18,625 research outputs found
Imma phuocbuu Buchsbaum, Chi & Chen, sp. nov. from south Vietnam (Lepidoptera: Immidae)
No full textDuring a faunal survey of Lepidoptera in 2023, Imma phuocbuu Buchsbaum, Chi & Chen, sp. nov. was discovered and represents the first record of the genus in Vietnam. A single male specimen was collected from atransitional biotype between mangrove and semi-deciduous dry lowland forest habitats near the coast. The newspecies is distinguished from Imma transversella (Snellen, 1878), I. semicitra Meyrick, 1937 and I. semiclara Meyrick, 1929 by differences in wing pattern and genitalia morphology.Während einer faunistischen Untersuchung von Lepidoptera im Jahr 2023 wurde Imma phuocbuu Buchsbaum, Chi & Chen, sp. nov. entdeckt und stellt den ersten Nachweis der Gattung in Vietnam dar. Ein einzelnes männliches Exemplar wurde in einem Übergangs biotop zwischen Mangroven und halbtrockenen Tieflandwäldern in Küstennähe gesammelt. Die neue Art unterscheidet sich von Imma transversella (Snellen, 1878), I. semicitra Meyrick, 1937 und I. semiclara Meyrick, 1929 durch Unterschiede in der Flügelzeichnung und der Morphologie der Genitalien.Durante un estudio faunístico de Lepidóptera en 2023, se descubrió Imma phuocbuu Buchsbaum, Chi & Chen, sp. nov. y representa el primer registro del género en Vietnam. Se recogió un único espécimen macho en un biotipo de transición entre los hábitats de manglar y de bosque seco semi-caducifolio de tierras bajas cerca de la costa. La nueva especie se distingue de Imma transversella (Snellen, 1878), I. semicitra Meyrick, 1937 e I. semiclara Meyrick, 1929 por diferencias en el patrón alar y la morfología de la genitalia
Supplemental Material - Risk Factors for 30-day Unplanned Readmission following Surgery for Lumbar Degenerative Diseases: A Systematic Review
No full textSupplemental Material for Risk Factors for 30-day Unplanned Readmission following Surgery for Lumbar Degenerative Diseases: A Systematic Review by Liang-Yi Chen, MD, Yu Chang, MD, Chia-En Wong, MD, Kuan-Yu Chi, MD, Jung-Shun Lee, MD, MSc, Chi-Chen Huang, MD, and Po-Hsuan Lee, MD in Global Spine Journal</p
A Play: Chen Zi-Gao, the Male Queen
No full text這是一個以明代曲家王驥德的雜劇「男王后」為本，再加以參照正史、筆記小說，並融入現代性別概念後，加以重新創作的劇本。情描寫將軍陳劍，在戰場上偶然與陳子高相遇，為其美色傾心，便贈與寶劍並收為隨身侍衛，與子高產生戀情。凱旋歸家之後，安排陳子高住西廂，與妻子沈妙容共同生活在一起。陳劍妹妹玉華，偶然遇見陳子高，誤認為子高是她的未婚夫，後來雖然得知事實真相，但仍然深愛子高。於是夜間便去至西廂，與子高發生戀情。子高徘徊在兄妹男女兩人之間，同時與兩人相愛。最後東窗事發，陳劍要子高做出選擇，子高選擇了陳劍，玉華因而鬱悶而死。子高便與沈妙容一同服侍陳劍。劇企圖重新塑造陳子高陰陽並濟的特質，使他與陳劍的男男戀，展現出真實性，並以陳玉華主動的女性情慾追求為對照，在權力與性別糾葛之中，表現出獨特情感與戲劇衝突，務使在戲曲傳統才子佳人模式之外，透過當代的同志性別概念來重新詮釋，開發出獨特的伴侶關係與情感糾葛，重新塑造有當代觀的，不受性別限制的愛情傳奇。論文除劇本之外，一併收錄創作源由，說明筆者創作本劇的來龍去脈，及劇本完成之後的詳細分析，以供參考。This is a play adapted from the original play: “The Male Queen,” written by Wang Chi-Te in Ming dynasty. This is a whole new adaptation integrated with contemporary gender concepts and also referring to related historical documents and novels.he plot of the play is as follows: a general, Chen Chien, meets an extremely beautiful young soldier, Chen Zi-Gao on the battlefield. Chen Chien admires Chen Zi-Gao wholeheartedly, so he bestows him a treasured sword and takes him as his personal bodyguard, who also has to serve him at night. After the war, they return home in triumph. Chen Zi-Gao is accommodated in the western chamber and lives with Chen Chien’s wife, Shen Miao-Jung. Chen Chien’s sister, Chen Yu-Hua, meets Chen Zi-Gao incidentally and mistakes him for her fiance. After realizing the truth, she still falls in love with him. So she starts to see Chen Zi-Gao in the western chamber during the night. They have a secret affair. Then the brother and sister, Chen Chien and Chen Yu-Hua share the same beauty Chen Zi-Gao. Chen Zi-Gao falls in love with a male and a female at the same time. Then Chen Chien finally finds out the fact that his sister is having an affair with his beloved bodyguard. He wants Chen Zi-Gao to make a decision. Chen Zi-Gao is given a promise that if Chen Chien becomes King, he will be crowned the male queen. Chen Zi-Gao chooses Chen Chien. Chen Yu-Hua then