412,210 research outputs found
Parholaspulus ventricosus Yin, Cheng & Chang 1964
No full text152. Parholaspulus ventricosus Yin, Cheng & Chang, 1964 Parholaspulus ventricosus Yin, Cheng & Chang, 1964: 321. Type locality and habitat: China, Kirin Province, Hui-Nan, on rodent, Myospalax psilurus. Type depository: Not stated.Published as part of Quintero-Gutiérrez, Edwin Javier & Halliday, Bruce, 2021, Review of the mite family Parholaspididae Evans, 1956 (Acari: Mesostigmata), pp. 401-459 in Zootaxa 5005 (4) on page 436, DOI: 10.11646/zootaxa.5005.4.1, http://zenodo.org/record/514192
Novel Dialogue 3.1: On Being Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng (SW)
No full textSeason three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton. The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae's latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it's often around a table) and about the specters of other, better worlds that haunt Chang-rae's fictions. He discusses his relationship to his own work and the benefits of taking an "orbital view" on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have--one that Anne already possesses
Zhongguo neng cheng wei shi jie gong chang ma?
No full textBen shu shou ru lun wen 41 pian, nei rong wei rao " zhong guo neng fou cheng wei shi jie gong chang " zhe ge zhu ti. bian zhe ren wei : mu qian zhong guo hai bu shi " shi jie gong chang " huo " shi jie zhi zao ye ji di " ; zhong guo zhi shi zai lao dong li mi ji xing chan ye yi ji lao dong mi ji xing yu ji shu mi ji xing xiang jie he de zu zhuang jia gong ye ling yu, ke yi shuo yi cheng wei shi jie de gong chan
Wen-Chi Chang Oboe Recital Program Notes
No full textThe essay is the program notes of Wen-Chi Chang`s Oboe Recital which was performed on May 9th, 2019. The recital includes four different periods of oboe repertoire, baroque period, classical music period, romantic music period, and modern music period. The recital opened with Antonio Lucio Vivaldi: Oboe Concerto in D Major, RV. 453, Vivaldi was the most important Italian composer and violinist in the Baroque period. His numerous works are in a great astonishment which are including various genres. The second peice is Domenico Cimarosa: Oboe Concerto in C Major, Cimarosa is the most famous Italian opera composer in the 18th century. His opera works are mainly comedy.
\ue3\ue3 The second half of the recital was opened with Charles Camille Saint-Sa\uc3\uabns: Sonata for oboe and Piano, Op. 166, Saint-Sa\uc3\uabns was a French composer, keyboardist and music educator. He has created many important musical works and has a profound influence on future generations. And ended was Paul Hindemith: Sonata for Oboe and Piano, Hindemith was the most representative German composer in the early twentieth century, and an outstanding music performer and music educator. In this program notes article, I will use these four musical works as the topic to overview the life of the four composers, the background of the music composition and the interpretation of each works
On the Differences between the Philosophies of Cheng' Brothers and that between Hsieh Shang-tsai and Yang Kwei-shan
No full textThis article deals with the difference between the philosophies of Cheng brothers, Chen-I and Chen Ho. The difference signifies that the Li-ism, and Hsin-ism, i.e. Chen-Chu school and Lu-Wang school, are derived from those two different philosophies. The author indicates the historical development of those philosophies and the characters of the philosophers. He contends that the difference is critical to the development of history of philosophy in China
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