1,721,770 research outputs found
A Critical Review and Commentary on Cerveri’s ‘popular’ Compositions (BdT 434), with Particular Attention to Relations with Arabic Poetry
No full textreservedLa ricerca si concentra sul trovatore Cerveri ‘de Girona’ (BdT 434) fornendo un’edizione di otto
componimenti, in lingua d’oc, di stampo popolareggiante. Inoltre, lo studio esplora i legami con la poesia arabo-
andalusa in 'Attraversamenti', confrontando motivi e immagini con, per esempio, Ibn Quzmān e Ibn Hamdīs.
L’obiettivo è chiarire la posizione letteraria unica di Cerveri e le prime relazioni liriche tra occitano e arabo.This research focuses on troubadour Cerveri ‘de Girona’ (BdT 434) as a bridge between fading Occitan
lyric and emerging Catalan literature. It provides an analysis of eight ‘popular’ works, using manuscript
evidence, especially from Sg, it reconstructs his poetic voice, blending Provençal and Catalan. The study
explores links to Arabic-Andalusian poetry, particularly in 'Attreversamenti' comparing motifs and imagery for
example with Ibn Quzmān and Ibn Hamdīs. It aims to clarify Cerveri’s unique literary position and early
Occitan-Arabic lyrical relations
Generi poetici di Cerveri de Girona
No full textAccanto ad esempi singoli di virtuosismo e sperimentalismo formale, l'opera del trovatore duecentesco Cerveri de Girona si caratterizza sul versante metrico per due gruppi principali di testi, quelli in forme da ballo (dança, balada) e quelli ascritti alla categoria del "vers". La natura di quest'ultima tipologia si rivela di particolare interesse per seguire l'evoluzione della lirica trobadorica dal 12 secolo sino all'ultimo scorcio del 13.Next to examples of individual virtuosity and formal experimentalism, the work of Catalan troubadour Cerveri de Girona (late thirteenth-century) is characterized, from the point of view of metrics, by two main groups of texts, those in form of dance-songs (dança, balada) and those ascribed to the category of the "vers". The nature of the latter type is of particular interest to follow the evolution of the troubadour lyric from the 12th century until the last glimpse of the 13
Trois «unica» du troubadour catalan Cerveri (dit de Girona)
No full textCluzel Irénée. Trois «unica» du troubadour catalan Cerveri (dit de Girona). In: Romania, tome 77 n°305, 1956. pp. 66-77
Pour le texte des quatre pastourelles de Cerveri, dit de Girona
No full textLewent Kurt. Pour le texte des quatre pastourelles de Cerveri, dit de Girona. In: Romania, tome 74 n°294, 1953. pp. 228-239
Towards automatic computer-aided planning in arthroplasty surgery by innovative methods for processing the bone surface models
No full textEnd-to-end deep learning and sensor fusion for non-invasive BP monitoring using multivariate physiological signals
No full textMartín de Riquer, Obras completas del trovador Cerveri de Girona, texto, traducción y comentarios, 1947
No full textJeanroy Alfred. Martín de Riquer, Obras completas del trovador Cerveri de Girona, texto, traducción y comentarios, 1947. In: Romania, tome 69 n°276, 1946. p. 550
Data for: Representative 3D shape of the distal femur, modes of variation and their relationship to morphological abnormality of the trochlear region
No full textmatlab file
Pour le texte des quatre pastourelles de Cerveri, dit de Girona (suite)
No full textLewent Kurt. Pour le texte des quatre pastourelles de Cerveri, dit de Girona (suite). In: Romania, tome 74 n°295, 1953. pp. 390-419
L'hybridation générique dans l'œuvre de Cerveri de Girona
No full textInternational audienceÉtude du mélange des genres chez Cerveri de Girona : hybridation de contenu, de forme, récupération de formes spécifiques pour accueillir une thématique exogène. Ces expériences concernent surtout des formes lyriques associées à la danse ou à la marche, et certaines sont en rapport avec la poésie galégo-portugaise. L'une d'entre elles - la viadeira - a même connu une certaine postérité en Catalogne, preuve de la possible viabilité de ces formes hybrides
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