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Rapt in secret studies and emergence in Shakespeare studies [Introduction]
Introduction to: Chalk, Darryl Peter and Johnson, Laurie, eds. (2010) 'Rapt in secret studies': emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom. ISBN 978-1-4438-2328-9
'Almost with ravished listening': A most rare speaker in King Henry VIII (All is True)
Edward Stafford, the third duke of Buckingham, was condemned for high treason and executed on 17 May 1521, despite p rotestations of his innocence throughout his trial and after his indictment. Transplanted from Holinshed's Chronicles into Shakespeare and Fletcher's All ls True², the fictional duke argues his innocence at greater length and with more ferocity than his historical counterpart. In departing from their source material, the playwrights have created a literary character distinct from the historical figure on whom he was based. The trial and death sentence mark his transition from a well-regarded noble-"bounteous Buckingham, I The mirror of all courtesy" (2.1.52-53)--to a disgraced man, the removal of his title and property signaling the erasure of his aristocratic identity. To the end, Buckingham insists upon his innocence. On the verge of being "[a]bsolved ... with an axe" (3.2.264) and thus transported to the next world, the truth or falsity of the duke's alleged treason cannot be established beyond doubt, yet he is detennined to leave his audience with a final impression of himself as a man grievously wronged. The playwrights achieve this ultimately through Buckingham's scaffold speech, an eloquent and increasingly passionate address to the crowd, which threatens to burst the confines of the conventional traitor's dying speech
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Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare
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Laughing at illness: Contagion and care in <i>The Roaring Girl</i>
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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