera), pp. 527-538 in Zootaxa 4679 (3) on page 531, DOI: 10.11646/zootaxa.4679.3.6, http://zenodo.org/record/347124
FIGURES 27–28 in First record of Hermatobatidae from China, with description of Hermatobates lingyangjiaoensis sp. n. (Hemiptera: Heteroptera)
No full textFIGURES 27–28. Distribution of Hermatobates lingyangjiaoensis sp. n. and closely distributed species. 27, red dot = type locality of H. lingyangjiaoensis sp. n., yellow dots = H. schuhi, green dots = H. marchei, purple dots = H. singaporensis, black dots = H. weddi; 28, red dot = H. lingyangjiaoensis sp. n.Published as part of Luo, Jiuyang, Chen, Pingping, Wang, Yanhui & Xie, Qiang, 2019, First record of Hermatobatidae from China, with description of Hermatobates lingyangjiaoensis sp. n. (Hemiptera: Heteroptera), pp. 527-538 in Zootaxa 4679 (3) on page 536, DOI: 10.11646/zootaxa.4679.3.6, http://zenodo.org/record/347124
FIGURE 26. Abdominal sternites 2–7 in Contribution to the knowledge on the Oriental genus Perittopus Fieber, 1861 (Hemiptera: Heteroptera: Veliidae) with descriptions of four new species from China and Thailand
No full textFIGURE 26. Abdominal sternites 2–7 of Perittopus spp. (female) Scale 1.0 mm. Figures. 27–28. Detail of the sternite 6 showing the median ventral pigmented apodeme in Perittopus spp. (internal view after KOH treatment) 27 P. zhengi sp. nov., 28 P. asiaticus Zettel, 2001. (St5 = sternite 5, St6 = sternite 6, St7 = sternite 7). (26–28 drawing by D. Pluot-Sigwalt), scale 0.2 mm.Published as part of Ye, Zhen, Chen, Pingping & Bu, Wenjun, 2013, Contribution to the knowledge on the Oriental genus Perittopus Fieber, 1861 (Hemiptera: Heteroptera: Veliidae) with descriptions of four new species from China and Thailand, pp. 31-48 in Zootaxa 3616 (1) on page 40, DOI: 10.11646/zootaxa.3616.1.3, http://zenodo.org/record/28336
Figure 3 in Biased heteroplasmy within the mitogenomic sequences of Gigantometra gigas revealed by sanger and high-throughput methods
No full textFigure 3. The different nucleotides in the ITS-1 and ITS-2 regions are shown. The result shows the different nucleotides at nucleotide position np 1897 (G nucleotide and T nucleotide) and np 2790 (C nucleotide and T nucleotide) obtained by Sanger and HTS methods.Published as part of Sun, Xiaoya, Wang, Yanhui, Chen, Pingping, Wang, Hesheng, Lu, Lixiang, Ye, Zhen, Wu, Yanzhuo, Li, Teng, Bu, Wenjun & Xie, Qiang, 2018, Biased heteroplasmy within the mitogenomic sequences of Gigantometra gigas revealed by sanger and high-throughput methods, pp. 356-386 in Zoological Systematics 43 (4) on page 362, DOI: 10.11865/zs.201833, http://zenodo.org/record/536362
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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