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    Reassessing Rousseau's Representation of Antiquity

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    Si la forte présence des personnages illustres et des cités antiques dans les œuvres politiques de Jean-Jacques Rousseau a été remarquée dès leur parution, leur fonction a trop longtemps été interprétée comme celle d'exemples à imiter. L'étude des multiples sources de Rousseau nous permet de mettre en lumière la complexité de ses références à l'Antiquité. Loin de présenter les grandes figures et les cités antiques comme des exemples monolithiques que le lecteur serait invité à faire revivre ou à regretter, Rousseau construit des modèles dynamiques, afin d'établir et d'explorer les « principes du droit politique», selon les termes du sous-titre du Contrat social. A partir de l'admiration pour les grands héros de Plutarque découverts dans son enfance, cette représentation se déplace dès le Discours sur les sciences et les arts vers l'étude des cités antiques, dont la réussite politique tient à ce qu'elles ont pleinement compris et exploité l'articulation fondamentale entre anthropologie et politique. C'est donc uniquement en observant comment les institutions politiques antiques prennent en charge la formation morale de l'homme que l'on peut pleinement établir les critères de fondation d'un corps politique légitime. La pensée politique antique joue ainsi un rôle considérable dans l'établissement de la distinction fondamentale entre souveraineté (pouvoir législatif) et gouvernement (pouvoir exécutif). L'étude de ces deux parties essentielles du corps politique met en évidence que la prégnance du modèle romain, plus fort que le modèle spartiate, permet à Rousseau de penser non seulement la fondation, mais encore la durée et le devenir du cor ps politique.This dissertation conducts a systematic examination of Jean-Jacques Rousseau 's representation of Antiquity and provides a new interpretation of its meaning. Rousseau's lifelong interest in ancient Greece and Rome has so far been interpreted mainly as a personal myth, rooted in his emotional identification with examples of civic virtue. Challenging this interpretation, I analyze Rousseau's vision of Antiquity as a carefully constructed representatio n that seeks to answer key questions of early modern political thought. As he constructs his political system, Rousseau considers ancient material through a complex web of mediations, which alter his representation of Antiquity . The admiration for great men inherited from his childhood reading of Plutarch quickly turns into the construction of dynamic political models. Rousseau draws on ancient historical examples, as weil as on Plato's and Aristotle's political philosophy, to articulate his own definition of key modern political concepts such as sovereignty and body politic. In Rousseau's view ancient cities were politically successful because they fully understood the fundamental connection between anthropology and politics, placing the moral education of the citizens at the core of political action. Studying examples of ancient cities thus becomes indispensable not only to define a truly legitimate political structure, but also to design methods and practices to make it last over ti me. In this respect, the Roman Republic, whose institutions more successfully faced the challenge of history, serves as a more significant political model than Sparta. Reassessing Rousseau's representation of Antiquity thus allows usto reevaluate the place of government in his political system

    LA COOPERATION CULTURELLE ENTRE LA FRANCE ET LE MAGHREB

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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