1,721,973 research outputs found
Croisdale, Charles Eric, On23553
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/379671Surname: CROISDALE
Given Name(s) or Initials: CHARLES ERIC
Military Service Number or Last Known Location: ON23553
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 25816193483
Item: [2016.0049.11964] "Croisdale, Charles Eric, On23553
Hunsley, Charles Eric, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/393947Surname: HUNSLEY. Given Name(s) or Initials: CHARLES ERIC. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 52132.216580
Item: [2016.0049.26240] "Hunsley, Charles Eric, [No Service Number]
Charles, Eric James, VX25945
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/376773Surname: CHARLES
Given Name(s) or Initials: ERIC JAMES
Military Service Number or Last Known Location: VX25945
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 26966190532
Item: [2016.0049.09078] "Charles, Eric James, VX25945
Charles Eric Milhous (July 17, 1971, first interview)
Get PDFOne summer Richard Nixon and his brothers would visit Charles Eric Milhous in Manchester California
Charles Eric Chuck Dawson, 1922-1993 [in Memoriam]
Get PDFObituary of Charles Eric Chuck Dawson, 1922-1993, American marine ichthyologist
Charles Eric Milhous (October 22, 1971, second interview)
Get PDFCharles Eric Milhous was one of Nixon\u27s cousins. The Nixon boys would periodically spend summers with the Milhous family. Charles worked at the Nixon grocery store for a few years
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
traite et trafic des êtres humains: Droit belge, français, luxembourgeois et suisse
No full textRefonte et mise à jour de la thèse de Charles-Eric Clesse avec la collaboration des 3 magistrats français, suisse et luxembourgeoisinfo:eu-repo/semantics/published
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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