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Programmatic and performance observations for Two Chamber Works by Chen Yi
As a Chinese-American composer who was born and reared in China, then studied and settled in the United States, Chen Yi’s success is widely recognized around the world. However, this success is not coincidental and is closely related to her fusion of the Chinese and Western cultures in her works. At the time of this writing, Chen Yi has composed more than forty chamber works, from which the author researched two with the same instrumentation—flute, clarinet, violin, cello, and piano. By understanding Chen Yi’s life experiences and analyzing the theoretical aspects of these compositions, the author gives suggestions for ensemble, timbre, rhythm, pedaling, and performance techniques in these two chamber works by Chen Yi—Happy Rain on a Spring Night and … as like a raging fire
Zi zhi tong jian wen yi
胡三省輯著 ; 陳仁錫訂校.綫裝, 1函.框21.7x15 公分, 10行20字, 小字雙行同, 白口, 單魚尾, 四周單邊. 版心上鐫"通鑑辯誤", 中鐫卷次, 下鐫葉次.With: 資治通鑑释例圖譜 / 陳仁錫評閱 ; 資治通鑑問疑 / 劉羲仲纂集.鈐有"櫻山文庫"印.Xian zhuang, 1 han.Kuang 21.7 x 15 gong fen, 10 hang 20 zi, xiao zi shuang hang tong, bai kou, dan yu wei, si zhou dan bian. Ban xin shang juan "Tong jian bian wu", zhong juan juan ci, xia juan ye ci.Hu Sansheng ji zhu ; Chen Renxi ding jiao.With: Zi zhi tong jian shi li tu pu / Chen Renxi ping yue ; Zi zhi tong jian wen yi / Liu Xizhong zuan ji.Qian you "Ying shan wen ku" yin
Yi- Chun Chen Clarinet Recital Program Notes
This report is the program notes of Yi-Chun Chen's Clarinet Recital, which was performed on March 23rd, 2022. The repertoire of this recital includes four famous clarinet compositions from the Romantic period, and the twentieth century. This document will be divided into five chapters to discuss the life of the composers, the background of the compositions, the analysis and interpretation of these masterpieces.
The content of this document will be divided into four chapters. The first chapter includes clarinet Concerto No. 1, Op. 26, composed by Louis Spohr. The second chapter is Sonata for clarinet and piano, composed by Francis Poulenc. The third chapter discusses Robert Schumann\ue2s Fantasy Pieces for clarinet and piano, Op. 73. The fourth chapter refers to Sonatina for clarinet and piano by Malcolm Arnold
Yu xu yi yan
v.1. 醫林獵要 / 黃保康輯 ; [黃]任恆編校 -- v.2. 吳鞠通方歌 / 黃保康著 ; 黃任恆校注 -- 陳修園方歌 / 黃任恆編 -- v.3. 貽令堂雜俎 : [四編], 雜說, 遺詩 / 黃保康撰 ; [黃]任恆編校 -- 與壻遺言 : 附錄 / 黃保康撰.v.1. Yi lin lie yao / Huang Baokang ji ; [Huang] Renheng bian jiao -- v.2. Wu ju tong fang ge / Huang Baokang zhu ; Huang Renheng jiao zhu -- Chen Xiuyuan fang ge / Huang Renheng bian -- v.3. Yi ling tang za zu : [si bian], za shuo, yi shi / Huang Baokang zhuan ; [Huang] Renheng bian jiao -- Yu xu yi yan : fu lu / Huang Baokang zhuan.[黃保康撰].綫裝.框14.5x11.7公分, 10行20字, 小字雙行同. 黑口, 左右雙邊, 單黑魚尾. 版心中鐫題名, 卷次, 下鐫葉次.書名背頁刻"宣統三年五月刻成"《中國叢書綜錄》p.727著錄 ; 《中國中醫古籍總目》13297著錄.《貽令堂雜俎》分經, 史, 子, 集編.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 14.5 x 11.7 gong fen, 10 hang 20 zi, xiao zi shuang hang tong. Hei kou, zuo you shuang bian, dan hei yu wei. Ban xin zhong juan ti ming, juan ci, xia juan ye ci.Shu ming bei ye ke "Xuantong san nian wu yue ke cheng"Detailed notes in vernacular field only."Yi ling tang za zu" fen jing, shi, zi, ji bian.[Huang Baokang zhuan].Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Chen Chusheng : Jinwen changyong zidian
Yau Shun-chiu. Chen Chusheng : Jinwen changyong zidian. In: Cahiers de linguistique - Asie orientale, vol. 17 2, 1988. pp. 295-297
Chinese-American women composers: an overview of Chinese aesthetics in selected piano works of Chen Yi and Bun-Ching Lam
The purpose of this dissertation lecture recital project was to discuss and perform Chinese aesthetics in selected piano works of two Chinese-American female composers, Chen Yi and Bun-Ching Lam. Chen and Lam were raised in China, exposed to music at an early age, and received further music education in the United States. Additionally, through their many accomplishments, they have successfully promoted women artists and composers. For Chen, the pieces I selected were: Variations on Awariguli (1978), Duo Ye (1985), and Northern Scenes (2013), focusing on the aesthetics of: Yin-Yang, and Beijing opera. For Lam, the pieces I selected were: Six Phenomena (1998) and Three Little Pieces (2018), highlighting the aesthetics of: Chinese brushwork and Negative space. This project may provide a user-friendly resource for performers, teachers, and students who wish to program the music of Chen Yi and Bun-Ching Lam. The study of Chinese-American women composers and their music should be more widely included in music studies and performance programming.D. A
Supplemental Material - Mitochondrial transplantation attenuates traumatic neuropathic pain, neuroinflammation, and apoptosis in rats with nerve root ligation
Supplemental Material for Mitochondrial transplantation attenuates traumatic neuropathic pain, neuroinflammation, and apoptosis in rats with nerve root ligation by Chi-Chen Huang, Hsin-Yi Chiu, Po-Hsuan Lee, Shih-Yuan Fang, Ming-Wei Lin, Hui-Fang Chen and Jung-Shun Lee in Molecular Pain</p
Supplemental Material - Risk Factors for 30-day Unplanned Readmission following Surgery for Lumbar Degenerative Diseases: A Systematic Review
Supplemental Material for Risk Factors for 30-day Unplanned Readmission following Surgery for Lumbar Degenerative Diseases: A Systematic Review by Liang-Yi Chen, MD, Yu Chang, MD, Chia-En Wong, MD, Kuan-Yu Chi, MD, Jung-Shun Lee, MD, MSc, Chi-Chen Huang, MD, and Po-Hsuan Lee, MD in Global Spine Journal</p
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