26,437 research outputs found
[Professor Yung-Jui (Ray) Chen]
No full textPortrait fo Jui Ray Chen, Electrical Engineering, working with lasersFrom verso: Circo 1992 Elec Engineering, Jui Ray Che
Case studies of naturally ventilated commercial buildings in the United States
No full textThesis (S.M.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2002.Includes bibliographical references (p. 273-276).by Jui-Chen Chang.S.M
Effects of mechanical dispersion on the morphological evolution of a chemical dissolution front in a fluid-saturated porous medium
No full textA Transcription for Bassoon of Jean-Baptiste Barrière’s Sonates pour le violoncelle avec la Basse Continüe, Livre II (Paris, 1735)
No full textThe purpose of the project is to expand the current bassoon baroque repertoire by creating a transcription from the chosen sonatas of Barrière’s Sonates pour le violoncelle avec la Basse Continüe. Related topics include: 1) the life and music of Jean-Baptiste Barrière, with an emphasis on the musical characteristics in his Livre II, 2) the development history of the bassoon, and 3) relevant issues of historical performance practice, including tempo, ornamentation, rhythm, articulation, and harmonic figuration.Submitted by David Butler ([email protected]) on 2015-04-22T17:58:53Z
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Lift date: 10000-01-01
Reason: UIUC School of Music policyUIUC School of Music policyU of I Onl
Chou Chin-Chen\ue2s object-describing lyrics
No full textThe thesis focuses on the object-describing lyrics written by Chou Chin-Chen and investigates the selection of ideas, analysis of images, and artistic characteristics. This thesis is divided into six chapters.
Chapter 1 is divided into two sections. The first section introduces the research motivation, the research methods, and literature review. The second section studies the origin of object-describing lyrics to describe the relationship of objects and literature and to define the concept of object-describing lyrics.
Chapter 2 indicates the formation background of Chou Chin-Chen\ue2s lyrics. The first section discusses the historical origin and litery development of object-describing lyrics in terms of different dynasties: Early Chin dynasty, The Han dynasty, and Wei-Jin Dynasty. In addition, the section further investigates the civil object-describing lyrics in Dunhuang and intellectuals\ue2 object-describing lyrics in early North Song Dynasty. The second section discusses the factors of writing with the respect of the social and cultural background and makes the list of Chou Chin-Chen\ue2s lyrics in order to compare the background influences and literature characteristics.
Chapter 3 analyzes the content of Chou Chin-Chen\ue2s lyrics based on the definition made in the previous sections. The chapter discusses 32 lyrics to analyze the selection of ideas with six categories: season, plants, nature, appearance and time. There are two seasonal lyrics (lantern and Chongjiu festivals), ten plant lyrics (plum flowers, willows, pear, lotus, sweet-scented osmanthus, and apricot), seven nature lyrics (snow, moon, and spring rain). The discussion focuses on the image analysis including prototypes and trends and further investigates the historical backgrounds, content structures, writing skills and historical evaluations.
Chapter 4 studies and compares Chou Chin-Chen\ue2s object-describing lyrics in terms of the artistic characteristics, rhetoric skills, language styles, and content structures.
Chapter 5 describes the comments and influences of Chou Chin-Chen\ue2s object-describing lyrics. Chapter 6 concludes the achievement of Chou Chin-Chen\ue2s object-describing lyrics
《在中法之间 — 陈伟农的艺术体验》 Zai Zhong Fa zhi jian: Chen Weinong de yishu tijian / “Between China and France. The Artistic Experience of Chen Weinong”
No full textThe author analizes the artistic production of the Chinese contemporary artist Chen Weinong, who has travelled between China and France for more ten years. In his ink paintings and calligraphies, Chen Weinong reflects the essence of both Western and Eastern cultures, succeeding in refreshing the ancient tradition as well as blazing new trails in Chinese art
Chen Yung-Fa, Zhongguo gongchan geming qishi nian
Get PDFChen Yung-Fa, the author of an authoritative study of the Chinese communist revolution, Making Revolution , provides us here with an excellent overview, covering seventy years of that revolution, from the early beginnings of the Chinese Communist Party (CCP) in the 1920s until the 1990s. In Making Revolution, he showed that during the Sino-Japanese war the revolution was far from being the outcome of spontaneous mass movements. In fact, it was brought about by localised political activity aim..
Chen Yung-Fa, Zhongguo gonghan geming qishi nian
No full textHoang Ngo Thi Minh. Chen Yung-Fa, Zhongguo gonghan geming qishi nian. In: Perspectives chinoises, n°80, 2003. pp. 83-84
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