464 research outputs found
Deux représentations de la ville : Manhattan : verticalité/horizontalité ?
No full textChartier Delphine. Deux représentations de la ville : Manhattan : verticalité/horizontalité ?. In: Caliban, n°32, 1995. CINEMA – CINEMA. Discours Critique Filmique. pp. 19-28
"Nouvelles en musique" : interview en Ré de Delphine Chartier et Olivier Borne
No full textLe 19 janvier 2019 à l'île de Ré, la Nuit de la Lecture s'est parée, pour sa troisième édition, des couleurs mêlées d'une célèbre nouvelle de Carver et d'une guitare aux accents rock et country. Ce deuxième chapitre de la série "Nouvelles en musique", inaugurée en octobre 2018 avec des textes de Poe, Joyce et Truman Capote, a de nouveau réuni la voix de Delphine Chartier et la guitare d'Olivier Borne, ce dernier prêtant également sa voix à certaines séquences dialoguées du texte (dont on sait..
Communication poétique et émotions chez Christine de Pizan et Alain Chartier. Les relations asymétriques du poète et de ses lecteurs
No full textSous la direction de Jean-Claude Mühlethaler et Delphine Burghgraeve.International audienceDans Le Livre du duc des vrais amants et les Cent Ballades d’amant et de dame, Christine de Pizan accorde une grande place aux relations avec le public. Les lecteurs sont également associés à La Belle Dame sans mercy sous forme d’un dossier qui inclut les éléments d’une querelle littéraire autour de Chartier. Cette contribution étudie le lien entre la posture du narrateur et les reproches des lecteurs en montrant comment sont déconstruits les clichés d’un scénario courtois rejoué dans des conditions expérimentales
Delphine
No full textDelphine is one of the last great novels belonging to the epistolary tradition of the eighteenth century. Madame de Stael is an exception in the literary panorama of that time. In a fictional production that allows easy solutions, she sets the status of this genre at a very high level in defending it against its detractors. Without succeeding to compete with the great models of the past, Delphine is fully entitled to be placed next to two major novels of the day, Aline and Valcour and Oberman, of which it shares the crisis of values and language. The feminine and / or feminist discourse and the discourse of love are far from being a priority; the passion contained in this text is oriented primarily toward the social and political context in terms of legitimacy. Delphine appeals to the anti-Napoleonic opposition and, more generally, to all those who experience dramatically in their country the ostracism of ideas, eternal victims of the conflict between the individual and the prevailing ideology.
The undersigned has considered the philological part of the present edition included in Oeuvres Complètes: determination of the original edition, identification of the various editions, textual compilation and study of the alternatives. She has also introduced the volume in three parts: "Delphine et la tradition épistolaire", "Histoire des éditions" and "Etablissement du texte." The interest of this publication resides above all in the fact that it offers the public the true text of Delphine, which the author personally wanted and imagined. The editions of both 18th and 19th centuries circulated different texts. The text which is still today the most known among all was published posthumously by the son of Madame de Staël and comprises many interventions dictated by excessive filial solicitude
Delphine Demelas, Sur un air épique, sur un air lyrique : célébrer le bon connétable. Édition critique et commentaires du manuscrit 428 (306) de la bibliothèque municipale d’Aix-en-Provence contenant La Chanson de Bertrand du Guesclin de Cuvelier suivie de pièces lyriques
No full textLe manuscrit Aix-en-Provence, bibliothèque municipale, 428 (306) contient deux ensembles de textes. Le premier, La Chanson de Bertrand du Guesclin, est un poème épique rimé retraçant la vie de Bertrand du Guesclin (1320-1380), modeste chevalier breton qui s’illustre lors de la première partie de la Guerre de Cent Ans et devient connétable de France. Cette biographie a été composée par un certain Cuvelier entre 1380 et 1385, peu après la mort du guerrier. Le second est un ensemble de sept pièces lyriques écrites en mémoire de Bertrand, dont certaines sont attribuées à Eustache Deschamps. La première œuvre, à la fois récit historique, épopée, éloge posthume, biographie et poème, tient une place de choix dans la production littéraire de l’époque, puisqu’elle est considérée comme étant la dernière chanson de geste à avoir été rédigée en français. Les poèmes à la gloire du connétable sont pleinement en adéquation avec le renouveau lyrique de la fin du Moyen Age. A travers ce travail, je souhaite faire découvrir ou redécouvrir ces textes mal connus. Dans trois volumes qui composent cette thèse sont fournis, avec la transcription de tous les textes originaux du manuscrit 428(306), la description des autres témoins, une étude littéraire incluant une analyse du contexte ainsi que de nouvelles informations sur l’auteur, une analyse linguistique du texte, des notes critiques, un glossaire, un index des noms propres, la liste des proverbes et une bibliographie