36,715 research outputs found
Hermandad San Martin
The image of St. Martin de Porres with another image of St. Martin in the background during a novena realized by the Fraternity of St. Martin de Porres of Dallas
Thirteen years (1962-1976) and four directors: Castillo, Tarín, Martin Ferrand and Pernau
Thirteen years (1962-1976) and four directors: Castillo, Tarín, Martin Ferrand and Perna
Treze anys (1962-1976) i quatre directors: Castillo, Tarín, Martin Ferrand i Pernau
Treze anys (1962-1976) i quatre directors: Castillo, Tarín, Martin Ferrand i Perna
Hermandad San Martin
This article deals with the Fraternity of St. Martin de Porres that holds monthly worship meetings. Both the original Spanish article and the English translation are included
Céline Martin. La géographie du pouvoir dans l 'Espagne visigothique
Montenegro Julia, Del Castillo Arcadio. Céline Martin. La géographie du pouvoir dans l 'Espagne visigothique. In: Revue belge de philologie et d'histoire, tome 83, fasc. 2, 2005. Histoire médiévale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 484-487
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A telegram from Dr. Hector P. Garcia to William Dawson, Martin Castillo, and Nick Juarez.
A telegram from Dr. Hector P. Garcia to Congressman William Dawson, Martin Castillo, and Nick Juarez, regarding the American GI Forum's stance of support on the Interagency Committee on Mexican American Affairs
Canonicarum vtriusque fori, tam exterioris quam interioris animae, quaestionum liber tertius : qui totus circa sponsalia de futuro et matrimonia versatur
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Jack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden
This essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.
A propósito de Elisa Calabrese y Aymará de Llano, Animales fabulosos. Las revistas de Abelardo Castillo, Mar del Plata, Martin, 2006, 288 pp.
A propósito de Elisa Calabrese y Aymará de Llano, Animales fabulosos. Las revistas de Abelardo Castillo, Mar del Plata, Martin, 2006, 288 pp
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