1,720,956 research outputs found

    Reading popular music festivals through the lens of public sphere

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    how popular culture texts and practices inform these critiques and finally how music festival sites act as public spheres

    An Ethnographic Exploration of the Contemporary Indian Electronic Dance Music Culture (EDMC)

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    In India, the past two decades have been crucial for the growing popularity of Electronic Dance Music (EDM). This is largely due to the burgeoning presence and significance of EDM festivals as performative sites of contemporary Indian youth culture, spaces where questions of identities, belonging and community-building practices are continually articulated and negotiated. Thus, the purpose of this project is to achieve three main objectives. First, to map the histories and beginnings of EDM in India to capture the timeline of EDM and its development since the 1960s to build a historical context of modern-day EDM in India. Second, to investigate what it means to be a member of Electronic Dance Music Culture (EDMC) in present-day India. Third, this study proposes the concept of vibe as a new conceptual and methodological framework for engaging with EDMC narratives. [...]Thesis (PhD Doctorate)Doctor of PhilosophySchool of Hum, Lang & Soc ScArts, Education and Law GroupFull Tex

    Exploring the Socio-Musical Legacy of Moheener Ghoraguli, the Progressive Rock Pioneers of Bengal

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    This article explores the legacy act of Calcutta’s first progressive/folk Bengali rock band, Moheener Ghoraguli, founded in 1975 during a time of societal unrest. Emerging as a focal point of urban youth culture, their music, rooted in regional language, and drawing on the 1960s global rock phenomenon and Bengali folk music, fostered a sense of community among the urban Calcutta youth. Unpacking the legacy of Moheener Ghoraguli sheds light on cultural heritage, memory, and peak musical experiences in urban Bengal.Full Tex

    Is there an Indian way of raving? Reading the cultural negotiations of Indian youth in the trans-local EDM scene

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    In India, the past two decades have been crucial for the growing popularity of Electronic Dance Music (EDM). This is largely due to the burgeoning presence and significance of EDM festivals as a performative site of a contemporary Indian youth culture. A salient feature capturing the zeitgeist of twenty-first century, urban, modern Indian youth is EDM’s gradual permeation into the cultural fabric of India through crucial collaborations with cultural industries like Bollywood. It is a truism that the legacy of Goa Trance remains a dominant point of reference in the global imagination of the Indian EDM scene. This article, however, argues that the contemporary mode of Indian Electronic Dance Music Culture (EDMC) has largely developed independently of this legacy. The main proponent of contemporary EDMC in urban India has been the multiple greenfield EDM festivals held annually all over the country. This article draws on fieldwork data collected between 2016-2018 at Indian EDM festival sites. Using this empirical data, the article examines the ‘performance’ of Indian EDMC and considers whether it is viable to speak in terms of an Indian way of raving, as a variation of other ‘local’ ways of performing EDMC that may exist elsewhere in the world.Full Tex

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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