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People, Catherine Jones' birthday party
No full textCatherine Jones (3rd from right) birthday party. Mrs. Kumen Jones (in black), Olivia Peterson, far left
Bond of Allen Bright to Catherine Jones for £200
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/242342132418
Sub-Item: [1980.0075.07361] "Bond of Allen Bright to Catherine Jones for £200
Listening session with Hannah Catherine Jones and Chiron Choir
No full textAs part of the public programme for the UK's first Noah Davis' solo exhibition at Barbican I was invited to provide a sonic offering. The official blurb read:
'Drawing upon themes in the Noah Davis exhibition in our gallery, Chiron Choir create a conversation between Davis' work and the site of his first retrospective in London, linking Arlington Heights and the Barbican Centre. They amplify the shared musical vocabularies traversing the UK and the US, through Black British and Black American female composers, including Alice Coltrane. The event starts with an introduction by Hannah Catherine Jones.'
I altered the form of the offering significantly between the the event's promotion and the event itself. On the day I performed for 90 minutes divided into two acts. Act I was a solo performance weaving together samples, voices and archival material that spoke to the resonant themes across Davis' practice and my own, underpinned by my live synth and vocal improvisations. Act II was a performance by Chiron Choir, the queer diasporic vocal ensemble I founded in 2022 performing a selection of songs I'd curated, arranged and that we rehearsed and developed collaboratively, including: Pauline Oliveros' Heart Chant, Solange's Dreams, Auclair's Dreaming Is An Act Of Radical Love, Anon: I'm Troubled (accompanied by deerskin drum), Lijadu Sisters' Life's Gone Down Low, Sault's Above the Sky, Alice Coltrane's Journey In Satchidananda (Into the Unknown) accompanied by 432 Hz singing bowls.
Chiron Choir performers:
Seyi Adelekun
Anna de Guia-Eriksson
Hannah Catherine Jones
Birungi Kawooya
Tasnim Mahdy
Munesu Mukombe
Fazah Raha
Lalah-Simone Springer
Jasmine Sachdev
Sriniti Srivathsan
Foluke Taylo
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Lawrence, Viscount Say and Seal, - - - appellant. The Lady Catherine Jones, Dame Frances Hewett, Peter Hawker, Esq; Thomas-William Burman, Fiennes Twisleton, Esq; Nathan Izod, William Clark, William White, and the Lord Viscount Harcourt; respondents. The case of the respondents, The Lady Catherine Jones, Dame Frances Hewett, Peter Hawker, Esq; and Thomas-William Burman [electronic resource].
No full textDocket title: 'Lawrence, Viscount Say and Seal, appellant. Lady Catherine Jones, Lady Hewett, Peter Hawker, Esq; .. respondents. .. To be heard at the bar of the House of Lords, .. 1729.'.Braces in imprint.Electronic reproduction.English Short Title Catalog,Reproduction of original from British Library
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