109,319 research outputs found
Min-yu Chen, piano, April 19, 2017
Full text linkThis is the concert program of the Min-yu Chen, piano performance on Wednesday, April 19, 2017 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Cinq mélodies populaires grecques by Maurice Ravel, Don Quichotte à Dulcinée by M. Ravel, Fantasiestücke Op. 73 by Robert Schumann, and Violin Sonata No. 2 in A major, Op. 100 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
crvernon/demeter: v1.chen
No full textThis version represents the code used to create the Demeter outputs represented in the Chen et al. 2020 submission "Global land use projections for 2015-2100 at 0.05-degree resolution under diverse Shared Socioeconomic Pathways and Representative Concentration Pathways
Min-yu Chen, collaborative piano, April 19, 2018
Full text linkThis is the concert program of the Min-yu Chen, collaborative piano performance on Thursday, April 19, 2018 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Hermit Songs by Samuel Osborne Barber II, Vier Lieder, Op. 27 by Richard Strauss, and Piano Trio in A minor by Maurice Ravel. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
IMMM-SFA/chen_et_al_gmd_2019: Chen et al. 2019, GMD supporting code
No full text<p>Supplemental code to produce results and figures for Chen et al. (2019) - GMD paper.</p>
Chou Chin-Chen\ue2s object-describing lyrics
No full textThe thesis focuses on the object-describing lyrics written by Chou Chin-Chen and investigates the selection of ideas, analysis of images, and artistic characteristics. This thesis is divided into six chapters.
Chapter 1 is divided into two sections. The first section introduces the research motivation, the research methods, and literature review. The second section studies the origin of object-describing lyrics to describe the relationship of objects and literature and to define the concept of object-describing lyrics.
Chapter 2 indicates the formation background of Chou Chin-Chen\ue2s lyrics. The first section discusses the historical origin and litery development of object-describing lyrics in terms of different dynasties: Early Chin dynasty, The Han dynasty, and Wei-Jin Dynasty. In addition, the section further investigates the civil object-describing lyrics in Dunhuang and intellectuals\ue2 object-describing lyrics in early North Song Dynasty. The second section discusses the factors of writing with the respect of the social and cultural background and makes the list of Chou Chin-Chen\ue2s lyrics in order to compare the background influences and literature characteristics.
Chapter 3 analyzes the content of Chou Chin-Chen\ue2s lyrics based on the definition made in the previous sections. The chapter discusses 32 lyrics to analyze the selection of ideas with six categories: season, plants, nature, appearance and time. There are two seasonal lyrics (lantern and Chongjiu festivals), ten plant lyrics (plum flowers, willows, pear, lotus, sweet-scented osmanthus, and apricot), seven nature lyrics (snow, moon, and spring rain). The discussion focuses on the image analysis including prototypes and trends and further investigates the historical backgrounds, content structures, writing skills and historical evaluations.
Chapter 4 studies and compares Chou Chin-Chen\ue2s object-describing lyrics in terms of the artistic characteristics, rhetoric skills, language styles, and content structures.
Chapter 5 describes the comments and influences of Chou Chin-Chen\ue2s object-describing lyrics. Chapter 6 concludes the achievement of Chou Chin-Chen\ue2s object-describing lyrics
Raquelle Grace Viteri, soprano and Min-Yu Chen, piano, April 8, 2017
Full text linkThis is the concert program of the Raquelle Grace Viteri, soprano and Min-Yu Chen, piano performance on Saturday, April 8, 2017 at 6:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Ev'ry Sight These Eyes Behold from "Solomon" by George Frideric Handel, Soirée Musicales by Gioachino Rossini, "Zueignung," "Nichts," "Die Nacht," "Die Georgine," and "Allerseelen" from Op. 10 by Richard Strauss, Fetês Galantes by Reynaldo Hahn, D'une Prison by R. Hahn, En Sourdine by R. Hahn, Songs About Spring by Dominick Argento, Dame el amor by Ernesto Lecuona, Mi corazón se fue by E. Lecuona, Dame de tus rosas by E. Lecuona, Por eso te quiero by E. Lecuona, and Que Risa Me Da by E. Lecuona. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
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