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    A new species of Xestophrys Redtenbacher, 1891 (Orthoptera: Tettigoniidae; Conocephalinae; Copiphorini) from West Bengal, India

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    Kumar, Hirdesh, Chand, D. Suresh (2023): A new species of Xestophrys Redtenbacher, 1891 (Orthoptera: Tettigoniidae; Conocephalinae; Copiphorini) from West Bengal, India. Zootaxa 5361 (4): 585-589, DOI: 10.11646/zootaxa.5361.4.9, URL: https://www.mapress.com/zt/article/download/zootaxa.5361.4.9/5221

    FIGURE 3 in A new species of Xestophrys Redtenbacher, 1891 (Orthoptera: Tettigoniidae; Conocephalinae; Copiphorini) from West Bengal, India

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    FIGURE 3. SEM of male stridulatory file.Published as part of <i>Kumar, Hirdesh & Chand, D. Suresh, 2023, A new species of Xestophrys Redtenbacher, 1891 (Orthoptera: Tettigoniidae; Conocephalinae; Copiphorini) from West Bengal, India, pp. 585-589 in Zootaxa 5361 (4)</i> on page 588, DOI: 10.11646/zootaxa.5361.4.9, <a href="http://zenodo.org/record/10151730">http://zenodo.org/record/10151730</a&gt

    A new species of Euconocephalus Karny, 1907 (Orthoptera: Tettigoniidae: Conocephalinae: Copiphorini) from India

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    Kumar, Hirdesh, Chand, D. Suresh, Raghunathan, C., Banerjee, Dhriti (2023): A new species of Euconocephalus Karny, 1907 (Orthoptera: Tettigoniidae: Conocephalinae: Copiphorini) from India. Zootaxa 5230 (2): 202-208, DOI: https://doi.org/10.11646/zootaxa.5230.2.

    FIGURE 3 in A new species of Euconocephalus Karny, 1907 (Orthoptera: Tettigoniidae: Conocephalinae: Copiphorini) from India

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    FIGURE 3. Euconocephalus narayanpurensis sp. nov. Kumar & Chand (Male). SEM of male stridulatory file.Published as part of Kumar, Hirdesh, Chand, D. Suresh, Raghunathan, C. & Banerjee, Dhriti, 2023, A new species of Euconocephalus Karny, 1907 (Orthoptera: Tettigoniidae: Conocephalinae: Copiphorini) from India, pp. 202-208 in Zootaxa 5230 (2) on page 206, DOI: 10.11646/zootaxa.5230.2.4, http://zenodo.org/record/755352

    FIGURE 1 in A new species of Euconocephalus Karny, 1907 (Orthoptera: Tettigoniidae: Conocephalinae: Copiphorini) from India

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    FIGURE 1. Euconocephalus narayanpurensis sp. nov. Kumar & Chand (Male). A—dorsal view. B—ventral view. C—lateral view.Published as part of Kumar, Hirdesh, Chand, D. Suresh, Raghunathan, C. & Banerjee, Dhriti, 2023, A new species of Euconocephalus Karny, 1907 (Orthoptera: Tettigoniidae: Conocephalinae: Copiphorini) from India, pp. 202-208 in Zootaxa 5230 (2) on page 204, DOI: 10.11646/zootaxa.5230.2.4, http://zenodo.org/record/755352

    FIGURE 2 in Rediscovery of Liara (Unalianus) heteracanthus (Redtenbacher, 1891) (Orthoptera: Tettigoniidae: Conocephalinae: Agraeciini) from India with notes on its distribution

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    FIGURE 2. Liara (Unalianus) heteracanthus (Redtenbacher, 1891) (Male). A—Head & pronotum, dorsal view. B—Frons. C—Head & pronotum, lateral view. D—Sternum, ventral view. E—Abdominal apex, dorsal view. F—Abdominal apex, apical view. G—Abdominal apex, ventral view. H—Fore leg, ventral view. I—Fore tibia, dorsal view. J—Middle leg, ventral view. K—Hind femur, ventral view. L—Hind tibia, dorsal view.Published as part of Kumar, Hirdesh, Kushwaha, Sandeep & Chand, D. Suresh, 2021, Rediscovery of Liara (Unalianus) heteracanthus (Redtenbacher, 1891) (Orthoptera: Tettigoniidae: Conocephalinae: Agraeciini) from India with notes on its distribution, pp. 166-170 in Zootaxa 5020 (1) on page 169, DOI: 10.11646/zootaxa.5020.1.8, http://zenodo.org/record/522313

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    FIGURE 2 in A new species of Xestophrys Redtenbacher, 1891 (Orthoptera: Tettigoniidae; Conocephalinae; Copiphorini) from West Bengal, India

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    FIGURE 2. Xestophrys bengalensis sp. nov. (Male). A–Head & pronotum, dorsal view. B–Frons. C–Sternum, ventral view. D–Mirror of right tegmen, dorsal view. E–Stridulatory file of left tegmen, ventral view. F– Head & pronotum, lateral view. G– Stridulatory file of left tegmen, dorsal view. H–Apex of left tegmen, dorsal view. I–Fore femur, ventral view. J–Hind femur, ventral view. K–Abdominal apex, dorsal view. L–Abdominal apex, lateral view. M–Abdominal apex, apical view. N–Abdominal apex, ventral view; O–Left cercus, dorsal view.Published as part of <i>Kumar, Hirdesh & Chand, D. Suresh, 2023, A new species of Xestophrys Redtenbacher, 1891 (Orthoptera: Tettigoniidae; Conocephalinae; Copiphorini) from West Bengal, India, pp. 585-589 in Zootaxa 5361 (4)</i> on page 587, DOI: 10.11646/zootaxa.5361.4.9, <a href="http://zenodo.org/record/10151730">http://zenodo.org/record/10151730</a&gt

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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