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    A Research on Chu Characters Formation in Volume VII and VIII of the Warring States Chu bamboo slips Collected by the Shanghai Museum

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    本文以上博七、八之字形為範圍,以繁化、簡化、異化、類化、訛變等五項原則,來分析其中發生變化的字例,以及其現象歸屬。 第一章為緒論,概述研究動機及方法。第二至六章分別按照繁化、簡化、異化、類化、訛變等為順序,來分舉字例以個別說明之。各節後有小結整理字例,章亦有小結總括全章字例。至第七章為結論,總括及歸納上述字例。目錄 口試委員審定書………………………………………………..…………i 謝辭………………………………………………………………………ii 中文摘要…………………………………………………………………iii 英文摘要………………………………………………………..…………iv 凡例……………………………………………………………..…………v 目錄…………………………………………………………..…………vii 第一章 緒論……………………………………………………………..1 第二章 繁化……………………………………………………………..7 第一節 填實…………………………………………………………7 第二節 增添圓點為飾………………………………………………14 第三節 增添橫畫為飾………………………………………………24 第四節 增添撇筆為飾………………………………………………75 第五節 增添豎筆為飾………………………………………………84 第六節 增添複數筆劃為飾…………………………………………87 第七節 重複筆劃……………………………………………………99 第八節 重複部件…………………………………………………107 第九節 增添無義偏旁……………………………………………112 第十節 增添標音聲符……………………………………………129 第十一節 增添標義形符…………………………………………133 第三章 簡化……………………………………………………….…157 第一節 省減單筆…………………………………………………157 第二節 省減複筆…………………………………………………173 第三節 共用筆劃…………………………………………………188 第四節 橫畫變圓點………………………………………………196 第五節 簡省同形…………………………………………………207 第六節 省減聲符…………………………………………………218 第七節 刪減聲符…………………………………………………240 第八節 省減義符…………………………………………………248 第九節 刪減義符…………………………………………………255 第十節 截取特徵…………………………………………………266 第四章 異化…………………………………………………………276 第一節 筆畫分開…………………………………………………277 第二節 筆劃相連…………………………………………………286 第三節 筆畫收縮…………………………………………………292 第四節 筆畫延伸…………………………………………………307 第五節 筆畫彎曲…………………………………………………319 第六節 筆畫平直…………………………………………………333 第七節 其他筆畫異化……………………………………………339 第八節 左右互換…………………………………………………344 第九節 上下互換…………………………………………………353 第十節 上下左右互換……………………………………………358 第十一節 方位相反………………………………………………367 第十二節 形近異化………………………………………………373 第十三節 音近異化………………………………………………387 第十四節 義近異化………………………………………………397 第五章 類化…………………………………………………………..420 第一節 自體類化…………………………………………………422 第二節 類化从尹之形……………………………………………435 第三節 類化从彔之形……………………………………………441 第四節 類化从羊之形……………………………………………447 第五節 類化从者上部之形………………………………………457 第六章 訛變…………………………………………………………..467 第一節 形近訛變…………………………………………………468 第二節 訛混………………………………………………………480 第三節 簡化訛變…………………………………………………495 第四節 繁化訛變…………………………………………………503 第五節 字內類化訛變……………………………………………519 第六節 語境類化訛變……………………………………………522 第七節 形體分離訛變……………………………………………531 第八節 錯字………………………………………………………544 第七章 結論…………………………………………………………556 參考書目………………………………………………………….……564 附錄………………………………………………………………….…- 1

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Nao informado

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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