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Interpretacion de valores esteticos para la iconografia greometrica esacalonada pre- Inca a traves del aprendizaje en tejido anudado
Get PDFEl objetivo general de esta investigación fue interpretar los valores estéticos de la iconografía geométrica escalonada estética pre-inca con la finalidad de recuperar su significado cultural a través del aprendizaje, con el tejido anudado en los estudiantes del segundo año de secundaria sección A, de la I.E. Glorioso Colegio Nacional de Ciencias del Cusco. Se abordó el problema con el método cualitativo, con un nivel descriptivo interpretativo analizando datos primarios (de campo). La muestra seleccionada de manera no probabilística por muestra final; cuento con doce estudiantes se realizaron los estudios de valoración semiótica, icono simbólico y estética empleando instrumentos estandarizados y validados. Los datos se analizaron de manera descriptiva e interpretativa considerando los indicadores y categorías de objeto estético, el cual se dio con la interpretación de los valores estéticos de la iconografía escalonada pre-inca lograda mediante la elaboración de pulseras con la técnica tejido anudado. Así mismo se logró identificar las características estéticas diferenciadas de cada uno de las sociedades pre-inca estudiadas. Todo lo cual permite recuperar del escalonado su significado cultural en los estudiantes de esas expresiones artísticas ancestrales mediante las artes plásticas del antiguo Perú, de este modo también conocer su pasado, en la realización de cualquier tipo de arte en especial del patrimonio cultural, ya que su ejecución es de un significado cultural los estudiantes manipularon las lanas de los camélidos sudamericanos que en el idioma Qheswa es “q’aitu”, captando mediante la interpretación de datos analizados de acuerdo con la fundamentación de cada estudiante asignada con él instrumentó de análisis estético. En este trabajo de investigación de interpretar los valores estéticos de la iconografía geométrica escalonada pre-inca en los tejidos de los estudiantes con la motivación del método de la textilería pre-inca para la simplicidad de las formas, se concluyó con el análisis de sus trabajos, la belleza del significado cultural, teniendo en cuenta la trascendencia del arte ancestral a través de la historia, podemos encontrar las diferentes iconografías escalonados en textil que cada período le da. Con la elaboración de los estudiantes se cumple el objetivo general en la I. E. Ciencias CuscoKay hatun chaninchaq k´uskimanta yachaynin “chaninchay qhespiriq t’iqsu” pallay k’uchurisqa pata patamanta ñaupaq hatun runakunaq kausaininmanta yachayninmanta ima ruway sutichakuynin “away khipu” llank’anankupaq yachaqkuna iskai ñeq’e secundaria nisqa p’itita “A” Hatun Yachay wasi Glorioso Colegió Nacional de Ciencias sutiyasqa Qosqo llaqtapi. Huchan atipachikun “método cualitativo” nisqawan, hatunchayninwan ch’eqerisqa phaskirikuynin qhawarichikunanpaq. Qhawarichikuynin aqllasqa ruwayninpi tukusqata qhawanapaq; iskay chunka iskayniyuq yachaqkuna ruway atisqankuta chaninchay pallaymamta seq’ekuna k’uchurisqata chaymanta qhespiriq t’iqsu churasqata hatun llank’arikuywan cheqaq rikuyninpaq. Kaykuna qhawarichikun ch’eqerisqa phaskirikuyninta llank´ayninta q’emispa aqllakunanpaq ruwana t’iqsumanta, chayna nisqapi nikun chaninchay qhespiriq ti’qsu pata pata allwita Inka runakuna ñaupaq kausayninmanta atipasqa ruwaykunapi huchuy winch’upi “away khipuwan”. Hinaspa atipakun reqsiyninta qhespireq t’iqsu tukuyninmanta, qasqan Inka ñaupaq kausayninmanta reqsichispa.
Llipinkunamanta atipachinku rikhurichiyta “chakata imaymana yachayninta sut´ichakuyninta” waynakuna yachanankupaq kay hatun ruway illawita ruwanqo Perú suyo qhepa wiñay qhatirisqanmanta hinaspaqa llipin qhepa kausayninmanta yachanankupaq illawi ruwayninkuta, qhepa yachayninkunata qhespirichispa ima suti'chakuyninta yachaqkuna atipachinku llank’ayninkuta uywakunaq wilmanwan q’aytuwan puskasqata llumphisqata ima aqllarparinku illawa ruwanankupaq sutichasqa llapan qawarichikuyninmanta, hinaspa churanku yachay ninkuta yuyarispa. Kay yachay k’uskiwan qhawarichikuynin chanin qhespiriq t’iqsu pallaymanta seq’e k’uchurisqa pata patamanta aswan allinta yachaqkuna qawarinku yachayninpaq, hatun yachaymanta hap’ispa away ruwasqankuta allin t’ikarinankupaq hatun awayta qawarinku aswan allinta ruwanankupaq atipachinku hinaspa reqsichinkun lliw llank’ayninkunamanta, qespiriq t’iqsu hutun runakunaq yachayninmanta, qhawa qhawarispa imaymana willakuyninmanta, qhepa wiñay qatirisqata, askha sapanka llaqtakunaq awayninmanta. Ruwayta tukuspa yachaqkuna ayllukunaman qawachinku Hatun Yachay Wasi Ciencias sutiyasqataQosqo llaqta.The general objective of this research was to interpret the aesthetic values of the pre-inca aesthetic iconography with the aim of recovering its cultural meaning through learning with the technique of the knotted fabric in the students of the second year of secondary school, section a, of the educational institution glorious school sciences of Cusco. The problem was approached with the qualitative method, with an interpretive descriptive level analyzing primary (field) data. The sample selected in a non-probabilistic manner by final sample with twelve students was carried out the studies of semiotic valuation, symbolic and aesthetic icon using standardized and validated instruments. The data was analyzed in a descriptive and interpretative way considering the indicators and categories of aesthetic object. It was concluded with the interpretation of the aesthetic values of the pre-inca stepped iconography achieved through the elaboration of textiles with the knotted technique. Likewise, it was possible to identify the differentiated aesthetic characteristics of each of the pre-inca societies studied. All of which allows the development of creativity in students by recovering the cultural meaning of those ancestral artistic expressions through the history of Peru, in this way also knowing their past, in the realization of any type of art, especially cultural heritage, since its execution is of a cultural significance the students will manipulate the wool of camelish or natural wool that in the Qheswa language is "q'ayto", capturing through the interpretation of data analyzed according to the foundation of each student assigned. In this work of interpretation research, the aesthetic values of pre-inca staggered geometric iconography in students' textiles with the motivation of the pre-Inca textile method for the simplicity of forms, concludes with the analysis of their works. , the beauty of the cultural meaning, taking into account the transcendence of ancestral art through history, we can find the different conceptualizations of each period. With the development of the students the general objective in the I.E. Glorious National College of Sciences
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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