1,721,238 research outputs found
Chadwick, J J, NX33227
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/376516Surname: CHADWICK
Given Name(s) or Initials: J J
Military Service Number or Last Known Location: NX33227
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 33410189504
Item: [2016.0049.08821] "Chadwick, J J, NX33227
Chadwick, J, 876942
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/376515Surname: CHADWICK
Given Name(s) or Initials: J
Military Service Number or Last Known Location: 876942
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 18407189503
Item: [2016.0049.08820] "Chadwick, J, 876942
John Chadwick, J. T. Killen et J.-P. Olivier, The Knossos Tablets
No full textLeroy Maurice. John Chadwick, J. T. Killen et J.-P. Olivier, The Knossos Tablets. In: L'antiquité classique, Tome 42, fasc. 1, 1973. pp. 317-318
The Knossos Tablets. Fourth Edition. A Transliteration by John Chadwick, J. T. Killen and J. P. Olivier, 1971
No full textBader Françoise. The Knossos Tablets. Fourth Edition. A Transliteration by John Chadwick, J. T. Killen and J. P. Olivier, 1971. In: Revue des Études Anciennes. Tome 75, 1973, n°1-2. pp. 132-133
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
23. Chadwick (J.), Godart (L.), Killen (J. T.), Olivier (J.-P.), Sacconi (Α.), Sakellarakis (I. Α.), Corpus of Mycenaean Inscriptions from Knossos, Volume II (1064-4495)
No full textFaure Paul. 23. Chadwick (J.), Godart (L.), Killen (J. T.), Olivier (J.-P.), Sacconi (Α.), Sakellarakis (I. Α.), Corpus of Mycenaean Inscriptions from Knossos, Volume II (1064-4495). In: Revue des Études Grecques, tome 105, fascicule 502-503, Juillet-décembre 1992. pp. 612-613
Supplemental Material, DS_10.1177_0022242918809380 - “Trading on Up”: An Examination of Factors Influencing the Degree of Upgrade: Evidence from Cash for Clunkers
No full textSupplemental Material, DS_10.1177_0022242918809380 for “Trading on Up”: An Examination of Factors Influencing the Degree of Upgrade: Evidence from Cash for Clunkers by Chadwick J. Miller, Michael A. Wiles, and Sungho Park in Journal of Marketing</p
Aplicabilidad de procedimientos lingüísticos al desciframiento de grafías.. Anales del Instituto Nacional de Antropología e Historia. Num. 44 Tomo XV (1962) Sexta Época (1939-1966)
No full textCotrell, L. El toro de Minos, F.C.E. México, 1960.Chadwick, J. The decipherment of Linear B. Cambridge, 1961.Diringer, D. The Alphabet. Philosophical Library, New York, 1948.Ventris, M. Greek Records in the Minoan Script. Antiquity, Vol. XXVII, 1953
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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