1,720,953 research outputs found
Sounds Of The Native Land In The Music Classroom: Josip Vrhovski And Međimurska Popevka
Cilj ovog diplomskog rada je prikazati značajnost skladatelja i glazbenog pedagoga Josipa
Vrhovskog koji je stvarao jedinstvene skladbe temeljene na međimurskom melosu što je jedna
od najvažnijih značajki njegova stvaralaštva, a sukladno tome i posebnost međimurske popevke
kao glazbe kojom se Međimurje oslobodilo vlasti Mađara. U ovome radu najprije se opisuje
djetinjstvo Josipa Vrhovskog i početak njegovog glazbenog puta, detaljno se prikazuje njegov
plodonosan skladateljski, dirigentski i pedagoški rad u razdoblju od 1945. pa do 1983. godine,
a posebno poglavlje posvećeno je i Josipu Vrhovskom kao glazbenom piscu koji piše osvrte na
koncerte, glazbu kao i polemike o važnosti očuvanja narodne kulture koju smatra najvažnijom.
Josip Vrhovski osnovao je brojna pjevačka društva, vodio različite zborove i orkestre u čak tri
grada u kojima je boravio za vrijeme svog života ─ Varaždinu, Splitu i Karlovcu. Dio o njemu
završava spominjanjem pjevačkog zbora Josip Vrhovski koji i dan danas čuva njegovo ime od
zaborava, a čija sam i osobno članica. Drugi dio ovog rada odnosi se na najvažnije blago
Međimuraca, međunarodno priznatu međimursku popevku te su opisane njezine najvažnije
značajke, nastanak, glazbala i glazbeni sastavi koji je izvode, navedena je njezina povijest kao
i današnja uloga u obrazovanju i kulturi, primjena te konačno sam postupak njenog uvrštavanja
na UNESCO-ov popis nematerijalne kulturne baštine čovječanstva čime se Međimurci posebno
ponose. Međimurskoj popevki posvećena je i smotra u Nedelišću na kojoj se svake godine
pjevači, kao pojedinci ili kulturno – umjetnička društva, predstavljaju odabranim tradicijskim
napjevima čuvajući popevku od zaborava. Isto tako, popevki u čast, planira se i izgradnja
Centra za posjetitelje u Donjoj Dubravi, rodnom kraju njezine čuvarice Tete Lize.The goal of this graduation thesis is to highlight the significance of composer and music
educator Josip Vrhovski, who created unique compositions based on the musical traditions of
Međimurje, which was one of the most important features of his work. This is also closely tied
to the distinctiveness of the Međimurska popevka (traditional folk song from Međimurje), a
form of music through which the region of Međimurje symbolically liberated itself from
Hungarian rule.
The paper begins with a description of Josip Vrhovski’s childhood and the start of his
musical journey. It then provides a detailed account of his fruitful career as a composer,
conductor, and educator from 1945 to 1983. A chapter is dedicated to Josip Vrhovski as a music
writer who wrote concert reviews, commentary on music, and engaged in discussions on the
importance of preserving folk culture, which he considered of utmost importance.
Josip Vrhovski founded numerous singing clubs and led various choirs and orchestras
in three different cities where he lived during his lifetime—Varaždin, Split, and Karlovac. The
section about him concludes with a mention of the Josip Vrhovski Choir, which still honors his
legacy to this day, and of which I am a member myself.
The second part of this thesis focuses on the most treasured heritage of the people of
Međimurje—the internationally recognized Međimurska popevka. It describes its key features,
origins, traditional instruments and musical ensembles that perform it, as well as its history and
current role in education and culture. The paper also outlines its applications and the process of
its inclusion on UNESCO’s Representative List of the Intangible Cultural Heritage of
Humanity—an honor that the people of Međimurje are especially proud of.
The Međimurska popevka also has its own annual showcase in Nedelišće, where
singers—either soloists or members of cultural and artistic societies—perform selected
traditional songs, preserving the popevka from being forgotten. In tribute to the popevka, a
Visitor Center is also being planned in Donja Dubrava, the birthplace of its guardian, Teta Liza
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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