205 research outputs found
Dall’Isonzo. Diario di impressioni e sentimenti: traduzione, note e commento di Remo Castellini
No full textThe first part of this book consists in the translation of Alojzij Res's diary from Slovenian into Italian language. The author of the diary reported from the Isonzo front of the First World War. The second part contains a critical part, which aims to analyse and present the work and the author more in detail
Dall’Isonzo. Diario di impressioni e sentimenti: traduzione, note e commento di Remo Castellini
No full textThe first part of this book consists in the translation of Alojzij Res's diary from Slovenian into Italian language. The author of the diary reported from the Isonzo front of the First World War. The second part contains a critical part, which aims to analyse and present the work and the author more in detail.Der erste Teil dieses Buchs besteht aus der Übersetzung des Tagebuchs von Alojzij Res vom Slowenischen ins Italienische. Der Autor des Tagebuches berichtete von der Isonzo-Front des Ersten Weltkrieges. Der zweite Teil enthält einen analytischen Part, der darauf abzielt, das Werk und den Autor genauer zu begründen und vorzustellen
Castellini, R. (2021). "L’Alterità americana nelle opere letterarie e cantautorali di Francesco Guccini", Open Journal of Humanities, 8: 155-181
No full textThe purpose of the essay is to identify and define the essential aspects represented by the exposure to and encounter with the American Other in Francesco Guccini’s literary and songwriting production. In particular, the analysis will focus on the relationship that the author has established during his decades-long artistic production with the American Other, represented by his long-lasting connection with the American culture. The article will analyze Guccini’s songs and works taken from his vast and variegated repertoire, from which his relationship with the Other and with the American Alterity is better highlighted, Hence, a clear understanding of how this link has substantially contributed to the formation of his personality and identity as a songwriter / poet emerges. Especially, the study will be conducted through an analytical reading which involves a textual analysis that focuses on the lexical choices that convey the image that the author has of the American Other
Analisi quanti-qualitativa e valore nutritivo di un prato-pascolo dei colli del Trasimeno.
No full textMiro Remo, The Film Author
No full textDizertační práce se komplexně zabývá filmovou tvorbou slovenského režiséra Mira Rema. Výzkum vycházející ze stěžejní úvahy o Removi jakožto tvůrci s osobitým autorským rukopisem stojí na několika opěrných bodech. V jedné z rovin se zaměřuje na témata a postavy, kterými se Remo ve svých filmech zabývá, a s ohledem na to reflektuje, skrze jaké režijní metody, stylové a narativní postupy či prvky filmové řeči je zpřítomňuje filmovému publiku (včetně toho, do jaké míry se opakují či variují). Vedle takto zaměřených analýz jednotlivých děl je pozornost koncentrována i na okolnosti jejich vzniku a dílčí fáze jejich produkce, tzn. na vývoj, výrobu, postprodukci a distribuci. Velký prostor je rovněž věnován kritickému diskurzu a na základě zevrubných rešerší je mapováno, jakým způsobem se projekty Mira Rema diskutovaly v médiích, jaké kauzy vyvolávaly nebo jak rezonovaly u filmové kritiky a v rámci festivalové scény. Výzkum zahrnuje i sérii polostrukturovaných rozhovorů: jak se samotným Mirem Remem, tak i s jeho blízkými spolupracovníky ze všech hlavních štábních profesí ? scenáristou a dramaturgem Jurem Šlaukou, kreativním producentem Markem Kučerou, kameramanem Jarem Vaľkem, střihačem Markem Kráľovským a zvukařem Lukášem Kasprzykem.The thesis deals comprehensively with the film work of the Slovak director Miro Remo. The research is based on the central reflection of Remo as a film author who possesses distinctive handwriting. On one level, it focuses on the themes and characters that Remo deals with. The theses also reflects on the directorial methods, stylistic and narrative approaches or elements of film language through which the director communicates them to the film audience (including the extent to which they are repeated or varied). In addition to such focused analyses of individual works, attention is also given to the circumstances of of their creation as well as the sub-phases of their production, i.e. their development, preproduction, shooting, post-production and distribution. A great deal of the work is also dedicated to critical discourse and ? based on extensive research ? it is mapped how Remo's projects were discussed in the media, what kind of controversies they provoked or how they resonated with film critics or within the festival scene. The research includes a series of semi-structured interviews: with Miro Remo himself, as well as with his close collaborators from several professions ? screenwriter and script consultant Juro Šlauka, creative producer Marek Kučera, DOP Jaro Vaľko, editor Marek Kráľovský and sound designer Lukáš Kasprzyk.Ateliér Audioviz