sélective.The manuscript Aix-en-Provence, municipal library, 428 (306) contains two different texts. The first, La Chanson de Bertrand du Guesclin, is an epic poem telling the life of Bertrand du Guesclin (1320-1380), a Britain knight from a modest background who took part of the One Hundred Years War, and would become the constable of France. This biography has been written by a certain Cuvelier between 1380 and 1385, right after Bertrand’s death. The second is a set of seven lyric poems written in memory of Bertrand, three of which were written by Eustache Deschamps. The first text, historical, epic, biographical, and poetic at the same time, has a considerable importance in the literary production of the day as the last chanson de geste to be written in French. The poems celebrating the constable are fully in line with the lyric revival of the end of the 14th century. The three volumes of this edition provide the original text of the manuscript, descriptions of the other manuscripts, a literary review including a study of the context and new information about the author, a linguistic study, critical notes, a glossary, an index, a list of proverbs, and a bibliography
The problems of contemporary society in the novels of Delphine de Vigan
No full textThe bachelor's thesis is focused on the literary works of the contemporary French writer Delphine de Vigan (*1966), who is known for her novels inspired by her own life experiences as well as negative aspects of modern civilization, particularly Jours sans faim (2001), No et moi (2007), Les heures souterraines (2009), and Les enfants sont rois (2021). The thesis introduces Delphine de Vigan and her literary work in the context of contemporary French literature, and analyses the ways in which the author addresses various current topics such as workplace relationships, homelessness, addiction, anorexia, and the impact of social media on children
"La mort justifie toujours les \ue2mes sensibles": \ue0 propos de Delphine
No full textAbstract: The article presents a literary criticism focusing on the theme of death in "Delphine," by Germaine de Sta\uebl. The author places this work in the context of nineteenth century secular and religious culture. The article examines how death was experienced both by characters in the book who were dying and their surviving family, friends, and neighbors
The focalization of autobiography "I am Nujood, age 10 and divorced" by Delphine Minoui
No full textthe writer concluded that I am Nujood, age 10 and divorced is one of autobiography which use "I" refers to Nujood ali as main character or internal focalizer. based on the findings, the writer found internal focalization dominated in autobiography in the novel then author presented internal focalization of this autobiography. because the thoughts or feelings are attributed to a character inside of the story, which thwn functions as internal focalizer so that it can be understood about the style used by the writer which expressed the thoughts and feelings of a character.ix, 40 page
Child bride in delphine minoui’s I am nujood, age 10 and divorced (2010) memoir: A feminist approach
No full textNujood, Age 10 and Divorced memoir. Delphine Minoui. The objective of this
study is to analyze the memoir based on its structural elements and to analyze the
memoir based on the feminist analysis.
In analyzing I Am Nujood, Age 10 and Divorced the researcher uses
qualitative method and feminist approach. The data sources consist of primary
data and secondary data sources. The primary data source is I Am Nujood, Age 10
and Divorced memoir and the secondary data sources are the other sources related
to the analysis such as books of literary theory, the author‟s biography, the
information of Yemen country and the other relevant information to analysis of
this research. The method of the data collection is library research. The technique
of data analysis is descriptive analysis.
The outcome of the study is shown in the following conclusions. First,
from the structural analysis of the memoir, it shows that Delphine Minoui wants
to illustrate and convey his idea about how women are subordinated being
exploited in patriarchal culture and how to speak child bride or child marriage.
Second, based on Feminist Approach, the conclusion is that there is child bride in
the Delphine Minoui‟s I Am Nujood, Age 10 and Divorced memoir. Delphine
Minoui creates that the inner strength of women will be more than the strength of
men when they show up. Women‟s character can break the type of women‟s
position, right, role and participation that are categorized by patriarchal culture
Reasoning on French Aspecto-Temporal Information in French within Conceptual Graphs
No full text@inproceedings{CI-CHARNOIS-2002, author = {Tassadit Amghar and Delphine Battistelli and Thierry Charnois}, title = {{Reasoning on French Aspecto-Temporal Information in French within Conceptual Graphs}}, booktitle = {Proceedings of the 14th IEEE International Conference on Tools with Artificial Intelligence (ICTAI'2002)}, pages = {315-324}, address = {Washington D.C., USA}, month = {November}, year = {2002} }International audienc
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