217,357 research outputs found
A Periodization Study on the Allusions of Jia Yi Used by Poets in the Tang Dynasty
No full textIn this paper, the allusions related to Jia Yi used by poets of the Tang Dynasty were organized. The representative poets who used these allusions, the mainstream emotions conveyed by the allusions, and the writing methods when being used were discussed according to the four stages of "Early Tang Dynasty - Flourishing Tang Dynasty - Middle Tang Dynasty - Late Tang Dynasty". On this basis, the development and changes in the use of allusions related to Jia Yi in poetry of the Tang Dynasty were presented through the interconnection between various chapters.
In the first part of the text, the use of allusions related to Jia Yi in the early Tang Dynasty was introduced: the first section focuses on introducing the representative poet Song Zhiwen of this stage, and discussing the diversion of the use of allusions related to Jia Yi in his works; the second section focuses on introducing the mainstream emotions reflected in allusions related to Jia Yi at this stage - his talent of spiritual singing; the third section focuses on introducing the foil techniques used in using allusions at this stage.
In the second part, the use of allusions related to Jia Yi in the flourishing Tang Dynasty was introduced: the first section focuses on introducing the representative poets of this stage: Zhang Shuo, Zhang Jiuling, Li Bai and Du Fu, and discussing the characteristics of the use of allusions related to Jia Yi in their respective works; the second section focuses on discussing the two types of mainstream emotions and their flow reflected in allusions related to Jia Yi at this stage, that is, from "one's own ups and downs" to "thoughts of family and country".
In the third part, the use of allusions related to Jia Yi in the middle Tang Dynasty was introduced: the first section focuses on introducing the representative poets of this stage: Liu Changqing, Liu Zongyuan, Liu Yuxi and Bai Juyi, and discussing the characteristics of the use of allusions related to Jia Yi in their respective works; the second section focuses on discussing the techniques used in the use of allusions in this stage, including contradictory techniques and double allusions.
In the fourth part, the use of allusions related to Jia Yi in the later Tang Dynasty was introduced: the first section focuses on the use of allusions related to Jia Yi to describe the injustice suffered by direct ministers; the second section focuses on discussing the diversion of the use of allusions such as "Xuanshi" and "Moving the Seat Forward"; the third section focuses on the integration of Buddhist and Taoist ideas with allusions related to Jia Yi; the fourth section focuses on the formation of poems related to Jiayi
Tian xia yi jia huo lu chen.
No full text美國科學家協會編 ; 紀澤長譯.Translation of: One world or none.Meiguo ke xue jia xie hui bian ; Ji Zechang yi
Programmatic and performance observations for Two Chamber Works by Chen Yi
Get PDFAs a Chinese-American composer who was born and reared in China, then studied and settled in the United States, Chen Yi’s success is widely recognized around the world. However, this success is not coincidental and is closely related to her fusion of the Chinese and Western cultures in her works. At the time of this writing, Chen Yi has composed more than forty chamber works, from which the author researched two with the same instrumentation—flute, clarinet, violin, cello, and piano. By understanding Chen Yi’s life experiences and analyzing the theoretical aspects of these compositions, the author gives suggestions for ensemble, timbre, rhythm, pedaling, and performance techniques in these two chamber works by Chen Yi—Happy Rain on a Spring Night and … as like a raging fire
Ceratophysella quinidentis Jia, Shi & Chen 2005, comb. nov.