Urban models and public-private partnership
No full textThis book addresses the topic of urban models with reference to large western cities and particularly to global cities. In the current transitional phase, the use of language and the systematization of phenomena has become important. The book’s matrix examines two important and strongly connected themes: urban models and public-private partnerships (PPP) determined by urban functions which are transformed in an increasingly rapid and complex manner as a result of globalization. PPPs represent the new border of the modern global state. The book focuses on two principal urban models (renewal and restructuring) through PPPs and subsequently the relationship between state and market in fourteen Italian cities (renewal) and two central European cities, Leipzig and Budapest (restructuring). CoUrbIT (Complex Urban Investment Tools) and the book 'Globalization and Urban Implosion: Creating New Competitive Advantage' by the same author serve as points of referenc
Scepsi e mito in Remo Cantoni
No full textSkepticism and Myth in Remo Cantoni. The author examines three essays by Remo Cantoni (1914-1978), written in the 1940s, which focus on the relationship between skepticism and myth. The author argues that, for Cantoni, skepticism and myth represent two fundamental polarities of thought. The hypothesis that reason might ultimately overcome myth is, according to Cantoni, erroneous. Instead, the author emphasizes that Cantoni considers a phenomenology of myth essential for understanding it as a necessary dimension in the life of the spirit. According to the author, Cantoni is a philosopher who seeks to interpret the crisis of values and science, striving to remain within a rationalistic framework
Scepsi e mito in Remo Cantoni
No full textSkepticism and Myth in Remo Cantoni. The author examines three essays by Remo Cantoni (1914-1978), written in the 1940s, which focus on the relationship between skepticism and myth. The author argues that, for Cantoni, skepticism and myth represent two fundamental polarities of thought.The hypothesis that reason might ultimately overcome myth is, according to Cantoni, erroneous. Instead, the author emphasizes that Cantoni considers a phenomenology of myth essential for understanding it as a necessary dimension in the life of the spirit.According to the author, Cantoni is a philosopher who seeks to interpret the crisis of values and science, striving to remain within a rationalistic framework
Scepsi e mito in Remo Cantoni
No full textSkepticism and Myth in Remo Cantoni. The author examines three essays by Remo Cantoni (1914-1978), written in the 1940s, which focus on the relationship between skepticism and myth. The author argues that, for Cantoni, skepticism and myth represent two fundamental polarities of thought. The hypothesis that reason might ultimately overcome myth is, according to Cantoni, erroneous. Instead, the author emphasizes that Cantoni considers a phenomenology of myth essential for understanding it as a necessary dimension in the life of the spirit. According to the author, Cantoni is a philosopher who seeks to interpret the crisis of values and science, striving to remain within a rationalistic framework
C'è un grande prato verde
No full textSe è vero che l’erba sintetica è stata abbondantemente studiata in termini di resistenza del manto erboso, costi di gestione e manutenzione, non altrettanto si può dire riguardo alla traumatologia ad essa correlata. Infatti, in letteratura è difficile reperire studi in cui i traumi rilevati nel calcio giocato su superficie sintetica vengono messi in confronto con quelli che accadono quando la superficie di gioco è l’erba naturale. Le lesioni possono quindi essere di due tipi:
• da sovraccarico funzionale (sollecitazione articolare abnorme e/o eccessivamente ripetuta)
• traumatiche (cadute o colpi diretti)
A noi interessano in modo particolare le prime che possono essere conseguenti a superfici irregolari o in pessime condizioni.
Il poter effettuare una partita di calcio richiede sedute di allenamento che prevedono accanto alla tecnica individuale anche situazioni di tattica, inseriti in contesti atletici in cui la corsa è il principale componente. Le distanze percorse, durante una partita di calcio, superano in genere i 12 Km. Queste distanze sono coperte da alternarsi di fasi di cammino, di jogging e di sprint e, a livello professionistico, si possono contare circa 6000 contatti del piede col suolo
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