dies of disappointment and depression.he play tries to present Chen Zi-Gao’s unique character in the combination of his yin and yang characteristics, which provides an authenticity for his homosexual relationship with Chen Chien. Chen Yu-Hua’s active pursue of passion and love makes a contrast between homosexual and heterosexual relationships. In such contrast, combined with power and gender struggle, the unique emotional and dramatic conflict is revealed. In addition to the traditional romance between a gifted young man and a beauty, this play hopes to discover a new relationship and affection through the interpretation and integration of contemporary gender concepts. his thesis will include the play and the author’s reflection on the play to show the beginning and subsequent developments of the making of this play, including the analysis of the original play “The Male Queen.”畢業劇本《陳子高》錄試委員會審定書--------------------------------------------------i文摘要---------------------------------------------------------ii文摘要--------------------------------------------------------iii一部分：劇本----------------------------------------------------1次一場：驚豔----------------------------------------------2二場：春宵----------------------------------------------8三場：簾窺---------------------------------------------16四場：錯認---------------------------------------------23五場：夢同---------------------------------------------30六場：圓夢---------------------------------------------40七場：西廂---------------------------------------------50八場：東窗---------------------------------------------56九場：鳳冠寶劍-----------------------------------------65二部份：創作說明-----------------------------------------------71前言---------------------------------------------------------72、 創作分析：從《男王后》說起-------------------------------74、 劇本分析-------------------------------------------------86一、）劇情結構-----------------------------------------86二、）角色分析-----------------------------------------98、結語----------------------------------------------------115考書目--------------------------------------------------------11
Parasenecio souliei Chen 1999
No full textParasenecio souliei (Franch.) Chen (1999: 63). Senecio souliei Franchet (1891: 145). Fig. 1 Type:— CHINA. Se-tchuen [Sichuan]: Ta-tsien-Lou [Kangding], J. A. Soulié s.n. (lectotype designated by Koyama (1979: 75): P00705033!; isolectotype: P00705035!). Fig. 1. Synotis setchuenensis (Franch.) Jeffrey & Chen (1984: 336). Senecio setchuenensis Franchet (1891: 145). Figs. 5, 6. Type:— CHINA. Se-tchuen [Sichuan]:Ta-tsien-lou [Kangding], J.A. Soulié 198 (lectotype designated by Yu et al. (2014: 593): P00705011!; isolectotype: P00705012!). Fig. 5.Published as part of Li, Cheng-Sheng, Chi, Xiao-Rui, Fei, Wen-Qun & Ren, Chen, 2022, Revisiting the lectotypifications of Senecio plantaginifolius, S. setchuenensis and S. souliei (Asteraceae: Senecioneae), pp. 57-66 in Phytotaxa 532 (1) on page 66, DOI: 10.11646/phytotaxa.532.1.4, http://zenodo.org/record/590087
Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context
No full textMy thesis explores how a translated author on the periphery of the host culture’s
translated repertoire can be at once subversive and innovative on the colonial scene,
using as an example the case of Sean O’Casey in colonial Korea. It explores the
importation of Irish drama in modern Korean theatre during the colonial period and
examines the appropriations of O’Casey’s plays by a central Korean playwright, Yu
Chi-jin, in creating his own plays. Under Japanese colonial rule in the early twentieth
century, intellectuals perceived the supreme task for the Korean people to be the
recovery of national sovereignty and independence. The modern Korean theatre
movement which rose among Korean intellectuals and dramatists during the colonial
period was to play a major part in this task. The ultimate goal of this movement was
to establish a modern national theatre promoting Korean culture and educating the
people, thereby recovering national independence. As their modernised dramatic
polysystem was still "young", Korean intellectuals and dramatists who were