No full textC. quinidentis (Jia, Shi & Chen, 2005) comb. nov. Chinogastrura quinidentis Jia, Shi & Chen, 2005 Distribution: China, Jiangsu province, Nanjing (Jia et al. 2005).Published as part of Jia, Junli, Skarżyński, Dariusz & Li, Youlian, 2010, Ceratophysella taiguensis sp. nov. (Collembola, Hypogastruridae) from China, with an annotated checklist of Chinese Ceratophysella Börner, 1932, pp. 57-63 in Zootaxa 2644 on page 61, DOI: 10.5281/zenodo.19865
Zi zhi tong jian wen yi
No full text胡三省輯著 ; 陳仁錫訂校.綫裝, 1函.框21.7x15 公分, 10行20字, 小字雙行同, 白口, 單魚尾, 四周單邊. 版心上鐫"通鑑辯誤", 中鐫卷次, 下鐫葉次.With: 資治通鑑释例圖譜 / 陳仁錫評閱 ; 資治通鑑問疑 / 劉羲仲纂集.鈐有"櫻山文庫"印.Xian zhuang, 1 han.Kuang 21.7 x 15 gong fen, 10 hang 20 zi, xiao zi shuang hang tong, bai kou, dan yu wei, si zhou dan bian. Ban xin shang juan "Tong jian bian wu", zhong juan juan ci, xia juan ye ci.Hu Sansheng ji zhu ; Chen Renxi ding jiao.With: Zi zhi tong jian shi li tu pu / Chen Renxi ping yue ; Zi zhi tong jian wen yi / Liu Xizhong zuan ji.Qian you "Ying shan wen ku" yin
Rou xing chen di tong yin jia xi tai yang neng dian chi zhi bei gong yi
No full textMa, Xuhang = 柔性襯底銅銦鎵硒太陽能電池製備工藝 / 馬續航.Thesis (M.Phil.)--Chinese University of Hong Kong, 2013.Includes bibliographical references (leaves 88-91).Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.Abstracts also in Chinese.Ma, Xuhang = Rou xing chen di tong yin jia xi tai yang neng dian chi zhi bei gong yi / Ma Xuhang
A study on Yi-Hui's Ci poetry
No full textThe purpose of this thesis, which is based on Yi-Hui\ue2s Ci poetry \ue2Xie Chun Jing She Ci\ue2 and \ue2Nan Gu Qiao Chang\ue2 written by Yi-Hui (1799-1838), a royal member, during Jia Qing and Dao Guang period of Qing Dynasty, is to investigate the central idea and writing style of Yi-Hui\ue2s Ci.
The research is divided into following eight chapters.
Chapter one : Introducing and describing the motivation, purpose, scope and methods of the research, and reviewing Yi-Hui's Ci poetry.
Chapter two : Discussing author\ue2s writing motivation at each stage of life according to author\ue2s background.
Chapter three : Discussing the themes and content of \ue2Xie Chun Jing She Ci.\ue2
Chapter four : Discussing the themes and content of \ue2Nan Gu Qiao Chang.\ue2
Chapter five : Analyzing Yi-Hui and Gu Tai-Qing's Responsorial Ci poetry, and discussing the responsorial interaction between Yi-Hui and his wife, Gu Tai-Qing.
Chapter six : Discussing the idea and literary characteristics of Yi-Hui's Ci poetry, and the influence of Quanzhen Taoism and Buddhism on Yi-Hui and his literature.
Chapter seven : Investigating the writing style of Yi-Hui's Ci poetry.
Chapter eight : Concluding the key points of previous chapters and descripting the literature value and meaning of Yi-Hui's Ci poetry in the Qing Dynasty
Truth After cinema: The explosion of facts in the documentary films of Jia Zhangke
Get PDFThis is the author's accepted manuscript. The final published article is available from the link below. Copyright @ 2013 Intellect Books.This article identifies and elaborates on two models of resistance evident in JiaZhangke’s film corpus. The deployment of different cinematic strategies produces an experimental calling into question of the value of truth and of truth as value. In the films here analysed Jia moves from resistance through organic observation to a model of resistance structured around a series of fabulations. If the first regime addresses the truth of ideology, then the target of the second is the ideology of truth. It is in this passage that Jia enters political cinema, collapsing the distinction between factual and fictional and opening up a space that belongs to no collectivity
Chen Bi-sheng & Yang Guo-zhen, Chen Jia-geng zhuan
No full textChing-Fatt Yong. Chen Bi-sheng & Yang Guo-zhen, Chen Jia-geng zhuan. In: Archipel, volume 27, 1984. pp. 201-202
Chen Bi-sheng & Yang Guo-zhen, Chen Jia-geng zhuan
No full textChing-Fatt Yong. Chen Bi-sheng & Yang Guo-zhen, Chen Jia-geng zhuan. In: Archipel, volume 27, 1984. pp. 201-202
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