1,721,360 research outputs found
The generalized orthomodularity property: configurations and pastings
In this paper, we consider a generalization of the notion of orthomodularity for posets to the concept of the generalized orthomodularity property (GO-property) by considering the LU-operators. This seemingly mild generalization of orthomodular posets and its order theoretical analysis yield rather strong application to effect algebras and orthomodular structures. Also, for several classes of orthoalgebras, the GO-property yields a completely order-theoretical characterization of the coherence law, and, in turn, of proper orthoalgebras
Implication in sharply paraorthomodular and relatively paraorthomodular posets
In this paper we show that several classes of partially ordered structures
having paraorthomodular reducts, or whose sections may be regarded as
paraorthomodular posets, admit a quite natural notion of implication, that
admits a suitable notion of adjointness. Within this framework, we propose a
smooth generalization of celebrated Greechie's theorems on amalgams of finite
Boolean algebras to the realm of Kleene lattices
Algebraic properties of paraorthomodular posets
Paraorthomodular posets are bounded partially ordered sets with an antitone involution induced by quantum structures arising from the logico-algebraic approach to quantum mechanics. The aim of the present work is starting a systematic inquiry into paraorthomodular posets theory both from algebraic and order-theoretic perspectives. On the one hand, we show that paraorthomodular posets are amenable of an algebraic treatment by means of a smooth representation in terms of bounded directoids with antitone involution. On the other, we investigate their order-theoretical features in terms of forbidden configurations. Moreover, sufficient and necessary conditions characterizing bounded posets with an antitone involution whose Dedekind–MacNeille completion is paraorthomodular are provided
Implication algebras
We introduce the concepts of pre-implication algebra and implication algebra based on orthosemilattices which generalize the concepts of implication algebra, orthoimplication algebra defined by J.C. Abbott [2] and orthomodular implication algebra introduced by the author with his collaborators. For our algebras we get new axiom systems compatible with that of an implication algebra. This unified approach enables us to compare the mentioned algebras and apply a unified treatment of congruence properties
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Arithmeticity at 0
summary:The concept of the (dual) binary discriminator was introduced by R. Halas, I. G. Rosenberg and the author in 1999. We study finite algebras having the (dual) discriminator as a term function. In particular, a simple characterization is obtained for such algebras with a majority term function
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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