1,721,384 research outputs found
Charles Longcope Jr. Turtle Creek Chorale Video Archive
Video footage from the Turtle Creek Chorale Collection (The Dallas Way). Footage of a 1991 news story about the chorale and its history. The story is introduced by Tracy Rowlett and discusses new music and interviews some of the members of the chorale
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Charles Longcope Jr. Turtle Creek Chorale Video Archive
Video footage from the Turtle Creek Chorale Collection (The Dallas Way). Footage of a 1991 news story about the chorale and its history. The story is introduced by Tracy Rowlett and discusses new music and interviews some of the members of the chorale
Recommended from our members
Denton Chamber of Commerce Film Collection
This film from Channel 8 television news station in New York documents one of the Denton Chamber of Commerce's promotional trips for the "Dynamic Denton" campaign. The footage includes three unidentified women performing a song about Denton and an interview with Roy Appleton shot at an American Airlines gate
'No Middle Ground: Atiyeh vs. Kulongoski' special news report video recording
This video recording includes a special report by Channel 8 News on Atiyeh's gubernatorial reelection campaign against challenger Ted Kulongoski
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Charles Longcope Jr. Turtle Creek Chorale Video Archive
Video footage from the Turtle Creek Chorale Collection (The Dallas Way). Footage of a promotional video by WFAA-TV Channel 8 for the chorale's antique auction, featuring designer Barbie dolls
Charles Longcope Jr. Turtle Creek Chorale Video Archive
Video footage from the Turtle Creek Chorale Collection (The Dallas Way). Footage of a promotional video by WFAA-TV Channel 8 for the chorale's antique auction, featuring designer Barbie dolls
Recommended from our members
[Akin Babatunde as Louis Armstrong broadcast clip]
Video footage provided by The Black Academy of Arts and Letters of a Channel 8 broadcast clip showing a news story on the upcoming performance of Akin Babatunde at the Clarence Muse Café Theatre in November of 1997. The footage shows clips of the actor impersonating music icon Louis Armstrong with the song "What a Wonderful World" along with an interview on his process of successfully becoming the character
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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