involved in the theatre movement had to borrow dramatic models from other
countries. One of the models they chose was Irish playwrights, especially those who
were involved in the Irish dramatic movement. They published or staged the works
of W.B. Yeats, Lord Dunsany [Edward John Moreton Drax Plunkett], Augusta
Gregory, J.M. Synge, St. J. Ervine, T.C. Murray and Sean O'Casey. Although
O'Casey was considered an important dramatist in the Irish dramatic movement, he
was a playwright on the periphery in the list of translated Irish dramatists in Korea
due to the colonisers’ censorship. However, he remained as a subversive and
innovative playwright on the colonial scene by virtue of being appropriated by Yu
Chi-jin who used O’Casey’s plays as models when creating his own works. In
discussing the subject matter of my thesis, I use Even Zohar’s polysystems theory as
a starting point in looking at ideological issues surrounding translation and extend
the discussion to offer a postcolonial perspective. While most translation in a
colonial context was considered as "an expression of the cultural power of the
colonisers," my thesis shifts the focus to translation as an expression of the cultural
power of the colonised. I explore how the colonised uses another colonised culture to
subvert the colonisers’ power
An investigation of Fang-ming Chen\ue2s discourses on nation and liberalism
No full textAfter the end of martial law in late 1980s, the political discourse by Fang-ming Chen, one of the proponents of Taiwan\ue2s nation building, has been taken as an indicator among Taiwan\ue2s Pan- green group. While Chen has self-reported as an liberalist, how could he remains a die hard nationalist? How did he deal with the contradiction between liberalism and nationalism? Or the declaration and practice are two different things. This thesis departs from the statement that Chen is a classic liberalist, follows, as well as does detailed reading of the content of his personal life, observes the ingredients of liberalism which have been instilled into his life to cultivate his thought of liberalism. This thesis also explores Chen\ue2s level of liberalism. Is it a deep belief, or just a mean of power
struggling? The author deeply believe that as a belief, liberalism is a goal deserved for seeking without regrets, while as a mean, liberalism is disposable.
To examine the essence of Chen\ue2s thought of liberalism, the author puts emphasis on analyzing Chen\ue2s discourses on Taiwan nation, Taiwan independence, transitional justice as well as
Cross-Strait relations. The relation between Chen\ue2s related political discourses and his perspective of classic liberalism is intriguing.
Even though Dworkin\ue2s take of liberalism stresses precarious republicanism, public will and positive liberty rather than individual
liberty, will and negative liberty, scholars still regard him as a liberalist according to his way of discussion, not the nature of the object. Since Chen is neither a constructor nor an assistant of theory of liberalism, for the author to prove or disprove Chen\ue2s stand of liberalism is to examine his discourses and practice. Is Chen
become more of liberalism or less of it? From the spirit of liberalism, any construction should be examined by time, including the author\ue2s
argument. Whether Chen could become a liberalist as declared by himself has become the battle inside him
sj-docx-4-ejo-10.1177_11206721221107512 - Supplemental material for Active-fluidics versus gravity-fluidics in lens extraction: A systematic review and meta-analysis of randomized controlled trials
No full textSupplemental material, sj-docx-4-ejo-10.1177_11206721221107512 for Active-fluidics versus gravity-fluidics in lens extraction: A systematic review and meta-analysis of randomized controlled trials by Yu-Chen Su, Yen-Yin Lee and Yu-Chi Su in European Journal of Ophthalmology</p
Binding Affinity of T7 RNA Polymerase to its Promoter in the Supercoiled and Linearized DNA Templates
No full text- …
